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Interview with Gail Godwin about Grief Cottage

Started by Rob Neufeld in AC-T Book Reviews Aug 3, 2017.

Ellington in Asheville--a survey

Started by Rob Neufeld in Local History Oct 6, 2017.

Dave Minneman, heroic portrait

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Joan Henehan replied to Joan Henehan's discussion on Reading Living Poem
"Fantastic, that will be very helpful."
Saturday
Rob Neufeld posted a discussion

First Drumbeat

First Drumbeat(Part of Living Poem) The time has come.Call it a drum,Or a crumb,What’s left of life. I used to tell a jokeWhen my life was wide,And I was a stud,And not a dud—I knowI’m not a dud.  I’m a dude,A dad.  But everyone mustRebut the dud chargeAt summing up time. Oh yeah, the joke,A trademark one for meIn that it’s not funny. I used to say I’ll never retireFrom writingBecause if I’m ever…See More
Saturday
Rob Neufeld replied to Joan Henehan's discussion on Reading Living Poem
"Thanks for the prompt, Joan!  I have attached the whole work in progress as a doc at the bottom of the table of contents page: http://thereadonwnc.ning.com/special/living-poem"
Saturday
Joan Henehan replied to Joan Henehan's discussion on Reading Living Poem
"Is there a way from this website to print everything or might you send me such a document to bayjh@icloud.com?"
Saturday
Julia Nunnally Duncan posted an event
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Julia Nunnally Duncan at Marion Branch McDowell County Public Library

October 24, 2018 from 4pm to 5pm
Julia Nunnally Duncan will be launching her new poetry collection A Neighborhood Changes (Finishing Line Press, 2018) at a book presentation and signing to be held at the McDowell County Public Library in Marion on October 24.See More
Friday
Rob Neufeld replied to Joan Henehan's discussion on Reading Living Poem
"This could be interesting--thanks!  I'm at 828-505-1973 (my home business office).  And RNeufeld@charter.net."
Thursday
Joan Henehan replied to Joan Henehan's discussion on Reading Living Poem
"I'll ask the kids, Barb and Ethan, if they have any contacts who might have an interest in this as a unique topic for any performers they know. It might also be something that my friend Ruby Lerner could brainstorm about to her theatre…"
Wednesday
Rob Neufeld replied to Joan Henehan's discussion on Reading Living Poem
"Thanks much, Joan!  I'm trying to get some attention for these poems.  Triple Whammy is def in rap style.  And the beat goes on.  Hugs from me and Bev."
Wednesday
Joan Henehan posted a discussion

on Reading Living Poem

You might be the first ALS-subject-matter rapper. Add some beats and spread it. the time is now...See More
Sep 15
Rob Neufeld posted a discussion

More from the World of ALS

More from the World of ALS (Part of Living Poem)    Negotiating steps is like someone who seeksTo emulate a goat on mountain peaks. Crossing a threshold, limping inIs like the valley-walking of an Olympian. A cane and its grip make a fellow stopTo consider the physics of leans and drops. To know how a forefinger grabs and digsImagine your digits are chestnut twigs When a new drug trial notably…See More
Sep 6
Nancy Werking Poling posted a discussion

RANDALL KENAN SELECTS NANCY WERKING POLING WINNER OF THE 2018 ALEX ALBRIGHT CREATIVE NONFICTION PRIZE

RANDALL KENAN SELECTS NANCY WERKING POLING WINNER OF THE 2018 ALEX ALBRIGHT CREATIVE NONFICTION PRIZE(31 August 2018)Nancy Werking Poling of Black Mountain is the winner of the 2018 Alex Albright Creative Nonfiction Prize competition for "Leander’s Lies." Poling will receive $1000 from the North Carolina Literary Review, thanks to a generous NCLR reader’s donation that allowed this year’s honorarium to increase (from the previous award of $250). Her winning essay will be published in the North…See More
Sep 4
Rob Neufeld shared their discussion on Facebook
Sep 4
Rob Neufeld posted a discussion

Upcoming Rides

Upcoming Rides(Part of Living Poem) I must take a break from writing aboutThe third Lord Granville’s loss of landIn colonial North Carolina to noteI’m losing functionality in my hands. I’m confining my writing to a four-line,Alternate rhyme form, like a horse-fenceFraming a pantomimeOf equine force.  Hence, It’s time to imagine the power of mind,For instance, when a nod or thoughtInstructs a machine to…See More
Aug 26
Ann Miller Woodford updated their profile
Aug 17
Rob Neufeld posted a discussion

The Cherokee and the Colonists

The Epic of the Cherokee and the Colonists            Hernando De Soto stopped in Asheville in 1541            When the Spanish conquistador came through here on his way from the Gulf Coast to Lake Michigan, he encountered big towns, well-used roads, and abandoned homes.   A smallpox epidemic—one of a series of plagues…See More
Aug 17
Connie Regan-Blake posted events
Aug 3

Danger is a crucial element in a mystery novel. A killer is on the loose and no one is safe. But sometimes the killer can be the writer, and the victim, the reader.

I'm talking about when the author turns into a preacher and the story becomes a sermon. Now I am not against using a mystery novel for social commentary. Writing doesn't happen in a moral vacuum, and, after all, isn't a mystery a morality play? As fellow North Carolina author Margaret Maron said there is no topic that can't be dealt with in a mystery novel. The problem occurs when the author's opinions come across so heavy handedly that the issue is not the context for the story but the story becomes the platform for the issue, robbing the reader of the opportunity to draw his or her own conclusions.

One safer technique is to draw from the Past as a way to compare and contrast issues in the Present. I love F. Scott Fitzgerald's last line in 
The Great Gatsby – "So we beat on, boats against the current, borne back ceaselessly into the Past." And William Faulkner's line from Requiem for a Nun – "The Past is never dead. It's not even Past." Pulling the Past into the Present is the way I've structured my Sam Blackman series, and the technique has allowed the reader to examine issues within the context of a story. For example, the 1967 Supreme Court ruling on Loving v. Virginia struck down the old Confederate states' ban on interracial marriage. My novel, A Murder in Passing, investigates a murder that occurred because of that ruling, but Sam and Nakayla, my interracial couple, happened to be investigating that death at the same time North Carolina was voting for a constitutional amendment banning same-sex marriage. The parallels were clear for the readers to see on their own.

In my new Sam Blackman book, 
Hidden Scars, I wanted to address an issue that concerns me, namely the direction of education in North Carolina, where budgets are being slashed in public schools and universities for liberal and fine arts programs. I believe it is important to encourage the imagination and for students to learn how to think and express and not just what to think and express. The book uses famed Black Mountain College as the backdrop for a crime in the Present. For those not familiar with it, the small college near Asheville, NC, existed from 1933 to 1957, had the arts at its core, but taught science, math, and design, combining the imaginative with the pragmatic. Albert Einstein was on the Board of Advisers, world-renowned professors who fled Nazi Germany were on the faculty, and luminaries like Buckminster Fuller were involved in workshops which created his first successful geodesic dome. In the midst of a murder investigation, Sam and Nakayla learn the history of this revolutionary institution, and I hope the reader comes to appreciate its legacy as well.

The only preaching I hope I do in this book comes in what I consider a more appropriate venue - ACKNOWLEDGMENTS. "In the age of The Art of the Deal, the art of being – being loved, being compassionate, being welcoming – is an art I hope all the heroes of my stories personify, and an art we can practice and defend with the assurance that we, readers and writers alike, are on the right side of history."

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