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City Lights Bookstore posted an event

Greening Up The Mountains Poetry Contest Reception at City Lights Bookstore

April 25, 2015 from 1pm to 2pm
The reception for the 2nd annual Greening Up the Mountains Poetry Contest will be at City Lights Bookstore on Saturday, April 25th at 1 p.m. Join us as the winning poets share their poems and collect their prizes.  Students from Jackson County submitted poems that celebrate our mountains and our connection to them in our everyday lives.  The response was wonderful and our judges loved reading what our local students offered. Winners will be announced soon. For any questions please call City…See More
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City Lights Bookstore posted events
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City Lights Bookstore posted events
Saturday
Valerie Nieman posted a blog post

Mountain Words, Mountain Music

Appalachian poet, musician, and raconteur Kirk Judd has a new book and CD package out, "My People Was Music." I thought I'd share part of a Goodreads review I did of the book - I think members of The Read would enjoy this.There is no gussying-up here. This is the plain hard rock undergirding Appalachia. This is the sound of water rushing, the clawhammer banjo sound, the crack of a wedge as it splits that cross-grained stump of oak. Kirk Judd has been making poems for a long time, but like a…See More
Friday
Valerie Nieman posted an event
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Valerie Nieman at City Lights at City Lights Books

July 16, 2015 from 10:30am to 12pm
Coffee With the Poet - Valerie Nieman will read from and discuss her new poetry collection, "Hotel Worthy," poems of love, loss, and survival. See More
Friday
Gary Carter posted a blog post

New Story Published by Deep South Magazine: "Nothing But A House"

It's always an honor to have a new story selected and published, this time by Deep South Magazine -- which I recommend for its coverage of all things Southern and, in particular, its attention to Southern literary voices.Read the story here: "Nothing But A House" by Gary CarterComments are always welcome. Deep South Magazine actually has a unique comment section following each story.See More
Mar 26
MARYROSE McWHIRTER updated their profile
Mar 26
Rob Neufeld posted discussions
Mar 26
Rob Neufeld posted discussions
Mar 24
City Lights Bookstore posted events
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City Lights Bookstore posted events
Mar 18
Rob Neufeld posted a discussion

Monday's Lie by Jamie Mason

Asheville thriller writer Mason broods with the bestby Rob Neufeld             “Everything you need for measuring a person,” Dee Vess, the heroine and narrator of Jamie Mason’s novel, “Monday’s Lie,” reflects, “can be found in the nature of what he chooses to hide from everyone else.”            It’s a sign of how…See More
Mar 18
Lockie Hunter posted an event
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West End Poetry and Prose Reading Series March Reading at West End Bakery

March 14, 2015 from 7pm to 9pm
We are back for a new Spring session of our Poetry and Prose Reading Series! We hope you are able to join us again Saturday, March 14th, 7pm at the West End Bakery for a wonderful Free family-friendly evening of prose, poetry and storytelling from a group of fabulous local writers.This month we will be featuring: Tommy HaysCaroline Wilson Dalton Dayand Leah ShapiroHosted by Lockie Hunter and our friends at the West End Bakery Cathy Cleary and Krista Stearns.See More
Mar 11
Lockie Hunter posted photos
Mar 11
Sue Diehl posted an event
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William Forstchen discussing his Pillar to the Sky at Bell Library at Montreat College

March 24, 2015 from 3pm to 6pm
Dr. William Forstchen will be the guest author at the Montreat Community Book Club on March 24, 2015 at Bell Library, Montreat College at 3:00.  He will be discussing his novel Pillar to Sky Public is invited.See More
Mar 10
Rob Neufeld posted a discussion

Asheville Poetry Review 20th Anniversary Anthology--and event

Asheville Poetry Review produces 20-year anthologyby Rob Neufeld             The two most remarkable things about the Asheville Poetry Review have been its diversity and quality.  Yes, Asheville, you’ve got a poetry journal of special note here.            Now, 20 years after its locally born…See More
Mar 8

Great novel plays with a man’s conscience and memory

by Rob  Neufeld

 

            The Sense of an Ending by Julian Barnes is a different kind of mystery—not the whodunit variety, which has no real sense of closure, except in a legal sense; or in the relief of having a threat extinguished.

            The mystery in this novel has to do with a caring, self-centered person’s need to resolve, forty years after the fact, his part in a relationship with a puzzling girlfriend and a friend’s suicide.

            “You just don’t get it, do you?” Veronica, the girlfriend, tells the narrator, Tony Webster, on several occasions.

            The Sense of the Ending, is the subject of Book Discussion X at Accent on Books, 7 p.m., Thurs., Mar. 14.

 

Great storytelling

 

            Barnes’ novel has comedy, great dialogue, plot surprises, and anecdotes—but, right from the start, it’s Tony’s philosophical seriousness that does the main carrying job.

            The first paragraph is in some ways not typical of the book.  “I remember in no particular order,” the narrator prefaces, launching into a list of six seemingly unrelated images, including one graphic one.

            He then talks about the way time has nothing to with a clock, and he eases into his school days at an English private school.  Tony and his sardonic pals were fake smart, and wanted to lead lives like the ones in great literature.  Enter, Adrian, un-flippant and brilliant, and a magnet of interest like Sophie to Stingo in William Styron’s Sophie’s Choice.

            When Old Joe Hunt, history teacher, asks his class, “What is history?”, Adrian responds, it is “the certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.” 

            “Would you care to give an example?” the teacher says.

            “Robson’s suicide, sir.” The school had just received news about a student whom the boys barely knew, and Adrian wanted to show that even events not obscured by centuries were beyond mysterious.  

 

Memories float up

 

            On page 31, one of the random impressions noted in the novel’s first paragraph—“steam rising from a wet sink as a hot frying pan is laughingly tossed into it”—comes to the surface and fleshes out.

            Tony has graduated from secondary school and found his first serious girlfriend, Veronica.  Veronica is enigmatic, manipulative, or troubled—it’s hard to tell.  Tony visits her family for the first time, and finds them snobbishly mocking, except for Veronica’s mother, Mrs. Ford.

            One morning, after Veronica, her father, and her brother take off on an outing, letting Tony sleep in, he is treated to breakfast by Mrs. Ford, whom the brother refers to as “the mother.”  Tony notices a couple of seemingly insignificant gestures—including her tossing of the frying pan.  Mrs. Ford says—memorably, as it turns out—“Don’t let Veronica get away with too much.” 

            As a reader, I get great pleasure from the surfacing of previously unexplained references.  We know more will follow.  And it has so much to do with the big story.  Isn’t it odd, we think, how a tiny moment in our past can attain much bigger dramatic status than big events?

            Tony and Veronica break up, and she, he learns in a letter, hooks up with Adrian.  He writes Adrian a letter, advising him “to be prudent, because in my opinion Veronica has suffered damage a long way back.”

            Later on in the novel, he—and we—get another account of that warning letter, and it is a shock.  Memory is selective, it seems. For  the moment, Tony goes into a meditation about the damage that “we all suffer.”

            He’s groping. 

            One more revelation.  It’s something of a spoiler, but the book’s flyleaf also gives it away.  Adrian commits suicide, and Tony inherits from Mrs. Ford 500 pounds and Adrian’s diary.  This is a mystery that must be explained.

            We’re on page 69, and at the beginning of part two of the novel.

 

Obsession

 

            The second, and larger, part of The Sense of an Ending, involves Tony as a 60-year-old.  The poor guy is obsessed with his past.

            He consults his ex-wife, Margaret.  (He had married and divorced a woman who is Veronica’s opposite—she has a low opinion of mysteriousness.)

            Margaret suggests he take the money from Mrs. Ford and take Margaret on a holiday. 

            “If she’d wanted me to spend the money on a holiday for two,” Tony muses about his straightforward ex, “she’d have said so.  Yes, I realize that’s exactly what she did say, but…”

            The painfulness of Tony’s predicament—his struggle and dimly dawning awareness of his lack of a great life (like John Marcher in Henry James’ story, “The Beast in the Jungle”)—contains a lot of humor, and Barnes is a virtuoso in mining that for pace and poignancy.

            At one point, Veronica takes him on a wild drive to give him a clue about what’s what, and Tony, thinking he has the sane person’s upper hand, irritates her with a barrage of banalities.

            “This is a very interesting part of town,” he says.

            “There are a lot of fat people around nowadays,” he says.

            Let me tell you about the novel’s ending.   This is not in the least a give-away because Barnes leaves you with Tony saying he’s finally figured things out, but he doesn’t reveal what.  Barnes tells you what memories Tony is targeting, but not their explanations.

            Isn’t that the mark of a great book?  You want to keep thinking about it after you’ve put it down.

 

THE BOOK

The Sense of an Ending by Julian Barnes (Knopf, 2011, 169 pages, $23.95; Vintage trade paper, 2012, $14.95).  The novel was short-listed for the 2011 Man Booker Prize.

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