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William Roy Pipes posted a blog post

Peachtree – Local author William Roy Pipes announces the release of his two books – Mammy: A Term of Endearment and A Haven for Willa Mae. Mammy: A Term of Endearment, is a fictional story of the sla…

Peachtree – Local author William RoyPipes announces the release of his two books– Mammy: A Term of Endearment and A Havenfor Willa Mae.Mammy: A Term of Endearment, is a fictionalstory of the slavery of a black woman whoafter being freed became my father’s mammy.Some feel the word Mammy is a racial term,but Pipes’ father considered it a term of endearment.It’s a story of the discrimination many blacksand poor whites still face today, not only in theSouth but also in the North. It is a story of…See More
Jul 25
City Lights Bookstore posted events
Jul 25
William Roy Pipes commented on William Roy Pipes's blog post Mammy: A term of Endearment
"A Haven for Willa Mae    A Haven for Willa Mae is the first of a two series novels. It is a novel containing danger, suspense, romance and treachery along with abuse, deceit, murder, kidnapping, and insanity. It is a gripping action packed…"
Jul 20
City Lights Bookstore posted events
Jul 18
William Roy Pipes posted a blog post

Mammy: A term of Endearment

Mammy: A Term of Endearment    I have a new novel I titled, Mammy: A Term of Endearment. Mammy is a fictional story of the slavery of a black woman who after being freed became my father’s mammy. Some feel the word Mammy is a racial term, but my father considered it a term of endearment.    It’s a story of the discrimination many blacks and poor whites still face today, not only in the south but also in the north. It is a story of love, hate, romance, and humor.    Included in the novel are…See More
Jul 17
Rob Neufeld posted a discussion

Finding a great book beyond the in-crowd mainstream

A new way to find great new booksby Rob Neufeld            I keep searching for ways to be as open as possible to great books as they come out.  It’s not easy because: 1) our guides—publishers and reviewers—follow certain channels, comparable to radio playlists, to stay smart; and 2) a random approach is impractical.            Readers’ online reviews help, but there’s too much; I need a filter, based partly on authority.  I could ask people in person—and that’s pretty interesting.  Rarely do…See More
Jul 15
Rob Neufeld posted a discussion

Robert Beatty's Serafina and the art of YA fantasy

How to write a youth fantasy: introducing Serafinaby Rob Neufeld             Begin in the basement of the recently constructed Biltmore House with a girl who’s been in hiding there from infancy to her 12th year—for good reasons—and follow that lead to a media sensation that seeks to join “Frozen” in…See More
Jul 12
Fred Weyler replied to Rob Neufeld's discussion Robert Henry revealed by Rick Russell book
"LP Summers mentioned Samuel Talbot in "History of SW VA" then withdrew him from militia list in more accurate "Annals of SW VA" probably because there was no such person in the county records. Robert Henry set high standards for…"
Jul 11
Rob Neufeld posted a discussion

"Us versus Them" does not help fight against racism; worsens sectionalism

“Us versus them” is not good historyby Rob Neufeld             Writing about history and the complex lives that play out within it does not sell as well as team spirit, especially in this age of clicks and likes.            I recently confronted this truth when I wrote my article last week about the minds of our leaders in 1851. The word “slavery” was added to the headline to alert people to its relevance.  Seeing that term connected people to a cause they felt strongly about, particularly in…See More
Jul 11
City Lights Bookstore posted events
Jul 4
Christine Lajewski posted a blog post

Suitcase Charlie: A Recommended Crime Thriller

     John Guzlowski is a writer and poet whose parents were forced laborers in Poland during WW II. He was born in a refugee camp before he came with his family to live in the Polish neighborhoods of Chicago. Already a highly regarded poet, he turned his childhood memories (including some gruesome child murders) into a novel titled SUITCASE CHARLIE.    Two war-weary Chicago detectives investigate a series of horrifying child murders. Before the crimes are solved, the reader follows the…See More
Jul 1
William Roy Pipes posted a discussion

Mammy, A Term of Endearment

I read Rob Neufield's article Visit OUR PAST in today's Asheville Citizen-Times.It was a super article, but caused me to want to share my novel:  Mammy: A Term of Endearment.Mammy: A Term of Endearment. is now available as an ebook on Kindle, but the publisher, Ecanus Publishing, Great Britain tells me the paperback edition will be out soon (2 to 3 weeks).The novel is fiction but came from my father who was born in 1895. Due to his mother's sickness Grandpa hired her to be a Mammy to my father,…See More
Jun 29
City Lights Bookstore posted events
Jun 27
Rob Neufeld posted discussions
Jun 24
City Lights Bookstore posted events
Jun 9
Shannon Quinn-Tucker posted an event
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Writers on the Rock at Chimney Rock, NC

June 28, 2015 from 1pm to 4pm
The culture and heritage of Appalachia is an experience like no other, and it serves as the perfect backdrop for a variety of storytelling. View the soaring cliffs and stunning valleys of Chimney Rock and the Hickory Nut Gorge as you get to know your favorite author and meet new ones. Join Ann B. Ross, Tommy Hays, Sheri Castle, Evan Williams and more as they share their experiences and autograph copies of their books. A selection of titles by each author will be available for sale. See…See More
Jun 8

Great novel plays with a man’s conscience and memory

by Rob  Neufeld

 

            The Sense of an Ending by Julian Barnes is a different kind of mystery—not the whodunit variety, which has no real sense of closure, except in a legal sense; or in the relief of having a threat extinguished.

            The mystery in this novel has to do with a caring, self-centered person’s need to resolve, forty years after the fact, his part in a relationship with a puzzling girlfriend and a friend’s suicide.

            “You just don’t get it, do you?” Veronica, the girlfriend, tells the narrator, Tony Webster, on several occasions.

            The Sense of the Ending, is the subject of Book Discussion X at Accent on Books, 7 p.m., Thurs., Mar. 14.

 

Great storytelling

 

            Barnes’ novel has comedy, great dialogue, plot surprises, and anecdotes—but, right from the start, it’s Tony’s philosophical seriousness that does the main carrying job.

            The first paragraph is in some ways not typical of the book.  “I remember in no particular order,” the narrator prefaces, launching into a list of six seemingly unrelated images, including one graphic one.

            He then talks about the way time has nothing to with a clock, and he eases into his school days at an English private school.  Tony and his sardonic pals were fake smart, and wanted to lead lives like the ones in great literature.  Enter, Adrian, un-flippant and brilliant, and a magnet of interest like Sophie to Stingo in William Styron’s Sophie’s Choice.

            When Old Joe Hunt, history teacher, asks his class, “What is history?”, Adrian responds, it is “the certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.” 

            “Would you care to give an example?” the teacher says.

            “Robson’s suicide, sir.” The school had just received news about a student whom the boys barely knew, and Adrian wanted to show that even events not obscured by centuries were beyond mysterious.  

 

Memories float up

 

            On page 31, one of the random impressions noted in the novel’s first paragraph—“steam rising from a wet sink as a hot frying pan is laughingly tossed into it”—comes to the surface and fleshes out.

            Tony has graduated from secondary school and found his first serious girlfriend, Veronica.  Veronica is enigmatic, manipulative, or troubled—it’s hard to tell.  Tony visits her family for the first time, and finds them snobbishly mocking, except for Veronica’s mother, Mrs. Ford.

            One morning, after Veronica, her father, and her brother take off on an outing, letting Tony sleep in, he is treated to breakfast by Mrs. Ford, whom the brother refers to as “the mother.”  Tony notices a couple of seemingly insignificant gestures—including her tossing of the frying pan.  Mrs. Ford says—memorably, as it turns out—“Don’t let Veronica get away with too much.” 

            As a reader, I get great pleasure from the surfacing of previously unexplained references.  We know more will follow.  And it has so much to do with the big story.  Isn’t it odd, we think, how a tiny moment in our past can attain much bigger dramatic status than big events?

            Tony and Veronica break up, and she, he learns in a letter, hooks up with Adrian.  He writes Adrian a letter, advising him “to be prudent, because in my opinion Veronica has suffered damage a long way back.”

            Later on in the novel, he—and we—get another account of that warning letter, and it is a shock.  Memory is selective, it seems. For  the moment, Tony goes into a meditation about the damage that “we all suffer.”

            He’s groping. 

            One more revelation.  It’s something of a spoiler, but the book’s flyleaf also gives it away.  Adrian commits suicide, and Tony inherits from Mrs. Ford 500 pounds and Adrian’s diary.  This is a mystery that must be explained.

            We’re on page 69, and at the beginning of part two of the novel.

 

Obsession

 

            The second, and larger, part of The Sense of an Ending, involves Tony as a 60-year-old.  The poor guy is obsessed with his past.

            He consults his ex-wife, Margaret.  (He had married and divorced a woman who is Veronica’s opposite—she has a low opinion of mysteriousness.)

            Margaret suggests he take the money from Mrs. Ford and take Margaret on a holiday. 

            “If she’d wanted me to spend the money on a holiday for two,” Tony muses about his straightforward ex, “she’d have said so.  Yes, I realize that’s exactly what she did say, but…”

            The painfulness of Tony’s predicament—his struggle and dimly dawning awareness of his lack of a great life (like John Marcher in Henry James’ story, “The Beast in the Jungle”)—contains a lot of humor, and Barnes is a virtuoso in mining that for pace and poignancy.

            At one point, Veronica takes him on a wild drive to give him a clue about what’s what, and Tony, thinking he has the sane person’s upper hand, irritates her with a barrage of banalities.

            “This is a very interesting part of town,” he says.

            “There are a lot of fat people around nowadays,” he says.

            Let me tell you about the novel’s ending.   This is not in the least a give-away because Barnes leaves you with Tony saying he’s finally figured things out, but he doesn’t reveal what.  Barnes tells you what memories Tony is targeting, but not their explanations.

            Isn’t that the mark of a great book?  You want to keep thinking about it after you’ve put it down.

 

THE BOOK

The Sense of an Ending by Julian Barnes (Knopf, 2011, 169 pages, $23.95; Vintage trade paper, 2012, $14.95).  The novel was short-listed for the 2011 Man Booker Prize.

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