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Ali Mangkang posted events
Wednesday
Gary Carden commented on Gary Carden's event Gary Neil Carden
"The time of the March 6 performance is 7:30 p.m."
Wednesday
Gary Carden posted an event

Gary Neil Carden at A-B Tech

March 6, 2015 at 7pm to March 7, 2015 at 2pm
WNC Historical Association will sponsor a concert (staged) reading of Gary Carden's play, "The Raindrop Waltz" in the Ferguson Auditorium on March 6th at 7:00 and March 7th at 2:00pm. The playwright will attend the performances and will enter into a dialogue with the audience about the autobiographical content of the play. A-B Tech is on 340 Victoria Road in Asheville.See More
Tuesday
Spellbound posted events
Feb 20
Jerald Pope posted an event

Reading cancelled tonight at Black Mountain

February 19, 2015 from 6pm to 7pm
The reading on Thursday, Feb 19 of David Madden's new book at the Monte Vista Hotel in Black Mountain has been cancelled. It will be rescheduled. See More
Feb 19
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Feb 10
Jerald Pope posted an event

Madden Reads from Latest Collection of Short Stories at Monte Vista Hotel

February 19, 2015 from 6pm to 7pm
The Black Mountain Authors Guild will present local author David Madden reading from his collection of short stories, The Last Bizarre Tale­, Thursday, February 19, 6pm, at the Monte Vista Hotel. With titles like “Who Killed Harpo Marx?” and “James Agee Never Lived in This House,” Maddens stories range wide over time, geography, and the human soul. In “The Last Bizarre Tale,” for example, a young man witnesses strange behavior involving a corpse that has hung on a hook in a funeral home garage…See More
Feb 9
Michael Hopping updated their profile
Feb 9
Jane Blue posted an event

Earth Week Celebration in Andrews NC at Andrews NC, various location throughout the town

April 22, 2015 to April 26, 2015
A special celebration honoring the local and regional talents of Andrews NC and Cherokee County, featuring author readings and book signings by Gary Carden, Wayne Caldwell, Anna Berenyi and hopefully more authors of Appalachia. Drummings, Native American crafts, Nature walks, Backyard remedies, Native Bees, Animals of the Forest, Country and Blue Grass Music and so much more.See More
Feb 4
Ali Mangkang updated their profile
Jan 28
Ali Mangkang posted an event

Thomas Wolfe Memorial Literary Award at Asheville Renaissance Hotel

February 7, 2015 from 5pm to 7pm
Honoring Author Robert Morgan for his selected work"The Road From Gap Creek". The presentation of the award includes a reading followed by a reception.For more informationSee More
Jan 28
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Jan 27
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An Evening with Barbara Woodall at Splendor Mountain at Splendor Mountain

January 27, 2015 from 6pm to 8pm
Barbara Taylor Woodall was born and raised in Rabun County Georgia. This county touches both North Carolina and South Carolina, so you can already guess it was a special place to grow a child. Barbara wrote about her life as a child and the wonderful people God joined her to as she grew and learned. It's Not My Mountain Anymore tells some of these stories. Barbara will share from her book and from her life, June 6, 2015 at Splendor Mountain.See More
Jan 27
Avery Ray McKinney Jr. updated their profile
Jan 23
City Lights Bookstore posted an event
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David Joy Presents His Debut Novel at City Lights Bookstore

March 6, 2015 from 6:30pm to 8pm
Webster author, David Joy will present his new novel on Friday, March 6th at 6:30 p.m. at City Lights Bookstore.  Where All Light Tends to Go, a staff pick of both Chris and Eon, is set in Jackson County and tells the story of Jacob McNeely, a young man who is in a fight against his fate. “Expertly balancing beauty and brutality, David has written a novel that stays with the reader long after the final page has been read.  Where All Light Tends to Go, though very much an Appalachian tale, is…See More
Jan 22
City Lights Bookstore posted events
Jan 21

Great novel plays with a man’s conscience and memory

by Rob  Neufeld

 

            The Sense of an Ending by Julian Barnes is a different kind of mystery—not the whodunit variety, which has no real sense of closure, except in a legal sense; or in the relief of having a threat extinguished.

            The mystery in this novel has to do with a caring, self-centered person’s need to resolve, forty years after the fact, his part in a relationship with a puzzling girlfriend and a friend’s suicide.

            “You just don’t get it, do you?” Veronica, the girlfriend, tells the narrator, Tony Webster, on several occasions.

            The Sense of the Ending, is the subject of Book Discussion X at Accent on Books, 7 p.m., Thurs., Mar. 14.

 

Great storytelling

 

            Barnes’ novel has comedy, great dialogue, plot surprises, and anecdotes—but, right from the start, it’s Tony’s philosophical seriousness that does the main carrying job.

            The first paragraph is in some ways not typical of the book.  “I remember in no particular order,” the narrator prefaces, launching into a list of six seemingly unrelated images, including one graphic one.

            He then talks about the way time has nothing to with a clock, and he eases into his school days at an English private school.  Tony and his sardonic pals were fake smart, and wanted to lead lives like the ones in great literature.  Enter, Adrian, un-flippant and brilliant, and a magnet of interest like Sophie to Stingo in William Styron’s Sophie’s Choice.

            When Old Joe Hunt, history teacher, asks his class, “What is history?”, Adrian responds, it is “the certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.” 

            “Would you care to give an example?” the teacher says.

            “Robson’s suicide, sir.” The school had just received news about a student whom the boys barely knew, and Adrian wanted to show that even events not obscured by centuries were beyond mysterious.  

 

Memories float up

 

            On page 31, one of the random impressions noted in the novel’s first paragraph—“steam rising from a wet sink as a hot frying pan is laughingly tossed into it”—comes to the surface and fleshes out.

            Tony has graduated from secondary school and found his first serious girlfriend, Veronica.  Veronica is enigmatic, manipulative, or troubled—it’s hard to tell.  Tony visits her family for the first time, and finds them snobbishly mocking, except for Veronica’s mother, Mrs. Ford.

            One morning, after Veronica, her father, and her brother take off on an outing, letting Tony sleep in, he is treated to breakfast by Mrs. Ford, whom the brother refers to as “the mother.”  Tony notices a couple of seemingly insignificant gestures—including her tossing of the frying pan.  Mrs. Ford says—memorably, as it turns out—“Don’t let Veronica get away with too much.” 

            As a reader, I get great pleasure from the surfacing of previously unexplained references.  We know more will follow.  And it has so much to do with the big story.  Isn’t it odd, we think, how a tiny moment in our past can attain much bigger dramatic status than big events?

            Tony and Veronica break up, and she, he learns in a letter, hooks up with Adrian.  He writes Adrian a letter, advising him “to be prudent, because in my opinion Veronica has suffered damage a long way back.”

            Later on in the novel, he—and we—get another account of that warning letter, and it is a shock.  Memory is selective, it seems. For  the moment, Tony goes into a meditation about the damage that “we all suffer.”

            He’s groping. 

            One more revelation.  It’s something of a spoiler, but the book’s flyleaf also gives it away.  Adrian commits suicide, and Tony inherits from Mrs. Ford 500 pounds and Adrian’s diary.  This is a mystery that must be explained.

            We’re on page 69, and at the beginning of part two of the novel.

 

Obsession

 

            The second, and larger, part of The Sense of an Ending, involves Tony as a 60-year-old.  The poor guy is obsessed with his past.

            He consults his ex-wife, Margaret.  (He had married and divorced a woman who is Veronica’s opposite—she has a low opinion of mysteriousness.)

            Margaret suggests he take the money from Mrs. Ford and take Margaret on a holiday. 

            “If she’d wanted me to spend the money on a holiday for two,” Tony muses about his straightforward ex, “she’d have said so.  Yes, I realize that’s exactly what she did say, but…”

            The painfulness of Tony’s predicament—his struggle and dimly dawning awareness of his lack of a great life (like John Marcher in Henry James’ story, “The Beast in the Jungle”)—contains a lot of humor, and Barnes is a virtuoso in mining that for pace and poignancy.

            At one point, Veronica takes him on a wild drive to give him a clue about what’s what, and Tony, thinking he has the sane person’s upper hand, irritates her with a barrage of banalities.

            “This is a very interesting part of town,” he says.

            “There are a lot of fat people around nowadays,” he says.

            Let me tell you about the novel’s ending.   This is not in the least a give-away because Barnes leaves you with Tony saying he’s finally figured things out, but he doesn’t reveal what.  Barnes tells you what memories Tony is targeting, but not their explanations.

            Isn’t that the mark of a great book?  You want to keep thinking about it after you’ve put it down.

 

THE BOOK

The Sense of an Ending by Julian Barnes (Knopf, 2011, 169 pages, $23.95; Vintage trade paper, 2012, $14.95).  The novel was short-listed for the 2011 Man Booker Prize.

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