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Appalachian Culture Through Song and Memoir at City Lights Bookstore

August 8, 2014 from 6:30pm to 8pm
Join us at City Lights Bookstore on Friday, August 8th at 6:30 p.m. as Jeremy Jones explores the culture and history of the Blue Ridge Mountains through song and reading. Performing old-time banjo tunes and reading excerpts from his book Bearwallow: A Personal History of a Mountain Homeland, he presents the sounds and stories of his native Appalachian mountains in a blending of personal narrative and folklore. In Bearwallow, his first book, Jones turns his attention to the complex and rich…See More
Saturday
Rob Neufeld posted a discussion

A Shelter of Others by Charles Dodd White

Mountain writer expresses a cry for countryby Rob Neufeld             There’s a scene in Charles Dodd White’s new novel, “A Shelter of Others,” in which a character topples twenty feet off a ledge in a national forest and is saved by some kind of “solid bulk” that interrupts his fall.            He has landed on a…See More
Thursday
Michael Davenport replied to Rob Neufeld's discussion Q&A about Asheville water system and the current state initiative
"Nicely done, and informative. I look forward to part 2."
Jul 18
City Lights Bookstore posted events
Jul 17
City Lights Bookstore posted events
Jul 12
Rob Neufeld posted a discussion

Behind the Beautiful Forevers by Katherine Boo

Life among the poorest is eye-openerby Rob Neufeld             Enlightened and sobered by Katherine Boo’s account of political amorality and human behavior in “Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity,” I was also amazed by her narrative achievement.            The book is…See More
Jul 7
City Lights Bookstore posted events
Jul 5
Dave Turner posted a blog post

Does anyone need a good proofreader?

My company, Dave Turner Creative, has just Dave Turner Creative has formed a new partnership with expert proofreader Rebecca Lang. Here are her credentials, experience and specialties:http://daveturnercreative.com/proofreadingAll the best,Dave Turner, author of Billy Ray's…See More
Jul 2
Rob Neufeld posted a discussion

Book discussions in WNC, July 2014

WNC BOOK DISCUSSION CALENDAR, JULY 2014Tuesday, July 1WILD BOOK CLUB: The WILD Book Club discusses “The Interestings” by Meg Wolitzer at the Battery Park Book Exchange, 1 Page Ave., Asheville, 7 p.m. Call 254-6734.BOOK DISCUSSION: “A Tale for the Time Being” by Ruth Ozeki is the subject of a book discussion at the Weaverville…See More
Jun 28
City Lights Bookstore posted events
Jun 28
City Lights Bookstore posted events
Jun 21
Kathryn Hall posted a blog post

Summer issue of GreenPrints is out!

The summer issue of GreenPrints is out! You probably know it's published right there in Fairview by Pat Stone, former longtime gardening editor of Mother Earth News! He's graciously included an excerpt of one of my favorite stories from my book Plant Whatever Brings You Joy: Blessed Wisdom from the Garden, which I do hope you will enjoy! He's also going to be making the book available on his site, soon! Thank you, Pat Stone! …See More
Jun 20
Sharon Gruber posted an event

Screening of "Stark Love" filmed in NC in 1929 at A-B Tech Ferguson Auditorium

June 21, 2014 from 2pm to 4pm
The movie, filmed in 1929 in Graham County NC, accompanies the Asheville History Center's "Hillbilly Land" exhibition.See More
Jun 19
Jerald Pope left a comment for Rob Neufeld
"Hey Rob, Can you make it to the reading tonight? If not, where can I send you a copy of the book? Best to email me at <jerry@harebrandideas.com>"
Jun 19
Jerald Pope posted an event

Jerry Pope reads New novel at Monte Visa Hotel

June 19, 2014 from 6pm to 7pm
Local artist and Swannanoa Valley historian Jerald Pope is releasing his first novel, “The Elvis Tooth.” Pope describes the book as “a comic, historical, action-packed beach book, about Black Mountain that combines real history and stories with a time travel flair,” The titular tooth, the key McGuffin in the story, was an actual tooth pulled from Elvis Presley’s mouth in Black Mountain by Dr. Love in 1975. Pope is best known locally for the “Way Back When” series of plays that ran at the Black…See More
Jun 19
Caralyn Davis posted a blog post

My Short Story "Belong" Published at Word Riot

May entertain, but it is a little edgy, NSFW (not safe for work) as the kids say, so consider yourself warned: http://www.wordriot.org/archives/7026See More
Jun 18

Great novel plays with a man’s conscience and memory

by Rob  Neufeld

 

            The Sense of an Ending by Julian Barnes is a different kind of mystery—not the whodunit variety, which has no real sense of closure, except in a legal sense; or in the relief of having a threat extinguished.

            The mystery in this novel has to do with a caring, self-centered person’s need to resolve, forty years after the fact, his part in a relationship with a puzzling girlfriend and a friend’s suicide.

            “You just don’t get it, do you?” Veronica, the girlfriend, tells the narrator, Tony Webster, on several occasions.

            The Sense of the Ending, is the subject of Book Discussion X at Accent on Books, 7 p.m., Thurs., Mar. 14.

 

Great storytelling

 

            Barnes’ novel has comedy, great dialogue, plot surprises, and anecdotes—but, right from the start, it’s Tony’s philosophical seriousness that does the main carrying job.

            The first paragraph is in some ways not typical of the book.  “I remember in no particular order,” the narrator prefaces, launching into a list of six seemingly unrelated images, including one graphic one.

            He then talks about the way time has nothing to with a clock, and he eases into his school days at an English private school.  Tony and his sardonic pals were fake smart, and wanted to lead lives like the ones in great literature.  Enter, Adrian, un-flippant and brilliant, and a magnet of interest like Sophie to Stingo in William Styron’s Sophie’s Choice.

            When Old Joe Hunt, history teacher, asks his class, “What is history?”, Adrian responds, it is “the certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.” 

            “Would you care to give an example?” the teacher says.

            “Robson’s suicide, sir.” The school had just received news about a student whom the boys barely knew, and Adrian wanted to show that even events not obscured by centuries were beyond mysterious.  

 

Memories float up

 

            On page 31, one of the random impressions noted in the novel’s first paragraph—“steam rising from a wet sink as a hot frying pan is laughingly tossed into it”—comes to the surface and fleshes out.

            Tony has graduated from secondary school and found his first serious girlfriend, Veronica.  Veronica is enigmatic, manipulative, or troubled—it’s hard to tell.  Tony visits her family for the first time, and finds them snobbishly mocking, except for Veronica’s mother, Mrs. Ford.

            One morning, after Veronica, her father, and her brother take off on an outing, letting Tony sleep in, he is treated to breakfast by Mrs. Ford, whom the brother refers to as “the mother.”  Tony notices a couple of seemingly insignificant gestures—including her tossing of the frying pan.  Mrs. Ford says—memorably, as it turns out—“Don’t let Veronica get away with too much.” 

            As a reader, I get great pleasure from the surfacing of previously unexplained references.  We know more will follow.  And it has so much to do with the big story.  Isn’t it odd, we think, how a tiny moment in our past can attain much bigger dramatic status than big events?

            Tony and Veronica break up, and she, he learns in a letter, hooks up with Adrian.  He writes Adrian a letter, advising him “to be prudent, because in my opinion Veronica has suffered damage a long way back.”

            Later on in the novel, he—and we—get another account of that warning letter, and it is a shock.  Memory is selective, it seems. For  the moment, Tony goes into a meditation about the damage that “we all suffer.”

            He’s groping. 

            One more revelation.  It’s something of a spoiler, but the book’s flyleaf also gives it away.  Adrian commits suicide, and Tony inherits from Mrs. Ford 500 pounds and Adrian’s diary.  This is a mystery that must be explained.

            We’re on page 69, and at the beginning of part two of the novel.

 

Obsession

 

            The second, and larger, part of The Sense of an Ending, involves Tony as a 60-year-old.  The poor guy is obsessed with his past.

            He consults his ex-wife, Margaret.  (He had married and divorced a woman who is Veronica’s opposite—she has a low opinion of mysteriousness.)

            Margaret suggests he take the money from Mrs. Ford and take Margaret on a holiday. 

            “If she’d wanted me to spend the money on a holiday for two,” Tony muses about his straightforward ex, “she’d have said so.  Yes, I realize that’s exactly what she did say, but…”

            The painfulness of Tony’s predicament—his struggle and dimly dawning awareness of his lack of a great life (like John Marcher in Henry James’ story, “The Beast in the Jungle”)—contains a lot of humor, and Barnes is a virtuoso in mining that for pace and poignancy.

            At one point, Veronica takes him on a wild drive to give him a clue about what’s what, and Tony, thinking he has the sane person’s upper hand, irritates her with a barrage of banalities.

            “This is a very interesting part of town,” he says.

            “There are a lot of fat people around nowadays,” he says.

            Let me tell you about the novel’s ending.   This is not in the least a give-away because Barnes leaves you with Tony saying he’s finally figured things out, but he doesn’t reveal what.  Barnes tells you what memories Tony is targeting, but not their explanations.

            Isn’t that the mark of a great book?  You want to keep thinking about it after you’ve put it down.

 

THE BOOK

The Sense of an Ending by Julian Barnes (Knopf, 2011, 169 pages, $23.95; Vintage trade paper, 2012, $14.95).  The novel was short-listed for the 2011 Man Booker Prize.

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