Affiliated Networks


Badge

Loading…

Latest Activity

Christine Lajewski posted a blog post

Tribute to Ashley

One of my closest friends, Rachelle, lost her daughter to a canoeing accident on a frigid November night in 2005.  I wrote a poem as a tribute to Ashley, which was later published in Deep Waters, the Tall Grass Writers' Guild 2012 anthology.  As we approach the 9th anniversary of the loss of this lovely young woman, I have posted the poem in my blog at Christine-lajewski.squarespace.com I think any "likes" would be appreciated by Rachelle.  Thank you for reading it.See More
15 hours ago
Lockie Hunter posted an event
Thumbnail

West End Poetry and Prose reading series: November edition at West End Bakery

November 22, 2014 from 7pm to 9pm
Join us for the 3rd in the West End reading series. This month we have 5 wonderful local authors. This is a marvelous Free family-friendly evening of prose, poetry, and storytelling featuring some of your favorite local Asheville writers. November's lineup includes:Allan Wolf Katey Schultz Matthew Olzmann Melissa Crowe Alli Marshallhosted by Lockie HunterSee More
Thursday
Rob Neufeld posted a discussion

Ellison's new look at Kephart in Our Southern Highlanders, 3d edition

Ellison retells Kephart and broadens a legacyby Rob Neufeld             One of the most influential people in our region’s history—Horace Kephart, the controversial and fascinating genius of the Great Smokies—has warranted a new consideration by George Ellison, a long-time scholar of Kephart’s life and…See More
Tuesday
Rob Neufeld posted discussions
Nov 15
Spellbound posted an event
Thumbnail

December ROYAL Book Club: Sabriel at Spellbound Children's Bookshop

December 7, 2014 from 4pm to 5pm
ROYAL is Spellbound’s monthly book club for adult Readers of Young Adult Literature. We meet the first Sunday of each month at 4:00PM. Anyone over 18 is welcome, no RSVP necessary. Book club selections are always 20% off until the day of the meeting.See More
Nov 15
City Lights Bookstore posted an event
Thumbnail

Tangible Evidence of Jesus at City Lights Bookstore

December 7, 2014 from 2pm to 3pm
Sylva author, Mary Joyce will present her book Tangible Evidence of Jesus on Sunday, December 7th at 2 p.m. at City Lights Bookstore. Tangible Evidence of Jesus was written after the Joyce plodded through much archaeological evidence and academic research. It is intended to be a bridge between scholarly researchers and most of the rest of us. It also was written for those who would like proof of Jesus beyond what is written in Christian Bibles. The writing style deliberately is condensed and to…See More
Nov 15
Renea Winchester shared City Lights Bookstore's event on Twitter
Nov 13
Renea Winchester is attending City Lights Bookstore's event
Thumbnail

The Charm of a Simple Country Farm at City Lights Bookstore

November 15, 2014 from 3pm to 4:30pm
On Saturday, November 15th at 3 p.m. Renea Winchester will visit City Lights Bookstore to present her new book, Farming Friends & Fried Bologna Sandwiches. Decades before the Farm-to-Table and Sustainable Living movement, Billy Albertson started tending a little strip of land just off Hardscrabble Road in what was then rural Roswell, Georgia. The second book in the Farmer Billy series, Farming transports readers to a simpler time, when roadside vegetable stands were common, friends gathered…See More
Nov 13
Renea Winchester posted an event

Author Reading/Book Signing at Great Expectations at Great Expectations Books

November 14, 2014 from 6pm to 7pm
Award-winning author, Renea Winchester will read from her latest book titled: Farming, Friends & Friend Bologna Sandwiches (Mercer University Press, October, 2014). The author will also give away seeds courtesy of Botanical Interests Seed CompanySee More
Nov 13
Jerald Pope posted an event

David LaMotte reads from his new book at Monte Vista Hotel

November 20, 2014 from 6pm to 7pm
The Black Mountain Authors Guild presents David LaMotte, a true Black Mountain treasure, signing and reading from his new book, Worldchanging 101, at six o’clock this Thursday, at The Monte Vista Hotel. LaMotte has been a fixture on the local music scene since the early nineties, performing over 2500 concerts nationally and internationally. He has released eleven albums, won international songwriting awards, and earned accolades from the Boston Globe, Washington Times, Soundcheck Magazine…See More
Nov 11
City Lights Bookstore posted events
Nov 5
Doris Anne Beaulieu posted a video

Creative Christmas Tree Videos

I created this video with the YouTube Video Editor (http://www.youtube.com/editor) Share my three youtube channels with family and friend for hours of viewin...
Nov 4
CHARLES C FLETCHER posted a video
Nov 2
Spellbound posted events
Nov 2
Susan Griner posted photos
Oct 31
Bill Ramsey posted an event

7th Annual Blue Ridge Bookfest at Blue Ridge Community College

April 24, 2015 at 1pm to April 25, 2015 at 3pm
Authors interested in being considered for the April 24, 25 2015 event at BRCC should visit www.blueridgebookfest.org soon. Click on the author tab on the home page. Complete the application and submit it by e-mail shown there. While there please sign up for our emailed newsletter.This year we will offer free workshops on Friday afternoon for authors and writer panels ( first time) on Saturday. See More
Oct 30

The Asheville Symphony scores its 50th--looking back at its history

Symphony No. 50--The roots and genesis of the Asheville Symphony Orchestra

Brooklyn-born Aaron Copland won the Pulitzer Prize for Music in 1945 for his ballet, “Appalachian Spring.” Eighteen years earlier, Lamar Stringfield of Asheville had won a fellowship from the Pulitzer Prize jury for “the student of music in America who may be deemed the most talented and deserving.”


Stringfield, the committee noted, already had forty-one compositions to his credit, “many of which have been constructed by the use of folk music that has been preserved by the mountaineers of Western North Carolina.” The fellowship would yield his orchestral suite, “From the Southern Mountains.”


Stringfield was ahead of the curve.


“It is surprising that Stringfield’s name is not better known and his influence better acknowledged, in Appalachia at least,” wrote Douglas Nelson in his 1971 Chapel Hill dissertation, “The Life and Works of Lamar Stringfield (1897-1959).”


The Asheville Symphony acknowledges Stringfield as it opens its 50th anniversary season, September 18. Included with the program will be a book of memories, written by Arnold Wengrow from interviews with long-time participants.


Stringfield had been alive when the new Asheville Symphony had begun as an application for incorporation in 1958. By the time of its first concert in 1961, he was already two years dead.


The new organization took its name from the one that Stringfield had organized in 1927, when he had twenty-four musicians combine for a big, conducted sound. Five years later, he left to establish the North Carolina Symphony, the first state symphony in the country.


Stringfield’s historic achievements depended upon the development of great musicians, the presence of strong conductors, and an inclusion of contemporary orchestral music—principles that the current Asheville Symphony carries forward.


The roots of this movement rest in Asheville.


A local genius' raising


Stringfield and his bunch played instruments a lot when he was a boy here. During World War I, when he was twenty, he played cornet and flute for the North Carolina Regimental Band, composed mostly of boys from Western North Carolina.


“The bandsmen,” Nelson writes, “served also as first-aid litter bearers assigned to the Medical Corps with the duty of picking up the wounded.” Joseph DeNardo, Stringfield’s bandmaster, recalled in an Oct. 22, 1967 issue of the Asheville Citizen-Times that the band members had brought in casualties from the front in France at the rate of one every fifteen minutes.


It was during this period—when a release from horror was necessary—that Stringfield switched from cornet to flute, made remarkable progress in his playing, and began composing music.


He asked DeNardo, “If you take mountain music, would it be all right to put it into art song?”


Stringfield subsequently studied in Paris and conducted in New York. He won a prize for his flute and string quartet piece, “Indian Legend,” based on Cherokee themes. He performed Charles Griffes’ “Poem for Flute and Orchestra” at the Institute of Musical Art (now Julliard), featuring an American work for the first time in the school’s history.


To Asheville to start a symphony


On June 1, 1927, the announcement: “Come to the Plaza Theatre,” appeared on invitations from Stringfield for the first performance of the Asheville Symphony Orchestra. Among other things, he’d be conducting, “Mountain Song” from his suite, “From the Southern Mountains.”


Stringfield went on to pioneer many fields of musical endeavor: a folk institute, music therapy, collaborations with vocal mountain music, an amateur symphony orchestra, and a national symphony society. In 1942, he put his effort—seventy-six hours a week—toward ending World War II by working in an airplane factory.


The post-war period was Stringfield’s time of decline. He applied for teaching jobs, and was denied because he didn’t have a teaching degree. He continued to compose music, including songs for Hubert Hayes’ outdoor drama, “Thunderland,” but failed to get good income from it by promoting his song, “Daniel Boone,” as a pop single.


His health worsened. He began to feel hopeless about his influence. At the same time, the incorporation papers went in for “The Little Asheville Symphony Inc.” (“Little” was removed from the name in 1961.)


Stringfield died on January 21, 1959, and is buried in Riverside Cemetery.




The symphony’s rebirth involves personal stories


When John Bridges, 29-year-old theater and music enthusiast, returned home from New York City in 1956 and stepped off the train at the Asheville depot, he soon found himself in the midst of a renaissance.


Musicians hungry for an orchestra were gathering in the basement of Beth Ha Tephila to perform what they could: suites and overtures. The funding drought of the 1930s and ‘40s had made Lamar Stringfield’s 1927 Asheville Symphony Orchestra a long ago idyll.


“The first concerts that I heard were dreadful,” Bridges recalls about the mid-50’s get-togethers. “But we said, ‘We’ve got to get it started.’… It was more like a club. We had to beg people in advance, ‘Please come,’ so we could have a few people in the audience.”


Within a short time, the growth of what would become the current Asheville Symphony started.


Margaret Ligon, head librarian at Pack Memorial Library, hired Bridges to direct programs from the newly renovated basement in the library on Pack Square. His friendships led him to Joe Vanderwart, a pianist; and Helen Sorton, who would become the nascent group’s executive director.


Vanderwart knew all the musicians. He played in ensembles in people’s homes as well with the infant orchestra in spaces provided by the synagogue, the Asheville Middle School, and the First Presbyterian Church.


Asheville was his second chance at being a music maestro.


Vanderwart's former life


In the 1930s, Vanderwart had made a living playing piano with groups in Bavarian living rooms. Then, in 1939, the Nazis notified the Jews in his town to report to a center.


“He knew what it meant,” Bridges says about his friend, “but he went anyway. When he got there, the man in uniform who was checking everybody in was one of the people he had played concerts for.”


Without showing any signs of recognizing Joe, the officer told him, “You’re not in the age group. Go quickly.” Joe left and hid until he could get passage to New York, where he made ends meet by selling vacuum cleaners.


Joe met Jeanette Goldberg in New York. In the 1950's, they moved to Asheville, where Joe was employed in the lumber business.


Helen Sorton


Helen Sorton, a string bass player, came to Asheville after having served as the publicity chairman of the Oratorio Singers of Charlotte. She established a regular schedule of what was at first called the Asheville Little Symphony. She persuaded city manager, Weldon Weir to give her an office in City Hall.


She initiated a fund-raising drive, which in turn compelled the symphony’s improvement. In 1961, the group hired Thomas Cousins, a composer and Brevard College instructor, to serve as the first continuing conductor. The word “little” was dropped from the symphony’s name.


The triumph, including the inaugural concert, Oct. 17, 1961, was the result of a new level of interest, organization, and funding in town. Talent had resided for a while.


Grace Potter Carroll, a pianist who had studied with Theodor Leschetizky, Paderewski’s teacher, taught select students in Asheville. Handel’s “Messiah” and the Rhododendron Parade involved large choruses and bands.


Frank Rutland, one of the symphony orchestra’s founders, took time off from his career as a chemist to play violin in small groups; and Jane McEntire, who worked for Hayes & Hopson Auto Supply, performed as a contralto.


At at least one of the small group performances, Lamar Stringfield, the genius of the earlier symphony, showed up. Arnold Wengrow, a symphony historian, has tracked down the diary of the then conductor, Sol Cohen, to the University of Illinois with the help of archivist Ryan Ross.


“The largest group yet,” Cohen wrote on Oct. 27, 1958 about that night’s rehearsal. “The little room upstairs in the Presbyterian Church completely filled. No Frank Rutland, no music, so I asked Lamar (Stringfield) to take over.”


When Stringfield left, Cohen took over. “I had to despite my resolution to quit,” he wrote.


“Well, it was rather a triumph,” he noted, “and Agnes (Whitman), who was there as acting concertmaster, was sweetness itself. Love apparently ruled, and I have never felt such a sense of power. Mozart g minor, Bach, all went with rhythmical precision and a dynamic force that was new to me. . . The whole evening was a revelation of harmony and joy.”


LEARN MORE

  • The Asheville Symphony, conducted by Daniel Meyer, opens its 2010-11 season — its 50th — on Sept. 18.
  • The symphony also performs at Asheville's Labor Day festivities, 7 p.m. Sept. 6, in Pack Square Park.
  • The Asheville Symphony's booklet, “Great Music Makes Great Memories: 50 Seasons of the Asheville Symphony,” will be published in October.
  • Visit www.ashevillesymphony.org or call 254-7046.

Views: 154

Reply to This

© 2014   Created by Rob Neufeld.   Powered by

Badges  |  Report an Issue  |  Terms of Service