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Susan Griner posted photos
2 hours ago
Bill Ramsey posted an event

7th Annual Blue Ridge Bookfest at Blue Ridge Community College

April 24, 2015 at 1pm to April 25, 2015 at 3pm
Authors interested in being considered for the April 24, 25 2015 event at BRCC should visit www.blueridgebookfest.org soon. Click on the author tab on the home page. Complete the application and submit it by e-mail shown there. While there please sign up for our emailed newsletter.This year we will offer free workshops on Friday afternoon for authors and writer panels ( first time) on Saturday. See More
yesterday
Lockie Hunter posted an event
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Juniper Bends 5th Anniversary Reading! at Downtown Books & News

November 7, 2014 from 7pm to 10pm
Come join us on Friday, November 7th at 7PM at Downtown Books and News for our FIFTH Anniversary Reading! The Juniper Bends Reading Series you know and love has been going strong by glittering, flowing, transforming, manifesting and supporting the Asheville writing community and the community of beloved listeners and readers for half a decade and we want you to come celebrate with us.Twelve local writers will be reading, covering a variety of genres and styles. All those who attend will be…See More
yesterday
Malaprop's Bookstore Cafe posted events
Oct 24
City Lights Bookstore posted events
Oct 23
Doris Anne Beaulieu posted a video

Model A's ( Poem )

Model A’s ( Poem ) Vintage cars that are so old Classic beauties with stories told Some with Rumble seats in tow Owners of these want to show Antiques from l...
Oct 23
Rob Neufeld posted a discussion

Seven new books, Oct. 2014, leading with McCrumb's latest

Sharyn McCrumb’s new book tour; and other productionsby Rob Neufeld Nora Bonesteel’s Christmas Past by Sharyn McCrumb (Abingdon Press hardcover, Oct. 7, 2014, 160 pages, $18.99)            I didn’t receive a review copy, but I can say McCrumb is always a delight and a deliverance.  McCrumb’s new holiday…See More
Oct 21
Spellbound posted events
Oct 15
Jerald Pope posted an event

Black Mountain Authors Get Hungry at Monte Visa Hotel

October 16, 2014 from 6pm to 7pm
The Third Thursday reading this month will feature stories and poems about food. As you might imagine, a whole hungry cadre of writers stepped up to the plate to read. The feast will take place at the Monte Vista Hotel this Thursday, which also just happens to be Fried Chicken day at the Hotel. Yum! Here’s what’s on the menu: Jeff Hutchins moved to Black Mountain in 2008. In his prior life, Jeff helped develop the technology of closed captioning, which is used to make television programming…See More
Oct 15
Rob Neufeld posted a blog post

Cherokee pottery survey Oct 17

Cherokee Museum Presents Cherokee Pottery on International Archaeology Dayfrom press release            The Museum of the Cherokee Indian will present “Cherokee Pottery: Three Thousand Years of Cherokee Science and Art” on Friday October 17 at 2 pm.  This talk is part of International Archaeology Day, sponsored by the Archaeological Institute of America.  It is open to the public free of charge, and is suitable for all ages.             “We are glad to be participating in International…See More
Oct 14
Rob Neufeld posted a discussion

Conversation with George Ella Lyon

Getting deep with east Kentucky author George Ella Lyonby Rob Neufeld             George Ella Lyon is a prolific writer of poetry, fiction, and plays for all ages; and has emerged from her east Kentucky upbringing with many things to tell the world about Appalachian virtues, including neighborliness, woodland spirit,…See More
Oct 14
City Lights Bookstore posted events
Oct 14
City Lights Bookstore posted an event
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A Look at Climate Change and Mass Extinction at City Lights Bookstore

October 17, 2014 from 6:30pm to 8pm
Charles Dayton and Sara Evans will visit City Lights Bookstore on Friday, October 17th at 6:30 p.m. for a discussion on climate change and mass extinction. Evans will review The Sixth Extinction by Elizabeth Kolbert, a book about the increase in mass extinctions and the impending ecological collapse caused by man’s disharmony with the natural world. Dayton will speak and present slides about the impact of climate change on the ocean’s ecology, which is also discussed in The Sixth…See More
Oct 11
Rob Neufeld posted a discussion

Book discussions in WNC, October 2014

WNC BOOK DISCUSSION CALENDAR, OCTOBER 2014Wednesday, October 1AUTISM BOOK CLUB: The Autism Book Club discusses “Mozart and the Whale” by Jerry and Mary Newport at Malaprop’s Bookstore/Café, 55 Haywood St., Asheville, 1 p.m. Call 254-6734.MALAPROP’S BOOKCLUB: The Malaprop’s Bookclub, hosted by Jay Jacoby, discusses “Winesburg,…See More
Oct 8
Rob Neufeld posted discussions
Oct 6
James D. Loy posted a blog post

"Loy's Loonies," a new series of zany books

Hi folks:     I am pleased to announce the publication of the second book in my series "Loy's Loonies."  This one is entitled Uncle Moe and the Martha's Vineyard Frackers and here's the cover blurb.     Moe Thibault is a lovable octogenarian who sometimes thinks he’s Jacques Clouseau and who’s convinced he once had an identical twin. While living out his widower’s retirement in upstate New York, Moe is sent an obituary from Martha’s Vineyard with a photo of his apparent Doppelganger, a man…See More
Oct 2

The Asheville Symphony scores its 50th--looking back at its history

Symphony No. 50--The roots and genesis of the Asheville Symphony Orchestra

Brooklyn-born Aaron Copland won the Pulitzer Prize for Music in 1945 for his ballet, “Appalachian Spring.” Eighteen years earlier, Lamar Stringfield of Asheville had won a fellowship from the Pulitzer Prize jury for “the student of music in America who may be deemed the most talented and deserving.”


Stringfield, the committee noted, already had forty-one compositions to his credit, “many of which have been constructed by the use of folk music that has been preserved by the mountaineers of Western North Carolina.” The fellowship would yield his orchestral suite, “From the Southern Mountains.”


Stringfield was ahead of the curve.


“It is surprising that Stringfield’s name is not better known and his influence better acknowledged, in Appalachia at least,” wrote Douglas Nelson in his 1971 Chapel Hill dissertation, “The Life and Works of Lamar Stringfield (1897-1959).”


The Asheville Symphony acknowledges Stringfield as it opens its 50th anniversary season, September 18. Included with the program will be a book of memories, written by Arnold Wengrow from interviews with long-time participants.


Stringfield had been alive when the new Asheville Symphony had begun as an application for incorporation in 1958. By the time of its first concert in 1961, he was already two years dead.


The new organization took its name from the one that Stringfield had organized in 1927, when he had twenty-four musicians combine for a big, conducted sound. Five years later, he left to establish the North Carolina Symphony, the first state symphony in the country.


Stringfield’s historic achievements depended upon the development of great musicians, the presence of strong conductors, and an inclusion of contemporary orchestral music—principles that the current Asheville Symphony carries forward.


The roots of this movement rest in Asheville.


A local genius' raising


Stringfield and his bunch played instruments a lot when he was a boy here. During World War I, when he was twenty, he played cornet and flute for the North Carolina Regimental Band, composed mostly of boys from Western North Carolina.


“The bandsmen,” Nelson writes, “served also as first-aid litter bearers assigned to the Medical Corps with the duty of picking up the wounded.” Joseph DeNardo, Stringfield’s bandmaster, recalled in an Oct. 22, 1967 issue of the Asheville Citizen-Times that the band members had brought in casualties from the front in France at the rate of one every fifteen minutes.


It was during this period—when a release from horror was necessary—that Stringfield switched from cornet to flute, made remarkable progress in his playing, and began composing music.


He asked DeNardo, “If you take mountain music, would it be all right to put it into art song?”


Stringfield subsequently studied in Paris and conducted in New York. He won a prize for his flute and string quartet piece, “Indian Legend,” based on Cherokee themes. He performed Charles Griffes’ “Poem for Flute and Orchestra” at the Institute of Musical Art (now Julliard), featuring an American work for the first time in the school’s history.


To Asheville to start a symphony


On June 1, 1927, the announcement: “Come to the Plaza Theatre,” appeared on invitations from Stringfield for the first performance of the Asheville Symphony Orchestra. Among other things, he’d be conducting, “Mountain Song” from his suite, “From the Southern Mountains.”


Stringfield went on to pioneer many fields of musical endeavor: a folk institute, music therapy, collaborations with vocal mountain music, an amateur symphony orchestra, and a national symphony society. In 1942, he put his effort—seventy-six hours a week—toward ending World War II by working in an airplane factory.


The post-war period was Stringfield’s time of decline. He applied for teaching jobs, and was denied because he didn’t have a teaching degree. He continued to compose music, including songs for Hubert Hayes’ outdoor drama, “Thunderland,” but failed to get good income from it by promoting his song, “Daniel Boone,” as a pop single.


His health worsened. He began to feel hopeless about his influence. At the same time, the incorporation papers went in for “The Little Asheville Symphony Inc.” (“Little” was removed from the name in 1961.)


Stringfield died on January 21, 1959, and is buried in Riverside Cemetery.




The symphony’s rebirth involves personal stories


When John Bridges, 29-year-old theater and music enthusiast, returned home from New York City in 1956 and stepped off the train at the Asheville depot, he soon found himself in the midst of a renaissance.


Musicians hungry for an orchestra were gathering in the basement of Beth Ha Tephila to perform what they could: suites and overtures. The funding drought of the 1930s and ‘40s had made Lamar Stringfield’s 1927 Asheville Symphony Orchestra a long ago idyll.


“The first concerts that I heard were dreadful,” Bridges recalls about the mid-50’s get-togethers. “But we said, ‘We’ve got to get it started.’… It was more like a club. We had to beg people in advance, ‘Please come,’ so we could have a few people in the audience.”


Within a short time, the growth of what would become the current Asheville Symphony started.


Margaret Ligon, head librarian at Pack Memorial Library, hired Bridges to direct programs from the newly renovated basement in the library on Pack Square. His friendships led him to Joe Vanderwart, a pianist; and Helen Sorton, who would become the nascent group’s executive director.


Vanderwart knew all the musicians. He played in ensembles in people’s homes as well with the infant orchestra in spaces provided by the synagogue, the Asheville Middle School, and the First Presbyterian Church.


Asheville was his second chance at being a music maestro.


Vanderwart's former life


In the 1930s, Vanderwart had made a living playing piano with groups in Bavarian living rooms. Then, in 1939, the Nazis notified the Jews in his town to report to a center.


“He knew what it meant,” Bridges says about his friend, “but he went anyway. When he got there, the man in uniform who was checking everybody in was one of the people he had played concerts for.”


Without showing any signs of recognizing Joe, the officer told him, “You’re not in the age group. Go quickly.” Joe left and hid until he could get passage to New York, where he made ends meet by selling vacuum cleaners.


Joe met Jeanette Goldberg in New York. In the 1950's, they moved to Asheville, where Joe was employed in the lumber business.


Helen Sorton


Helen Sorton, a string bass player, came to Asheville after having served as the publicity chairman of the Oratorio Singers of Charlotte. She established a regular schedule of what was at first called the Asheville Little Symphony. She persuaded city manager, Weldon Weir to give her an office in City Hall.


She initiated a fund-raising drive, which in turn compelled the symphony’s improvement. In 1961, the group hired Thomas Cousins, a composer and Brevard College instructor, to serve as the first continuing conductor. The word “little” was dropped from the symphony’s name.


The triumph, including the inaugural concert, Oct. 17, 1961, was the result of a new level of interest, organization, and funding in town. Talent had resided for a while.


Grace Potter Carroll, a pianist who had studied with Theodor Leschetizky, Paderewski’s teacher, taught select students in Asheville. Handel’s “Messiah” and the Rhododendron Parade involved large choruses and bands.


Frank Rutland, one of the symphony orchestra’s founders, took time off from his career as a chemist to play violin in small groups; and Jane McEntire, who worked for Hayes & Hopson Auto Supply, performed as a contralto.


At at least one of the small group performances, Lamar Stringfield, the genius of the earlier symphony, showed up. Arnold Wengrow, a symphony historian, has tracked down the diary of the then conductor, Sol Cohen, to the University of Illinois with the help of archivist Ryan Ross.


“The largest group yet,” Cohen wrote on Oct. 27, 1958 about that night’s rehearsal. “The little room upstairs in the Presbyterian Church completely filled. No Frank Rutland, no music, so I asked Lamar (Stringfield) to take over.”


When Stringfield left, Cohen took over. “I had to despite my resolution to quit,” he wrote.


“Well, it was rather a triumph,” he noted, “and Agnes (Whitman), who was there as acting concertmaster, was sweetness itself. Love apparently ruled, and I have never felt such a sense of power. Mozart g minor, Bach, all went with rhythmical precision and a dynamic force that was new to me. . . The whole evening was a revelation of harmony and joy.”


LEARN MORE

  • The Asheville Symphony, conducted by Daniel Meyer, opens its 2010-11 season — its 50th — on Sept. 18.
  • The symphony also performs at Asheville's Labor Day festivities, 7 p.m. Sept. 6, in Pack Square Park.
  • The Asheville Symphony's booklet, “Great Music Makes Great Memories: 50 Seasons of the Asheville Symphony,” will be published in October.
  • Visit www.ashevillesymphony.org or call 254-7046.

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