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Rob Neufeld posted a discussion

Above the Waterfall by Ron Rash, and talk with author

Rash’s suspense novel gives time to poetryby Rob Neufeld             Ron Rash’s new novel, “Above the Waterfall,” weds a contemporary thriller with a portrayal of people tapping an ancient way of being.             A fish kill precipitates the story involving fishing rights, a crystal meth epidemic, and two reeling…See More
12 hours ago
City Lights Bookstore posted events
yesterday
Rob Neufeld posted a discussion

Fortune Smiles by Adam Johnson

Adam Johnson reveals how surreal emotions areby Rob Neufeld             Adam Johnson, author of the Pulitzer Prize-winning novel, “The Orphan Master’s Son,” comes to Malaprop’s Bookstore in Asheville, 7 p.m., Fri., Sept. 4 to present his new book of short stories, “Fortune Smiles.”            The stories are remarkable…See More
Aug 23
City Lights Bookstore posted an event
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Leanne Brown will Present Her Cookbook at City Lights Bookstore

September 4, 2015 from 6:30pm to 8pm
Leanne Brown will visit City Lights Bookstore to present her cookbook on Friday, September 4th at 6:30 p.m. Her book, Good and Cheap: Eat Well on $4 a Day is designed for those on the strictest of budgets, particularly those on the U.S. food stamp budget. This book is great, though, for anyone wanting to eat really well cheaply. Good and Cheap features tips on shopping and kitchen equipment, and more than a hundred easy, flexible recipes for breakfast, lunch and dinner. To reserve a copy,…See More
Aug 22
Spellbound updated an event
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September Teen Book Club at Spellbound Children's Bookshop

September 18, 2015 from 6pm to 7pm
Our new monthly book club for teens meets the third Friday of each month, 6:00-7:00PM. A different book will be discussed at each meeting, and will cover a variety of genres. No purchase is required to attend, but if you do plan to buy the book, we’d appreciate your support of Spellbound as the hosting store! All book club selections are 20% off until the day of the meeting.September's title: SHE IS NOT INVISIBLE by Marcus Sedgwick.See More
Aug 22
Spellbound posted events
Aug 21
Rob Neufeld posted a blog post

Betty Smith at Hendersonville culture event September 17

Center Kicks Off New Series With A BangNew “Keeping the Fires Burning Series” Launches With Betty Smith and Songcatcher (from press release) (HENDERSONVILLE, NC, August 18, 2015) – The Center for Cultural Preservation, is pleased to announce the launch of its second season of its popular public program series KEEPING THE FIRES BURNING- Heroes of Mountain Culture.  The series features musicians, authors and heritage preservation leaders who are working to keep mountain culture alive.  The…See More
Aug 21
Rob Neufeld posted a discussion

Pam Durban, author of Soon, gripping, psychological, Southern stories

Pam Durban: Facing reality with a wide-open eyeby Rob Neufeld             John Updike honored Pam Durban’s story, “Soon,” by selecting it for his anthology, “The Best American Short Stories of the Century.”  Now, it’s one of 11 included in Durban’s new volume, also titled “Soon.”            “Soon,” the short story, is a marvel…See More
Aug 21
Rob Neufeld posted blog posts
Aug 19
City Lights Bookstore posted an event
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Mary Joyce Returns with a New Book at City Lights Bookstore

September 12, 2015 from 3pm to 4:30pm
Sylva author, Mary Joyce will return to City Lights Bookstore on Saturday, September 12th at 3 p.m. to present her latest book.Underground Military Bases Hidden in North Carolina Mountains compiles information gathered by Joyce over several years about secret military facilities in North Carolina. The information about the secret bases is mostly from those with military, law enforcement and high-security backgrounds plus citizens who have stumbled upon evidence. Joyce is also the author…See More
Aug 18
Bill Ramsey posted an event

North Carolina Writer's Network Fall Conference at Asheville Doubletree Hilton

August 20, 2015 to August 22, 2015
When did you last attended a top quality and affordable writer's conference? The North Carolina Writer's Network is returning to western North Carolina. Membership in the Network is encouraged but not required to attend this event. For more info:http://www.ncwriters.org/2014-01-07-18-05-50/conferencesSee More
Aug 15
katherine soniat posted photos
Aug 12
Rob Neufeld commented on Joe Epley's blog post Speaking about the American Revollution in the Carolinas
"See Joe's website, Epley Writes, including about his novel, A Passel of Hate,"
Aug 12
Rob Neufeld posted a blog post

R.T. Smith--Rachel-Rivers Coffey Distinguished Professor in Creative Writing at App State

R.T. Smith, poet, story-writer, and founder of Cold Mountain Review, honored with App State roleSee notice of new book at Washington & Lee U.fROM PRESS RELEASEBOONE—Writer R.T. (Rod) Smith has been named the 2015-16 Rachel Rivers-Coffey Distinguished Professor in Creative Writing at Appalachian State University. Smith will lead an eight-week colloquium during fall semester for students in Appalachian’s creative writing…See More
Aug 12
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Rob Neufeld posted discussions
Aug 8

The Asheville Symphony scores its 50th--looking back at its history

Symphony No. 50--The roots and genesis of the Asheville Symphony Orchestra

Brooklyn-born Aaron Copland won the Pulitzer Prize for Music in 1945 for his ballet, “Appalachian Spring.” Eighteen years earlier, Lamar Stringfield of Asheville had won a fellowship from the Pulitzer Prize jury for “the student of music in America who may be deemed the most talented and deserving.”


Stringfield, the committee noted, already had forty-one compositions to his credit, “many of which have been constructed by the use of folk music that has been preserved by the mountaineers of Western North Carolina.” The fellowship would yield his orchestral suite, “From the Southern Mountains.”


Stringfield was ahead of the curve.


“It is surprising that Stringfield’s name is not better known and his influence better acknowledged, in Appalachia at least,” wrote Douglas Nelson in his 1971 Chapel Hill dissertation, “The Life and Works of Lamar Stringfield (1897-1959).”


The Asheville Symphony acknowledges Stringfield as it opens its 50th anniversary season, September 18. Included with the program will be a book of memories, written by Arnold Wengrow from interviews with long-time participants.


Stringfield had been alive when the new Asheville Symphony had begun as an application for incorporation in 1958. By the time of its first concert in 1961, he was already two years dead.


The new organization took its name from the one that Stringfield had organized in 1927, when he had twenty-four musicians combine for a big, conducted sound. Five years later, he left to establish the North Carolina Symphony, the first state symphony in the country.


Stringfield’s historic achievements depended upon the development of great musicians, the presence of strong conductors, and an inclusion of contemporary orchestral music—principles that the current Asheville Symphony carries forward.


The roots of this movement rest in Asheville.


A local genius' raising


Stringfield and his bunch played instruments a lot when he was a boy here. During World War I, when he was twenty, he played cornet and flute for the North Carolina Regimental Band, composed mostly of boys from Western North Carolina.


“The bandsmen,” Nelson writes, “served also as first-aid litter bearers assigned to the Medical Corps with the duty of picking up the wounded.” Joseph DeNardo, Stringfield’s bandmaster, recalled in an Oct. 22, 1967 issue of the Asheville Citizen-Times that the band members had brought in casualties from the front in France at the rate of one every fifteen minutes.


It was during this period—when a release from horror was necessary—that Stringfield switched from cornet to flute, made remarkable progress in his playing, and began composing music.


He asked DeNardo, “If you take mountain music, would it be all right to put it into art song?”


Stringfield subsequently studied in Paris and conducted in New York. He won a prize for his flute and string quartet piece, “Indian Legend,” based on Cherokee themes. He performed Charles Griffes’ “Poem for Flute and Orchestra” at the Institute of Musical Art (now Julliard), featuring an American work for the first time in the school’s history.


To Asheville to start a symphony


On June 1, 1927, the announcement: “Come to the Plaza Theatre,” appeared on invitations from Stringfield for the first performance of the Asheville Symphony Orchestra. Among other things, he’d be conducting, “Mountain Song” from his suite, “From the Southern Mountains.”


Stringfield went on to pioneer many fields of musical endeavor: a folk institute, music therapy, collaborations with vocal mountain music, an amateur symphony orchestra, and a national symphony society. In 1942, he put his effort—seventy-six hours a week—toward ending World War II by working in an airplane factory.


The post-war period was Stringfield’s time of decline. He applied for teaching jobs, and was denied because he didn’t have a teaching degree. He continued to compose music, including songs for Hubert Hayes’ outdoor drama, “Thunderland,” but failed to get good income from it by promoting his song, “Daniel Boone,” as a pop single.


His health worsened. He began to feel hopeless about his influence. At the same time, the incorporation papers went in for “The Little Asheville Symphony Inc.” (“Little” was removed from the name in 1961.)


Stringfield died on January 21, 1959, and is buried in Riverside Cemetery.




The symphony’s rebirth involves personal stories


When John Bridges, 29-year-old theater and music enthusiast, returned home from New York City in 1956 and stepped off the train at the Asheville depot, he soon found himself in the midst of a renaissance.


Musicians hungry for an orchestra were gathering in the basement of Beth Ha Tephila to perform what they could: suites and overtures. The funding drought of the 1930s and ‘40s had made Lamar Stringfield’s 1927 Asheville Symphony Orchestra a long ago idyll.


“The first concerts that I heard were dreadful,” Bridges recalls about the mid-50’s get-togethers. “But we said, ‘We’ve got to get it started.’… It was more like a club. We had to beg people in advance, ‘Please come,’ so we could have a few people in the audience.”


Within a short time, the growth of what would become the current Asheville Symphony started.


Margaret Ligon, head librarian at Pack Memorial Library, hired Bridges to direct programs from the newly renovated basement in the library on Pack Square. His friendships led him to Joe Vanderwart, a pianist; and Helen Sorton, who would become the nascent group’s executive director.


Vanderwart knew all the musicians. He played in ensembles in people’s homes as well with the infant orchestra in spaces provided by the synagogue, the Asheville Middle School, and the First Presbyterian Church.


Asheville was his second chance at being a music maestro.


Vanderwart's former life


In the 1930s, Vanderwart had made a living playing piano with groups in Bavarian living rooms. Then, in 1939, the Nazis notified the Jews in his town to report to a center.


“He knew what it meant,” Bridges says about his friend, “but he went anyway. When he got there, the man in uniform who was checking everybody in was one of the people he had played concerts for.”


Without showing any signs of recognizing Joe, the officer told him, “You’re not in the age group. Go quickly.” Joe left and hid until he could get passage to New York, where he made ends meet by selling vacuum cleaners.


Joe met Jeanette Goldberg in New York. In the 1950's, they moved to Asheville, where Joe was employed in the lumber business.


Helen Sorton


Helen Sorton, a string bass player, came to Asheville after having served as the publicity chairman of the Oratorio Singers of Charlotte. She established a regular schedule of what was at first called the Asheville Little Symphony. She persuaded city manager, Weldon Weir to give her an office in City Hall.


She initiated a fund-raising drive, which in turn compelled the symphony’s improvement. In 1961, the group hired Thomas Cousins, a composer and Brevard College instructor, to serve as the first continuing conductor. The word “little” was dropped from the symphony’s name.


The triumph, including the inaugural concert, Oct. 17, 1961, was the result of a new level of interest, organization, and funding in town. Talent had resided for a while.


Grace Potter Carroll, a pianist who had studied with Theodor Leschetizky, Paderewski’s teacher, taught select students in Asheville. Handel’s “Messiah” and the Rhododendron Parade involved large choruses and bands.


Frank Rutland, one of the symphony orchestra’s founders, took time off from his career as a chemist to play violin in small groups; and Jane McEntire, who worked for Hayes & Hopson Auto Supply, performed as a contralto.


At at least one of the small group performances, Lamar Stringfield, the genius of the earlier symphony, showed up. Arnold Wengrow, a symphony historian, has tracked down the diary of the then conductor, Sol Cohen, to the University of Illinois with the help of archivist Ryan Ross.


“The largest group yet,” Cohen wrote on Oct. 27, 1958 about that night’s rehearsal. “The little room upstairs in the Presbyterian Church completely filled. No Frank Rutland, no music, so I asked Lamar (Stringfield) to take over.”


When Stringfield left, Cohen took over. “I had to despite my resolution to quit,” he wrote.


“Well, it was rather a triumph,” he noted, “and Agnes (Whitman), who was there as acting concertmaster, was sweetness itself. Love apparently ruled, and I have never felt such a sense of power. Mozart g minor, Bach, all went with rhythmical precision and a dynamic force that was new to me. . . The whole evening was a revelation of harmony and joy.”


LEARN MORE

  • The Asheville Symphony, conducted by Daniel Meyer, opens its 2010-11 season — its 50th — on Sept. 18.
  • The symphony also performs at Asheville's Labor Day festivities, 7 p.m. Sept. 6, in Pack Square Park.
  • The Asheville Symphony's booklet, “Great Music Makes Great Memories: 50 Seasons of the Asheville Symphony,” will be published in October.
  • Visit www.ashevillesymphony.org or call 254-7046.

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