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Glenda Council Beall updated their profile
20 hours ago
Rob Neufeld posted a discussion

June 1926, Asheville

One week in 1926 reveals remarkable highs and lowsby Rob Neufeld             Bootleg whiskey and golf are undermining religion, B. Frank White, a traveling preacher, told a Charlotte audience on June 2, 1926.  The sermon was reported in the Asheville Citizen the next day.            “The trouble with your…See More
Friday
Robert Beatty posted a photo

Robert Beatty

Author Robert Beatty from Asheville, NC
Tuesday
Rob Neufeld posted discussions
Apr 18
City Lights Bookstore posted events
Apr 18
Caralyn Davis posted an event
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Page to Podium Writers Workshop & Malaprop’s Reading With Author Mel Ryane at Unitarian Universalist Church

April 25, 2015 from 10am to 3pm
The Flatiron Writers are proud to announce an encore presentation of actor Mel Ryane’s popular Page to Podium Workshop, for writers interested in improving their public reading and self-editing skills. See testimonials from past participants here: http://www.melryane.com/p/from-page-to-podium.htmlWhen: 10:00am-3:00pm, Saturday, April 25, 2015Where: Unitarian Universalist Church, 1 Edwin Place, Asheville, NC 28801Cost: $65 per…See More
Apr 16
Caralyn Davis posted a blog post

Planet Reasonable: I'm officially an essayist at Killing the Buddha

I now have a blog, Planet Reasonable, at the lovely website Killing the Buddha. My first essay is a wee piece on religious freedom laws. Enjoy, or hate, but thanks for reading: http://killingthebuddha.com/ktblog/stop-casting-religious-freedom-stones/See More
Apr 14
Lockie Hunter posted an event
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West End Poetry and Prose Reading Series April Reading at West End Bakery

April 11, 2015 from 7pm to 9pm
4 fine writers tomorrow (Saturday April 11th) at 7pm at West End Bakery. I'll host and curate. Free event with a mix of prose and poetry and storytelling!http://www.thelaurelofasheville.com/editorial/west-end-poetry-and-prose-reading-series-invites-all-to-experience-local-voices photo credit Leah Shaipro for the LaurelSee More
Apr 10
Lockie Hunter posted a photo
Apr 10
Rob Neufeld posted a discussion

Interview with Ron Rash, October 28, 2014

Interview with Ron Rash, Oct. 28, 2014by Rob Neufeldon occasion of publication of Something Rich and Strangeedited version published in Asheville Citizen-Times, Nov. 2, 2014full version published on The Read on WNC, Apr. 9, 2015Photo of Ron Rash by Ulf Andersen RN:  My head is now so full of Ron…See More
Apr 9
Laura Hope-Gill posted an event

Asheville Wordfest 2015 at Asheville Lenoir-Rhyne University

May 1, 2015 at 6pm to May 2, 2015 at 9pm
Lenoir-Rhyne University presents Asheville Wordfest at its Asheville campus in downtown Asheville May 1 and 2. In its eighth year, Asheville Wordfest turns its eye on Asheville and invites community members to write about their city. Using the theme “The City Narrative / The Narrative City,” festival director and also director…See More
Apr 8
Rob Neufeld updated their profile
Apr 7
Rose Senehi posted an event

MEET THE CAST OF CHARACTER in DANCING ON ROCKS at LAKE LURE INN, LAKE LURE

April 16, 2015 from 11:30am to 2pm
Rose Senehi with be the guest speaker at a Books and Bites Luncheon about her novel, Dancing on Rocks, which takes place in Chimney Rock. Many of the characters in the book are actual residents of the town and will also be talking about how they contributed to the story. Cost: $25. Half of which goes to the Friends. Call 828-287-6392 for reservations. See More
Apr 7
Rob Neufeld posted a discussion

Dirty Love by Andre Dubus III

Visiting author Dubus reveals swamp of loveby Rob Neufeld             The title of Andre Dubus III’s book is “Dirty Love,” not “Dirty Sex,” so you have to rethink what is meant by the word, “dirty.”            To do that, you’ve got four novellas with which to explore the lives and hearts of several not-quite-right couples…See More
Apr 5
Rob Neufeld posted a discussion

Vance Monument and the honoring of African American history

What’s in a monument—a complex viewby Rob NeufeldPHOTO CAPTION: Vance Monument and 6th County Courthouse, c. 1900           History has become a subject of special interest with proposals surrounding the renovation of the Vance monument.           …See More
Apr 4
City Lights Bookstore posted an event

Greening Up The Mountains Poetry Contest Reception at City Lights Bookstore

April 25, 2015 from 1pm to 2pm
The reception for the 2nd annual Greening Up the Mountains Poetry Contest will be at City Lights Bookstore on Saturday, April 25th at 1 p.m. Join us as the winning poets share their poems and collect their prizes.  Students from Jackson County submitted poems that celebrate our mountains and our connection to them in our everyday lives.  The response was wonderful and our judges loved reading what our local students offered. Winners will be announced soon. For any questions please call City…See More
Apr 1

The Asheville Symphony scores its 50th--looking back at its history

Symphony No. 50--The roots and genesis of the Asheville Symphony Orchestra

Brooklyn-born Aaron Copland won the Pulitzer Prize for Music in 1945 for his ballet, “Appalachian Spring.” Eighteen years earlier, Lamar Stringfield of Asheville had won a fellowship from the Pulitzer Prize jury for “the student of music in America who may be deemed the most talented and deserving.”


Stringfield, the committee noted, already had forty-one compositions to his credit, “many of which have been constructed by the use of folk music that has been preserved by the mountaineers of Western North Carolina.” The fellowship would yield his orchestral suite, “From the Southern Mountains.”


Stringfield was ahead of the curve.


“It is surprising that Stringfield’s name is not better known and his influence better acknowledged, in Appalachia at least,” wrote Douglas Nelson in his 1971 Chapel Hill dissertation, “The Life and Works of Lamar Stringfield (1897-1959).”


The Asheville Symphony acknowledges Stringfield as it opens its 50th anniversary season, September 18. Included with the program will be a book of memories, written by Arnold Wengrow from interviews with long-time participants.


Stringfield had been alive when the new Asheville Symphony had begun as an application for incorporation in 1958. By the time of its first concert in 1961, he was already two years dead.


The new organization took its name from the one that Stringfield had organized in 1927, when he had twenty-four musicians combine for a big, conducted sound. Five years later, he left to establish the North Carolina Symphony, the first state symphony in the country.


Stringfield’s historic achievements depended upon the development of great musicians, the presence of strong conductors, and an inclusion of contemporary orchestral music—principles that the current Asheville Symphony carries forward.


The roots of this movement rest in Asheville.


A local genius' raising


Stringfield and his bunch played instruments a lot when he was a boy here. During World War I, when he was twenty, he played cornet and flute for the North Carolina Regimental Band, composed mostly of boys from Western North Carolina.


“The bandsmen,” Nelson writes, “served also as first-aid litter bearers assigned to the Medical Corps with the duty of picking up the wounded.” Joseph DeNardo, Stringfield’s bandmaster, recalled in an Oct. 22, 1967 issue of the Asheville Citizen-Times that the band members had brought in casualties from the front in France at the rate of one every fifteen minutes.


It was during this period—when a release from horror was necessary—that Stringfield switched from cornet to flute, made remarkable progress in his playing, and began composing music.


He asked DeNardo, “If you take mountain music, would it be all right to put it into art song?”


Stringfield subsequently studied in Paris and conducted in New York. He won a prize for his flute and string quartet piece, “Indian Legend,” based on Cherokee themes. He performed Charles Griffes’ “Poem for Flute and Orchestra” at the Institute of Musical Art (now Julliard), featuring an American work for the first time in the school’s history.


To Asheville to start a symphony


On June 1, 1927, the announcement: “Come to the Plaza Theatre,” appeared on invitations from Stringfield for the first performance of the Asheville Symphony Orchestra. Among other things, he’d be conducting, “Mountain Song” from his suite, “From the Southern Mountains.”


Stringfield went on to pioneer many fields of musical endeavor: a folk institute, music therapy, collaborations with vocal mountain music, an amateur symphony orchestra, and a national symphony society. In 1942, he put his effort—seventy-six hours a week—toward ending World War II by working in an airplane factory.


The post-war period was Stringfield’s time of decline. He applied for teaching jobs, and was denied because he didn’t have a teaching degree. He continued to compose music, including songs for Hubert Hayes’ outdoor drama, “Thunderland,” but failed to get good income from it by promoting his song, “Daniel Boone,” as a pop single.


His health worsened. He began to feel hopeless about his influence. At the same time, the incorporation papers went in for “The Little Asheville Symphony Inc.” (“Little” was removed from the name in 1961.)


Stringfield died on January 21, 1959, and is buried in Riverside Cemetery.




The symphony’s rebirth involves personal stories


When John Bridges, 29-year-old theater and music enthusiast, returned home from New York City in 1956 and stepped off the train at the Asheville depot, he soon found himself in the midst of a renaissance.


Musicians hungry for an orchestra were gathering in the basement of Beth Ha Tephila to perform what they could: suites and overtures. The funding drought of the 1930s and ‘40s had made Lamar Stringfield’s 1927 Asheville Symphony Orchestra a long ago idyll.


“The first concerts that I heard were dreadful,” Bridges recalls about the mid-50’s get-togethers. “But we said, ‘We’ve got to get it started.’… It was more like a club. We had to beg people in advance, ‘Please come,’ so we could have a few people in the audience.”


Within a short time, the growth of what would become the current Asheville Symphony started.


Margaret Ligon, head librarian at Pack Memorial Library, hired Bridges to direct programs from the newly renovated basement in the library on Pack Square. His friendships led him to Joe Vanderwart, a pianist; and Helen Sorton, who would become the nascent group’s executive director.


Vanderwart knew all the musicians. He played in ensembles in people’s homes as well with the infant orchestra in spaces provided by the synagogue, the Asheville Middle School, and the First Presbyterian Church.


Asheville was his second chance at being a music maestro.


Vanderwart's former life


In the 1930s, Vanderwart had made a living playing piano with groups in Bavarian living rooms. Then, in 1939, the Nazis notified the Jews in his town to report to a center.


“He knew what it meant,” Bridges says about his friend, “but he went anyway. When he got there, the man in uniform who was checking everybody in was one of the people he had played concerts for.”


Without showing any signs of recognizing Joe, the officer told him, “You’re not in the age group. Go quickly.” Joe left and hid until he could get passage to New York, where he made ends meet by selling vacuum cleaners.


Joe met Jeanette Goldberg in New York. In the 1950's, they moved to Asheville, where Joe was employed in the lumber business.


Helen Sorton


Helen Sorton, a string bass player, came to Asheville after having served as the publicity chairman of the Oratorio Singers of Charlotte. She established a regular schedule of what was at first called the Asheville Little Symphony. She persuaded city manager, Weldon Weir to give her an office in City Hall.


She initiated a fund-raising drive, which in turn compelled the symphony’s improvement. In 1961, the group hired Thomas Cousins, a composer and Brevard College instructor, to serve as the first continuing conductor. The word “little” was dropped from the symphony’s name.


The triumph, including the inaugural concert, Oct. 17, 1961, was the result of a new level of interest, organization, and funding in town. Talent had resided for a while.


Grace Potter Carroll, a pianist who had studied with Theodor Leschetizky, Paderewski’s teacher, taught select students in Asheville. Handel’s “Messiah” and the Rhododendron Parade involved large choruses and bands.


Frank Rutland, one of the symphony orchestra’s founders, took time off from his career as a chemist to play violin in small groups; and Jane McEntire, who worked for Hayes & Hopson Auto Supply, performed as a contralto.


At at least one of the small group performances, Lamar Stringfield, the genius of the earlier symphony, showed up. Arnold Wengrow, a symphony historian, has tracked down the diary of the then conductor, Sol Cohen, to the University of Illinois with the help of archivist Ryan Ross.


“The largest group yet,” Cohen wrote on Oct. 27, 1958 about that night’s rehearsal. “The little room upstairs in the Presbyterian Church completely filled. No Frank Rutland, no music, so I asked Lamar (Stringfield) to take over.”


When Stringfield left, Cohen took over. “I had to despite my resolution to quit,” he wrote.


“Well, it was rather a triumph,” he noted, “and Agnes (Whitman), who was there as acting concertmaster, was sweetness itself. Love apparently ruled, and I have never felt such a sense of power. Mozart g minor, Bach, all went with rhythmical precision and a dynamic force that was new to me. . . The whole evening was a revelation of harmony and joy.”


LEARN MORE

  • The Asheville Symphony, conducted by Daniel Meyer, opens its 2010-11 season — its 50th — on Sept. 18.
  • The symphony also performs at Asheville's Labor Day festivities, 7 p.m. Sept. 6, in Pack Square Park.
  • The Asheville Symphony's booklet, “Great Music Makes Great Memories: 50 Seasons of the Asheville Symphony,” will be published in October.
  • Visit www.ashevillesymphony.org or call 254-7046.

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