Affiliated Networks


Badge

Loading…

Latest Activity

City Lights Bookstore posted events
7 hours ago
Rob Neufeld posted discussions
Jan 31
Rob Neufeld posted a blog post

73 classic works about Appalachia going online

Key Appalachian studies publications now going onlinefrom press release, Jan. 27. 2016 Appalachian studies scholars and those interested in regional history will have greater access to out-of-print works thanks to a two-year National Endowment for the Humanities (NEH) and The Andrew W. Mellon Foundation Open Book Program grant totaling $88,000 awarded to Belk Library and Information Commons at Appalachian State University.  Pamela Mitchem, the library’s coordinator of digital scholarship and…See More
Jan 30
Rob Neufeld posted a discussion

John Parris' home-grown prose

South of Sylva, back of yesterday: John Parris' inspiration             “For the life of me, I just can’t understand why folks stopped usin’ cradles,” John Parris’ 97-year-old maternal grandfather had told him 60 years ago.            The oil lamp, the buggy, and the spinning wheel—they all were replaced by things…See More
Jan 27
Rob Neufeld posted a discussion

James Sturm expands scope of graphic novels

James Sturm blazes cartoon path to a new worldby Rob Neufeld             Why is it that when an author combines pictures with words, the medium is considered juvenile, like comics?  Words create literature; images, art.  Why, when you marry them, is it like pairing a milk cow with a mop?            Nothing against…See More
Jan 24
susannah eanes posted a blog post

The Writer as Pilgrim

Two articles leapt at my consciousness this week, both about writing. And suddenly, I know how to go forward from here. The first, The Price I Pay to Write, by Laura Bogart and published online in Dame Magazine, reflects on the difficulties of…See More
Jan 24
Rob Neufeld posted a discussion

Tired of thrillers with no soul?

Why read a 1940 man-on-the-run classicby Rob Neufeld             After reading a classic novel, you might think, “Oh, look at this superior ancestor of today’s fiction.”              For instance, “The Power and the Glory,” Graham Greene’s 1940 thriller about political oppression in Mexico, exemplifies the…See More
Jan 17
Susan True updated their profile
Jan 9
Rob Neufeld posted a discussion

Art of Grace by Sarah Kaufman

Dance critic applies grace to every moveby Rob Neufeld             It’s nice to find just the right word for something, especially when it sums up a main idea in your way of thinking.            That was the case with Sarah Kaufman when she’d first felt moved, nine years ago, to write her new book, “The Art of Grace” (W.W.…See More
Jan 9
City Lights Bookstore posted events
Jan 9
Rob Neufeld posted blog posts
Jan 8
Kathryn Hall posted a blog post

Fire and Ice Roses interview with author/gardening blogger Kathryn Hall

Fire and Ice Roses has been interviewing gardening bloggers and gardening experts and were kind enough to include this short interview recently which was quite fun and very much appreciated! http://fireandiceroses.com/ask-an-expert-kathryn-hall/See More
Jan 5
Rob Neufeld posted a blog post

History in the making, January 2, 2016

History in the making: items of note, January 2, 2016It was reported in today’s print edition of the Asheville Citizen-Times that a new state law went into effect, requiring people who’ve filed for unemployment benefits to make at least 5 job contacts a week.  It had been 2.  How will that work?  Are there that many jobs for which a person is qualified?  Can you apply to the same job twice if it continues to be listed? Paul Bonesteel, noted Asheville filmmaker, revealed on Facebook that a…See More
Jan 2
Rob Neufeld posted a blog post

Local event of the day, Jan 1 2016

Tarantino, eminent domain, and emancipation Tarantino comes to townQuentin Tarantino’s New Year’s gore and gabfest, The Hateful Eight, is gutted by New Yorker reviewer Anthony Lane, who says that Tarantino toys with rather than explores history, using it “for boyish fantasies of revenge, as if enormous crimes could be undone, after the event, by lone and wanton acts of humiliation.” …See More
Jan 1
Rob Neufeld's discussion was featured

Railroad history in Western North Carolina: a close-up and bottom-line look

Railroads in WNC: the perils, the people, and the profitby Rob NeufeldWritten in conjunction with exhibit, "How The West Was Won," in Rural Heritage Museum, Mars Hill University PHOTO CAPTION: The entrance to the railroad show at the Rural Heritage Museum is commanded by a mock-up of Climax engine…See More
Dec 24, 2015
Rob Neufeld posted a discussion

Hosts of Christmas Past

Traditions shall not expire say hosts of Christmas pastby Rob Neufeld PHOTO CAPTION: Maria Parker Taylor Beale, courtesy Chase Ambler.            On Christmas Eve in 1928, Maria Taylor Beale, mistress of Arden House, instructed her family to bring her downstairs in her bathrobe for she would not…See More
Dec 24, 2015

Ron Rash’s novel, “The Cove” goes to a dark place

by Rob Neufeld

See also critique of NY Times and Washington Post reviews

 

            On page 4 of Ron Rash’s new novel, “The Cove,” one already has to worry about spoiler alerts.

            Rash has never stinted on opening scenes.  His 2004 novel, “Saints at the River,” starts with a drowning girl’s stream-of-consciousness.  “Serena,” his 2008 novel, soon a movie, begins with a knife fight.  “The Cove” also grabs fast.

            A TVA agent, checking out land for a reservoir, enters “the cove” of the title—a dark, accursed place in fictionalized Madison County—and makes a shocking and mysterious discovery. 

The novel then tells the pre-story, which takes place in 1918 and involves the internment of German prisoners at Hot Springs.  Not until the last pages is the opening mystery resolved.

 

People will talk

 

            People will talk—not just the characters in the book, who spread fear about the heroine and Germans, but also readers, who’ll imagine alternate endings to Rash’s tale of hate and love.

            In “The Cove,” Rash masterfully poises suspense elements; and gives full reign to other strengths: language; awe; symbolism; cast of characters; and mountain knowledge.

Laurel Shelton, the young woman who lives with her brother on their late parents’ farm, walks through the woods and glimpses Carolina Parakeets, the flocking beauties shot to extinction by farmers.

            Walking to the cornfield, she feels the cliff looming above her.  “There wasn’t a gloamier place in the whole Blue Ridge,” her mother had said.  The cove was “a cursed place…where ghosts and fetches wandered.”

            Shadow-land is a distinctive feature of this region’s literature.  In “Christy,” Catherine Marshall’s 1967 novel, bright-spirited Fairlight Spencer feels oppressed by the darkness of the mountains that enclose her cove in east Tennessee.

            “Christy, holp me,” she cries, as the sun vanishes behind the mountains just as typhoid snuffs her light.  “The shadder’s after me.”

 

Fairyland

 

            Laurel follows the parakeets to the discovery of a ragged young flautist camping out on her mountain.  His playing is otherworldly; he’s a mute.  Laurel doesn’t yet know that he has escaped from the prison camp.

            Dreamily, she goes back to the only sunny spot in the cove—a ledge—to retrieve her brother Hank’s shirt, drying on the rock. 

Then, “a purple butterfly lit on the stream edge to sip water.  A pretty hue, most anyone would say…Just not pretty on white skin,” Laurel reflects, thinking about her birthmark, which she had once tried to efface.

            Regarding accursedness, cursors pointed at Laurel in a few ways: her residence in the bad place; a history of calamities happening around her; her birthmark, which made it easy for people to shun her; and, ultimately, exceptional loneliness.

            “Laurel felt she herself might be a ghost.  Did a ghost even know it was a ghost?”

            You would classify Rash’s writing as “realism”—real people, hard times, clearly rendered details—but you could not dismiss the feeling of fairyland.

            Characters pass through the cove and see signs: fallen chestnut trees, blighted like much else; a bottle tree with charms; gravestones; pools.

            The book’s water imagery alone, tugging at many places, indicates how “The Cove” works strongly on two levels.  It fulfills Rash’s interest in sustaining, in a novel, the revelation and sound of his poetry.

 

World War I

 

            Hank’s shirt is cut off at one arm to fit his amputation, suffered at war.  Walter’s muteness is another kind of wartime loss.  Other characters, walking the streets of Mars Hill and participating in the drama in the cove, show scars.

            Tilman Estep, a cynical veteran, had lost one eye overseas.  Old Slidell Hampton, the Sheltons’ neighbor and friend, is haunted by a Civil War memory that stands out as a stunning one-page story within the novel.  Sgt. Chauncey Feith, the gung-ho home front recruiter, is branded by his fear of being deemed a coward.

            During a trip to Asheville, Chauncey stops in on the stone cutter, W.O. Wolfe, Thomas’ father, and imagines the unveiling of his own monument.

            At the ceremony, Chauncey would call his future wife to his side, and she “would turn to the crowd and talk about how Senator Chauncey Feith had dedicated his life to serving his country.” 

            Chauncey’s fantasy puts him in a different class from Serena.  The protagonist of “Serena” is a mythological fulfillment of world domination.  Chauncey’s demon is more modest—vanity and meanness disguised as patriotism.

 

Undercurrents

 

            Laurel’s fantasy life is as pure a romance as you can find.  And she’s smart in many ways—as a student, woodswoman, detective, and strategist.  But her mountain isolation makes her a spirit of nature, and a votary to beauty.

            After taking Walter to her and Hank’s home to heal him from a fever, she returns to the outcrop to get Walter’s haversack, and reconnects with her refuge.

            “Up here,” Rash writes, “the wide shelf of granite gathered the sun’s light and held it, swaddled Laurel in its brightness…Dewdrops on a spider’s web held whole rainbows inside them and a fence lizard’s tail shone blue as indigo glass.”

Laurel’s love scenes are tender and believable.  “The Cove” is Rash’s sexiest book.

            Walter’s feelings and history come out in the novel, but not his fantasies as much as they might if the novel had had space to explore them.  We hear his music, but not his musician’s mind.

            At 255 pages, “The Cove” is a crafted gem.  It’s a book you could read again to savor the writing.  Rash has found a subject that compellingly represents his vision—beauty shadowed by foreboding; and he’s made it symphonic.

 

BOOK REVIEWED

The Cove by Ron Rash (HarperCollins: Ecco hardcover, Apr. 2012, 255 pages, $26.99).

 

SEE THE AUTHOR

Ron Rash’s 29-stop book tour for his new novel, “The Cove,” includes these local stops:

 

Fri., 7 p.m.
Malaprop’s Bookstore/Café, 55 Haywood St. Asheville (254-6734).

 

Sat., 2 p.m.

Blue Ridge Books, 152 S. Main St., Waynesville (456-6000).

 

Sun., April 15, 2 p.m.
Jackson County Library Community Room, Sylva (586-9499).

 

Thurs., May 24, 7 p.m.
Hub City Bookshop, Spartanburg County Public Library, 151 N. Church St., Spartanburg.

 

Thurs. May 24, 12 noon

The Lazy Goat, Greenville, for “Book Your Lunch,” $55 ticket (864-675-0540).

Views: 336

Reply to This

© 2016   Created by Rob Neufeld.   Powered by

Badges  |  Report an Issue  |  Terms of Service