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Julia Nunnally Duncan Featured at High Country Writers Meeting at Watauga County Public Library

June 14, 2018 from 10am to 12pm
Julia Nunnally Duncan will be the featured presenter at the High Country Writers Meeting on June 14, 10 a.m.-12 noon at the Watauga County Public Library in Boone. She will discuss her inspirations and the process of becoming a published author. She will present readings from her latest books A Part of Me and A Place That Was Home and give a preview of her forthcoming poetry collection A Neighborhood Changes. A book signing will follow her presentation.See More
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A Slice of Life: An Evening of Stories at Black Mountain Center for the Arts

April 21, 2018 from 7:30pm to 9pm
Saturday, April 21, 2018 at 7:30 pm, join nationally celebrated storyteller, Connie Regan-Blake, as she hosts her "Taking the Stage" workshop participants, for an enchanting evening of storytelling in picturesque Black Mountain, NC. You'll enjoy a variety of stories and storytelling styles featuring tellers Jane O Cunningham from Rome, GA; Gabriele Marewski from Black Mountain, NC; Christine Phillips Westfeldt - Fairview,…See More
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Writers Circle around the Table

We are located in Hayesville, NC. In April we begin our new season with outstanding Poet Mike James. Mike will read at Writers' Night Out in Blairsville, GA on Friday evening April 13. On Saturday, April 14, he will teach a class at my studio.Formally SpeakingThis class will focus on different types of traditional poetic forms such as the sonnet, the villanelle, and the sestina, and will also include other verse forms such as erasures, found poems, prose poems, and last poems.Contact Glenda…See More
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Rachel Carson, Silent Spring Chautauqua History Alive at UNC Asheville, OLLI Reuters Center, Manheimer Room

April 15, 2018 from 3pm to 4:30pm
Step inside the revolutionary book, Silent Spring as its author Rachel Carson reveals the reckless destruction of our living world. Written more than 55 years ago Silent Spring inspired the Environmental Movement and has never been out of print. And now you have a chance to ask the author, Rachel Carson, how this came to be. But these aren’t just performances. They’re a chance to step into Living History – to ask questions and go one on one with a women whose books shaped our country and our…See More
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Mom in Her Writing Nook ...

She was working on the "About the Authors" section of "Echoes Across the Blue Ridge" when I captured this one morning. Though you can't see it, her coffee cup was within gentle reach that morning. Roxie is at her feet.
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Feb 15

Ron Rash’s novel, “The Cove” goes to a dark place

by Rob Neufeld

See also critique of NY Times and Washington Post reviews

 

            On page 4 of Ron Rash’s new novel, “The Cove,” one already has to worry about spoiler alerts.

            Rash has never stinted on opening scenes.  His 2004 novel, “Saints at the River,” starts with a drowning girl’s stream-of-consciousness.  “Serena,” his 2008 novel, soon a movie, begins with a knife fight.  “The Cove” also grabs fast.

            A TVA agent, checking out land for a reservoir, enters “the cove” of the title—a dark, accursed place in fictionalized Madison County—and makes a shocking and mysterious discovery. 

The novel then tells the pre-story, which takes place in 1918 and involves the internment of German prisoners at Hot Springs.  Not until the last pages is the opening mystery resolved.

 

People will talk

 

            People will talk—not just the characters in the book, who spread fear about the heroine and Germans, but also readers, who’ll imagine alternate endings to Rash’s tale of hate and love.

            In “The Cove,” Rash masterfully poises suspense elements; and gives full reign to other strengths: language; awe; symbolism; cast of characters; and mountain knowledge.

Laurel Shelton, the young woman who lives with her brother on their late parents’ farm, walks through the woods and glimpses Carolina Parakeets, the flocking beauties shot to extinction by farmers.

            Walking to the cornfield, she feels the cliff looming above her.  “There wasn’t a gloamier place in the whole Blue Ridge,” her mother had said.  The cove was “a cursed place…where ghosts and fetches wandered.”

            Shadow-land is a distinctive feature of this region’s literature.  In “Christy,” Catherine Marshall’s 1967 novel, bright-spirited Fairlight Spencer feels oppressed by the darkness of the mountains that enclose her cove in east Tennessee.

            “Christy, holp me,” she cries, as the sun vanishes behind the mountains just as typhoid snuffs her light.  “The shadder’s after me.”

 

Fairyland

 

            Laurel follows the parakeets to the discovery of a ragged young flautist camping out on her mountain.  His playing is otherworldly; he’s a mute.  Laurel doesn’t yet know that he has escaped from the prison camp.

            Dreamily, she goes back to the only sunny spot in the cove—a ledge—to retrieve her brother Hank’s shirt, drying on the rock. 

Then, “a purple butterfly lit on the stream edge to sip water.  A pretty hue, most anyone would say…Just not pretty on white skin,” Laurel reflects, thinking about her birthmark, which she had once tried to efface.

            Regarding accursedness, cursors pointed at Laurel in a few ways: her residence in the bad place; a history of calamities happening around her; her birthmark, which made it easy for people to shun her; and, ultimately, exceptional loneliness.

            “Laurel felt she herself might be a ghost.  Did a ghost even know it was a ghost?”

            You would classify Rash’s writing as “realism”—real people, hard times, clearly rendered details—but you could not dismiss the feeling of fairyland.

            Characters pass through the cove and see signs: fallen chestnut trees, blighted like much else; a bottle tree with charms; gravestones; pools.

            The book’s water imagery alone, tugging at many places, indicates how “The Cove” works strongly on two levels.  It fulfills Rash’s interest in sustaining, in a novel, the revelation and sound of his poetry.

 

World War I

 

            Hank’s shirt is cut off at one arm to fit his amputation, suffered at war.  Walter’s muteness is another kind of wartime loss.  Other characters, walking the streets of Mars Hill and participating in the drama in the cove, show scars.

            Tilman Estep, a cynical veteran, had lost one eye overseas.  Old Slidell Hampton, the Sheltons’ neighbor and friend, is haunted by a Civil War memory that stands out as a stunning one-page story within the novel.  Sgt. Chauncey Feith, the gung-ho home front recruiter, is branded by his fear of being deemed a coward.

            During a trip to Asheville, Chauncey stops in on the stone cutter, W.O. Wolfe, Thomas’ father, and imagines the unveiling of his own monument.

            At the ceremony, Chauncey would call his future wife to his side, and she “would turn to the crowd and talk about how Senator Chauncey Feith had dedicated his life to serving his country.” 

            Chauncey’s fantasy puts him in a different class from Serena.  The protagonist of “Serena” is a mythological fulfillment of world domination.  Chauncey’s demon is more modest—vanity and meanness disguised as patriotism.

 

Undercurrents

 

            Laurel’s fantasy life is as pure a romance as you can find.  And she’s smart in many ways—as a student, woodswoman, detective, and strategist.  But her mountain isolation makes her a spirit of nature, and a votary to beauty.

            After taking Walter to her and Hank’s home to heal him from a fever, she returns to the outcrop to get Walter’s haversack, and reconnects with her refuge.

            “Up here,” Rash writes, “the wide shelf of granite gathered the sun’s light and held it, swaddled Laurel in its brightness…Dewdrops on a spider’s web held whole rainbows inside them and a fence lizard’s tail shone blue as indigo glass.”

Laurel’s love scenes are tender and believable.  “The Cove” is Rash’s sexiest book.

            Walter’s feelings and history come out in the novel, but not his fantasies as much as they might if the novel had had space to explore them.  We hear his music, but not his musician’s mind.

            At 255 pages, “The Cove” is a crafted gem.  It’s a book you could read again to savor the writing.  Rash has found a subject that compellingly represents his vision—beauty shadowed by foreboding; and he’s made it symphonic.

 

BOOK REVIEWED

The Cove by Ron Rash (HarperCollins: Ecco hardcover, Apr. 2012, 255 pages, $26.99).

 

SEE THE AUTHOR

Ron Rash’s 29-stop book tour for his new novel, “The Cove,” includes these local stops:

 

Fri., 7 p.m.
Malaprop’s Bookstore/Café, 55 Haywood St. Asheville (254-6734).

 

Sat., 2 p.m.

Blue Ridge Books, 152 S. Main St., Waynesville (456-6000).

 

Sun., April 15, 2 p.m.
Jackson County Library Community Room, Sylva (586-9499).

 

Thurs., May 24, 7 p.m.
Hub City Bookshop, Spartanburg County Public Library, 151 N. Church St., Spartanburg.

 

Thurs. May 24, 12 noon

The Lazy Goat, Greenville, for “Book Your Lunch,” $55 ticket (864-675-0540).

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