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Dave Minneman, heroic portrait

Started by Rob Neufeld in Local History Aug 25.

East Asheville history and sites

Started by Rob Neufeld in Local History Feb 27.

The German experience settling WNC 1 Reply

Started by Rob Neufeld in Local History. Last reply by Scott Dockery Feb 16.

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Lyndsay Eli with GUNSLINGER GIRL (YA Novel) at Spellbound Children's Bookshop

January 20, 2018 from 6pm to 7pm
Are you a fan of The Hunger Games?  Then picture what Katniss would be like - with a gun.  That's just a taste of the "new" West action Lyndsay Eli brings to Spellbound Children's Bookshop with Gunslinger Girl.  She shares her debut novel on Saturday, January 20, at 6 p.m. The US has been fractured by a Second Civil War. Serendipity 'Pity' Jones finds a home of sorts in the corrupt, lawless city of Cessation (think Las Vegas on steroids).  Her shooting skills make her a star of the Theater…See More
yesterday
Rob Neufeld posted a blog post

Cherokee and WNC music and dance events

Two Big Cultural Events in December in Hendersonville & Ashevillefrom press releaseThe Center for Cultural Preservation, WNC’s cultural history and documentary film center, presents, Cherokee Music and Dance on Thursday, December 7, 7 p.m., Blue Ridge Community College’s Thomas Auditorium.  Tickets are $5. The screening of A Great American Tapestry will be held on December 2, 2 p.m., at the Osher Lifelong Learning Institute, Reuter Center, UNC Asheville.  Tickets for that event are…See More
Nov 15
Spellbound posted events
Nov 9
Rob Neufeld posted a discussion

Battery Park Hill through the ages

Battery Park through the Years by Rob NeufeldPHOTO CAPTIONS: 1) Present-day view of Battery Park Apartments from…See More
Nov 6
Mark de Castrique posted a blog post
Oct 13
Rob Neufeld's discussion was featured

Dave Minneman, heroic portrait

Dave Minneman and a sense of justiceby Rob NeufeldPHOTO CAPTION: Dave Minneman doing research at Pack Memorial Library.  Photo by author.            “One of the biggest things I did as a kid, in order to escape my father,” Asheville resident Dave Minneman says of his 1960s and 70s rural Indiana childhood, “was…See More
Oct 8
Julia Nunnally Duncan posted an event

Julia Nunnally Duncan at MACA Authors' Booth

October 14, 2017 from 9:30am to 1:30pm
Julia Nunnally Duncan will be signing her new books A Part of Me and A Place That Was Home at the Mountain Glory Festival in downtown Marion on Saturday, October 14, from 9:30-1:30. She will be located at the MACA Authors' booth on Main Street.See More
Oct 7
Rob Neufeld posted a blog post

Sample 8 Great Smokies Writers at Malaprop’s, Oct. 15

Writers in UNC Asheville’s Great Smokies Writing Program (GSWP)read atMalaprop's Bookstore/Café, 55 Haywood St., Asheville, 3 p.m., Sun.,Oct. 15 Elizabeth Lutyens, editor of the GSWP’s Great Smokies Review, leads the Prose Master Class and will host the reading. ·        Ellen Carr, who works in the financial industry, will read excerpts from her novel of uneasy relationships, Unmanned. ·        Sarah Carter, an artist and photographer who will publish an excerpt of her novel, Jolene, Joe-Pye,…See More
Oct 6
Rob Neufeld posted a discussion

Ellington in Asheville--a survey

The Douglas Ellington effect: An Appreciationby Rob NeufeldIMAGE: Douglas Ellington’s original drawing for a City Hall-County Courthouse Art Deco complex.            “Dear Douglas,” Kenneth Ellington wrote his brother, the 38-year old Pittsburgh architect, on May 6, 1925, “I know things are…See More
Oct 6
Mark de Castrique posted a blog post

How To Kill Your Reader

Danger is a crucial element in a mystery novel. A killer is on the loose and no one is safe. But sometimes the killer can be the writer, and the victim, the reader.I'm talking about when the author turns into a preacher and the story becomes a sermon. Now I am not against using a mystery novel for social commentary. Writing doesn't happen in a moral vacuum, and, after all, isn't a mystery a morality play? As fellow North Carolina author Margaret Maron said there is no topic that can't be dealt…See More
Oct 5
Mark de Castrique posted a video

Hidden Scars - A Sam Blackman Mystery

Sam Blackman and Nakayla Robertson investigate a 70-year-old death that unleashes a killer.
Oct 3
Mark de Castrique posted a discussion

Black Mountain College as Backdrop for Mystery

My new book, HIDDEN SCARS, is released Oct 3rd.  D.G. Martin notes the star of the story is Black Mountain College.  http://chapelboro.com/town-square/columns/one-on-one/one-one-lost-college-still-shinesSee More
Oct 3
Rob Neufeld posted a discussion

Upcoming book--Sacred Sites for Secular Times

Sacred Sites for Secular Times: 50 Commemorative Experiences in Western North Carolina by Rob Neufeld              Among the many sites dedicated to history, there are some—both overbooked and overlooked—that provide full and moving experiences.  They involve a physical component, connecting to landscape; an imaginative one, entering other times and minds; and an interactive one, maintaining relevance.             The entries in this book help create full experiences through descriptive…See More
Sep 25
Susan Weinberg posted events
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Susan Weinberg shared their event on Facebook
Sep 22
Susan Weinberg shared their event on Facebook
Sep 22

The world of Ron Rash reveals new pieces

by Rob Neufeld 

            “I like to think that all that I’ve written forms a kind of quilt about the Appalachian mountains,” Ron Rash says in the wake of publishing his most recent book, “Nothing Gold Can Stay,” a collection of 14 stories.

            “Each novel, each story, each poem is a piece of that quilt.  My hope is to describe that place and the people in it as well as I can—not only in the present, but through time.”

            In 2010, Rash won the Frank O’Connor International Story Award, considered the most prestigious for that literary form.  His latest volume embraces hard luck characters and uses narrative surprises and open endings to create feelings of empathy.

 

Conned or the conner

            The book’s first story, “The Trusty,” does a masterful job of playing with the reader’s empathy. 

            “They had been moving up the road a week without seeing another farmhouse,” it begins, connecting us to a man named Sinkler, a conman convicted of embezzlement.   It’s Sinkler’s job to haul water for road crew prisoners, who, unlike Sinkler, have to wear leg irons.

            “How come you not to have chains on you?” a young housewife asks him when he approaches to request use of her well.

            “I’m a trusty,” he says.  “A prisoner, but one that can be trusted.” 

            So begins a dead serious series of conversations, laced with flirtations, demands, and gambits, that would suit the hero and heroine in a James Cain novel.  (Picture John Garfield.)

            In a recent interview, Rash revealed how his fertile imagination works.

            “The Trusty” started with an image, he said.  “A friend of mine mentioned that when she’d been a child, a trusty had come to her house one time for water.  Essentially, I imagined him on a dirt road with a bucket in his hand.  I knew, for him to be a trusty, it would have to be in the past.

            “Okay,” Rash continued, “I have him walk up this road, and what’s he going to find?  He found,” he says, laughing, “this very attractive young woman.

            “I knew that he was wanting to escape; or he would want to be with this woman. I also knew that he would have a good number of assumptions about her, including her intelligence.”

            Outsiders’ assumptions about Appalachian people are part of the quilt. 

Veering and sinking

            As in much of Rash’s fiction, there’s the sense that the mountain region is both a haven and a trap.

            In the title story, two 23-year-old opiate addicts on their way to a heist reflect on when they used to go night fishing after a day’s work on a highway crew. 

            Mission accomplished—sadly with callousness—the boys cross the river and the narrator sees that “a small light glows on the far bank, a lantern or a campfire.  Out beyond it, fish move in a current, alive in that other world.”

            In “Three A.M. and the Stars Were Out,” Rash takes a poem of the same name from his 2011 book, “Waking,” enlarges the characters’ lives, and, as in the poem, turns to the night sky for solace.

            “It’s nice to look up and see something that never changes,” Darnell, a farmer, tells Carson, a retired veterinarian.  “When I was in Korea, I’d find the Big Dipper and the Huntress and the Archer…same as if I were in North Carolina.”

            The mountains are a trap in Rash’s fiction for a few reasons: remoteness, economic hard times, a sense of fatalism, and the ways in which the region has been exploited.

            In the story, “Cherokee,” a young couple tries to climb out of their down-sucking poverty by taking their meager savings to the casino.  They’d overspent to buy a dream truck (used), and needed to make payments.

            Rash plays with the reader to the very end, making you wonder if the heroes are going to take what they’ve gotten or push their luck. 

A threatened people

            Drowning imagery recurs in Rash’s work as an expression of the love, pathos, and regret he feels for his people.

            How can we forget the drowning at the beginning of his novel, “Saints at the River”?  A new version of that episode appears in “Nothing Gold” as the story, “Something Rich and Strange.”

            And how can we erase from our memories the dam-project-flooded community in “Not Waving but Drowning,” published in “Chemistry and Other Stories”?

            The new volume adds to the pull of that consciousness.

            “Water has its own archaeology,” the story, “The Woman at the Pond,” begins—“not a layering but a leveling, and thus is truer to our sense of the past, because what is memory but near and far events spread and smoothed beneath the present’s surface.”

            In the story, “A Sort of Miracle,” Denton, an accountant, falls into a freezing creek.  Rash is at his grim and comic best. 

            Denton is afflicted by two good-for-nothing brothers-in-law, but is no paragon himself, since he’s given to foolish desperation when he begins to have problems in the sack.

            He thinks about the way the boys’ eye color changes when they watch TV, and then about a 12th grade biology experiment that had altered his life with random bad luck.

            “Everybody else’s fruit flies had changed eye color except Denton’s,” Rash relates about Denton’s classroom failure.  “His just crawled around on the glass for an hour and then died.  He got a D- on a major nine-week project,” and he hadn’t even picked which flies he’d gotten.  He received no college scholarship offers.  “The damn fruit flies had made sure of that.”

            Bad luck is the name people give to the probability of injury in a merciless environment.

            The comic story comes in Part II of a three-part grouping.

            “What I was hoping to do,” Rash says about the structure, “is bring the reader into that world”— another kind of askew "world made straight."

            “In Part I, you start in the past and end in the past,” he explained.  “The second part—it’s like a musical score.  Two of the stories (in that section) are humorous.  It gives the reader a break from the dark intensity.  In the third section, I hope the reader senses a kind of lightening up, a more hopeful sense.”

            In the world of Rash’s fiction, there are tragic figures, willful outsiders, Faulknerian endurers, screw-ups, loners, and heroes capable of sacrifice.

 

THE BOOK

Nothing Gold Can Stay: Stories by Ron Rash (HarperCollins: Ecco hardcover, 247 pages, $24.99) 

AUTHOR EVENTS

  • 5 p.m., Sun., Feb. 24, ticketed event at Malaprop’s Bookstore/Café, 55 Haywood St. Asheville, 254-6734.
  • 6: 30 p.m., Mon., Feb. 25, at Blue Ridge Books, 152 S. Main St., Waynesville (456-6000).

 

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