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The German experience settling WNC 1 Reply

Started by Rob Neufeld in Local History. Last reply by Scott Dockery Feb 16.

The history of Oakley

Started by Rob Neufeld in Local History May 13, 2016.

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Rob Neufeld posted a discussion

Gail Godwin full interview for Grief Cottage event

Gail Godwin talks about Grief Cottage            Asheville author Gail Godwin, now a Woodstock, NY resident, comes back home here Wed., June 14 to present her new novel, “Grief Cottage” at Malaprop’s Bookstore, 7 p.m.             “Grief Cottage” is the story of an orphaned, sensitive, troubled boy, named…See More
Jun 13
Jack J. Prather posted a blog post

First Woman NC Poet Laureate's Biography

A Biography of Late NC Poet Laureate Kathryn Stripling Byerin Hendersonville Author's Six Notable Women of North CarolinaA biography of the late Kathryn Stripling "Kay" Byer of Cullowhee, the first woman and longest-serving (2005-2009) Poet Laureate in the state, is featured in Six Notable Women of North Carolina by Jack J. Prather of Hendersonville, founder of the Young Writers Scholarship at Warren Wilson College. The 43-page biography includes poems selected by the poet who passed away on…See More
Jun 9
Julia Nunnally Duncan posted an event

Julia Nunnally Duncan at Marion Community Building

June 17, 2017 from 10am to 3pm
Julia Nunnally Duncan will be a featured author at the McDowell County 2017 Local Author Festival at the Marion Community Building in downtown Marion on Saturday, June 17 from 10-3. The event is sponsored by the McDowell County Public Library and is free and open to the public.See More
Jun 6
Short-short Stories & Riddles posted a blog post

Mom's has-been groove in ghost-boy novel

Marcus, in Gail Godwin’s new novel, Grief Cottage, recalls his friendship with Wheezer, whom he’d once beaten up at school because Wheezer had exposed Marcus’ shameful secret about his mom.  Now Marcus, age 10, is an orphan.  His dad has always been unknown to him; and his mom has just died in a car accident. Relocated to his aunt’s beach house, Marcus, despite the safety of the place, finds himself in trouble. He’s communicating with a ghost.  He’s having dreams about a non-existent older…See More
Jun 3
City Lights Bookstore posted events
Jun 1
City Lights Bookstore posted an event
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Art of Awakening Shamanic Consciousness at City Lights Bookstore

July 28, 2017 from 6:30pm to 8pm
Linda Star Wolf will visit City Lights Bookstore on Friday, July 28th at 6:30 p.m. She will present her new book, Soul Whispering: The Art of Awakening Shamanic Consciousness.  Master Shamanic Breathwork Practitioner, Nita Gage co-wrote the book with Linda Star Wolf. The authors explore how the art of Soul Whispering can help each of us understand why we experience our lives the way we do and shift from healing our wounds to embracing the process of transformation. This is a powerful new…See More
May 27
Connie Regan-Blake posted events
May 23
Mirra updated an event
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Dada Maheshvarananda Launches Cooperative Games book at Malaprops Bookstore

May 27, 2017 from 7pm to 8:30pm
With a Foreword by noted author and activist, Bill Ayers, Cooperative Games for a Cooperative World by Dada Maheshvarananda, shows up how to work together to create unity, trust, and cooperation in making the small and big changes needed to create the world we want to see.Listen to this recent radio interview with Dada:https://drive.google.com/openDiane Donovan of Midwest Books says of…See More
May 20
Mirra posted an event

Dada Maheshvarananda Launches Cooperative Games book at Malaprops Bookstore

May 27, 2017 from 7pm to 8:30pm
With a Foreword by noted author and activist, Bill Ayers, Cooperative Games for a Cooperative World by Dada Maheshvarananda, shows up how to work together to create unity, trust, and cooperation in making the small and big changes needed to create the world we want to see.Listen to this recent radio interview with Dada:https://drive.google.com/openDiane Donovan of Midwest Books says of…See More
May 16
City Lights Bookstore posted an event
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Rosalind Bunn Storytime at City Lights Bookstore

June 24, 2017 from 11am to 12pm
Rosalind Bunn will return to City Lights Bookstore on Saturday, June 24th at 11 a.m. for a special storytime. Rosalind teaches at East Side Elementary in Marietta, Georgia. She has three grown children and a new grandson. Rosalind has co-authored three children's books with a dear friend, Kathleen Howard. Her newest book, Thunder & a Lightning Bug Named Lou, is illustrated by Angela C. Hawkins and was released in December 2016. Her other titles are Whose Shadow Do I See?, The Monsters…See More
May 13
Short-short Stories & Riddles posted a blog post

I Have a Coin

I Have a Coin I have a coin I deem a treasure.One side bears the sign of extinction,And the other, an instance of nature.But it’s not a coin; it’s a seal,And the meaning of this distinctionIs the unbearable sadness I feelWith experience, or with closure. It seems like a double exposure,But the knowledge of impermanenceBleeds into the ideal likenessOf mortality in its eminence—To yield a vibrant pictureOf a creature’s essential brightnessAs it burns for life without censure. --Rob NeufeldSee More
May 12
City Lights Bookstore posted events
May 11
Gary Thomas Johnson is attending Kalen Vaughan Johnson's event
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Kalen Vaughan Johnson debuts ROBBING THE PILLARS at Malaprop's Bookstore/Cafe

May 20, 2017 from 7pm to 8:30pm
This signing event for my debut novel ROBBING THE PILLARS will also serve as a benefit for longtime family friend and WNC advocate for people with disabilitiesSee More
May 10
Gary Thomas Johnson shared Kalen Vaughan Johnson's event on Facebook
May 10
Kalen Vaughan Johnson posted an event
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Kalen Vaughan Johnson debuts ROBBING THE PILLARS at Malaprop's Bookstore/Cafe

May 20, 2017 from 7pm to 8:30pm
This signing event for my debut novel ROBBING THE PILLARS will also serve as a benefit for longtime family friend and WNC advocate for people with disabilitiesSee More
May 10
Mark de Castrique posted a blog post

Hidden Scars - Sam Blackman and Black Mountain College

I don't know if this is true for my fellow writers, but proofing can be the most difficult part of the process.  I received the ARC today for October's Sam Blackman Mystery and will begin the last review for typos or formatting errors that have eluded my editor, my copy editor, and myself.  Amazing that there is always something that the brain "fixes" and we don't see.Hope springs eternal that the October release will be typo-free.  The mystery is set against the historic backdrop of Black…See More
May 6

Not the evening news: Asheville Poetry Review’s latest offering

by Rob Neufeld

 

            What has always been impressive about “Asheville Poetry Review,” now offering its 23rd issue in 20 years, is its variety and balance.

            It’s got its authors of the region, and its national and international contributors; it’s got lyrical, narrative, philosophical, and experimental works.  Vets and still-wets.  Interviews, reviews, and news that stays news (as Ezra Pound liked to call poetry).

            Let me give you a few examples from Vol. 20, no. 1.

 

That’s a sonnet?

 

            Robert West’s poem, “Sonnet,” contains 14 lines—and only 12 words.  It abandons the traditional meter, but sticks to a rhyme scheme, ending with “on-/ ly/ Thou,/ own/ me/ now.”

            Yes, West likes to play, and also pray, as is evident, too, in his first poem in the volume, “Nadir,” which goes:

            “Each morning you’d recite, Let there be light,/ and face the day repeating that refrain. / Whatever terrors chased you through the night, / each morning you’d recite, Let there be light.”

            The poem continues using rhyme and repetition to create a circular feeling.

            Turn the book over, flip pages from the back, and you come to Philip Belcher’s “Gentle Slaughter,” a very different twist.

            Belcher, Vice President of Programs at the Community Foundation of WNC, takes us to a local scene and engages in purposeful anti-lyricism.

            “The women and liberated men thumping melons/ at Whole Foods this year,” he begins, “require chickens labeled gently slaughtered…”

            He continues his specific report with a visit to Syglenda (Syglenda Smith Saziru, farmer at John Smith’s Hill Harm), whom he observes closely as she goes to a shed “where the birds are gassed before uncrating,/ before exsanguination.”  The scientific word works very well in its drawn out anti-poetry.

            And it supports Belcher’s point.  You may love gentleness, but survival and industry are raw.  Belcher gives us three images: Tyson’s painful mechanized process; Syglenda’s mother’s lullaby-singing prelude to the instant kill; and her father, picking up a wing-shot dove and “slapping its head/ against his heel to be sure that it was dead.”

            That may not be Percy Bysshe Shelley’s “bird thou never wert”; but it is imagery.

 

Gauntlet tossed

           

            So, what’s happening with American poetry—involved as it is in a Golden Age of productivity, seriousness, and variety; but in a slump in terms of general popularity?

            “Asheville Poetry Review” is one of the best places to find out.

            The new issue contains a pertinent interview (conducted by Vermont poet Chard deNiord) with one of contemporary America’s greatest poets, Jack Gilbert, who died in Nov. 2012.

            “If a poem is abstract it’s not human and therefore can’t have an emotional impact,” Gilbert said.

            deNiord asked Gilbert about what has happened with contemporary poets, many of whom, Gilbert explained, had to get experimental to break away from their predecessors, those of the great Eliot, Williams, Stevens, and Pound generation.

            “Much of postmodern poetry has no significance at all,” Gilbert elaborated.  “Unless you like puzzles…It’s nice, but it’s not going to change your life.”

            The gauntlet has been thrown down to poets.  Dig deep.  Change our lives.

 

Backwaters of the future

 

            Let’s apply the challenge to “New Songs,” a poem that APR received from Thomas P. Feeny, an N.C. State Foreign Languages professor, who translates the immortal Federico Garcia Lorca, whose poem begins: “The afternoon says: I am thirsty for shade!” 

The thirst then extends to a wish for “new songs…A morning song that startles the air/ at the tranquil backwaters/ of the future.  And fills with hope/ their ripples and their silty depths.”

            The poet restates his theme in various and exciting ways, putting Gilbert’s prosaic entreaty into—as the title indicates—song.

            Is it a weakness that the poem is abstract—not only in that it has no historical context, but also that it uses such words as “hope,” “sadness,” and “soul”? 

No.  It just goes to show that abstractions such as “Don’t be abstract,” have problems.  Gilbert meant scientific abstractions, not emotional ones.

 

Ticket to ride

 

            Universal versus specific—we see the same division in pop songs: Beatles versus Springsteen (though the Beatles did produce “A Day in the Life” and “Eleanor Rigby”).

            It some ways, it’s a false distinction.  The main trick is to give a reader or an audience member something on which to hitch a ride, whether it’s an archetype or a Friday night.

            I say, “Friday night,” because that’s the turning point in “Meanwhile,” a poem by Melissa Crowe of Asheville.

            “In the gypsy language, the word for tomorrow/ is the same as the word for today,” she begins; and then, like Garcia Lorca, repeats her theme in interesting new ways.  “I long and am lit up,” she writes.

            She also writes, “Once the phrase a Friday night/ wracked me with cries—there are only so many/ and we don’t know when we’re having the last…”

            I love this.  The poet gets our attention because she’s crying over a phrase.  “Friday night,” a specific experience shared by contemporary Americans becomes a universal thing.

 

Latent power

 

            Gaylord Brewer, a poet and professor from Middle Tennessee, contributes “More Honored in the Breach: The Long Departure”—a pumped-up title for an elegantly subversive poem.

            His touchpoint is a man—that one, there, out of sight of the singing crone—who believes he’s the archangel of “The Great Deity of Faithlessness.”

            Is he a street person?  We are asked to “follow as he approaches/ a last time the dark men congregated/ in the door of the village bar.”

            Gilbert said in his interview that we don’t want puzzles, but we do want riddles, especially ones that are puzzling enough to spark interpretation, but not discourage it.

            Brewer’s “holy man” is about to have his “last morning,” his passage—to homeless death?—marked by the raging sun he’d prophesized.  “And thus/ the cold clouds of heaven descended./  I tell you, such is his terrible power.”

            The irony and pathos in that last line is a killer.  A wretch does have the power to mythologize his or her fate.

            There are a lot of other discoveries to be made in this latest APR—William Wright’s memoir-like, “Boyhood Trapped Behind the Eyelids,” a feast of sounds and images; Katherine Soniat’s “Flash Karmas,” visions, prompted by 11 key words, of the kinds of things that end up being memorable; Douglas Rutledge’s review of Steven Haven’s book of poems, “The Last Sacred Place in North America.”

            Haven leads off, Rutledge immediately notes, with the line, “They failed to show it on the evening news,” which Rutledge connects to “a failure of a method of thinking.”

            Here, the two writers share a faith common among poets, going back to Ralph Waldo Emerson, who said, “Things are in the saddle and they ride mankind.”  We need a revolution of consciousness; but whom do we trust?

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