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Lockie Hunter posted an event
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Juniper Bends and Topside Press present: Where We're Going We Don't Need Roads at The Crow & Quill

October 8, 2014 from 8pm to 10pm
This fall the best new transgender fiction is going on a road trip! Topside Press authors Casey Plett (author of A Safe Girl To Love) and Sybil Lamb (author of I’ve Got A Time Bomb) will be crisscrossing Canada and the United-States. Asheville is hosting these Topside authors with the help of Juniper Bends Reading Series, and The Crow & Quill. Join us on Wednesday, October 8th at 8 pm to hear the work of these two …See More
12 hours ago
Randolph Wilson replied to Rob Neufeld's discussion Place-names salute us in a revised gazetteer
"I was born on Bill's Creek...the son of Roland and Jeanette Frady Wilson. I spent my first 18 years on the old Frady farm on Bill's Creek. We lived with my Grandfather and Grandmother....Dewey Frady and Diza Hall Frady. I remember…"
13 hours ago
City Lights Bookstore posted events
Saturday
Sue Diehl posted an event

Rose Senehi with Montreat College Friends of the Library at Bell Library at Montreat College

November 2, 2014 from 3pm to 5pm
Rose Senehi, author of Dancing on Rocks, will discuss her most recent novel in the Blue Ridge Mountain series on Sunday afternoon, November 2, 2014 at 3:00 p.m in Montreat College Bell Library.  Public is invited. Refreshments will be served.See More
Thursday
Rob Neufeld posted a discussion

A contemporary tour of Asheville 1916

Walk through Asheville, spring 1916by Rob Neufeld                       You will be impressed by how clean the streets are.  It wasn’t that way twenty years earlier, when Patton Ave. got muddy in wet weather; horses had to be swept after; and women feared going downtown because their long skirts…See More
Sep 23
Doris Anne Beaulieu posted a blog post

Vintage Postal Stamp ( Poem )

Vintage Postal Stamp ( Poem )Turn of the century Vintage Stamps Traceable history make value enhancePrices get higher as the years go by Dream of finding one valued so highExtremely fine with the perfect gum Designer flaws bring high premiumFamous from error illustration Collection of art inspirationWe are crazy for detailed graphics Finding rare depends on the marketsUnused are the old collectibles Their worth can be unbelievableView history with a new focus My playlist is something to…See More
Sep 23
Doris Anne Beaulieu posted a blog post

Harnees Racing ( Poem )

Harness Racing ( Poem )Horses pull a two wheeled cart If it breaks you will departPlace a bet before it starts Good wager wins if played smartRiders ready at the gate Fans no longer have to waitAthlete sport with high speed Is a skill you surely needAt times a horse can fall down Sad to see that come aroundLast turn has crowd in a roar We wait to hear close end scoreIf your looking to explore My playlist has so much more…See More
Sep 21
Julia Nunnally Duncan posted an event

Julia Nunnally Duncan at The MACA building

October 11, 2014 from 9:30am to 1pm
Julia Nunnally Duncan will be a featured author at the McDowell Arts Council Association (MACA) booth at the Mountain Glory Festival in downtown Marion on Saturday, October 11. Julia will sign her books from 9:30-1 p.m. The MACA booth is located outside the MACA building at 50 South Main Street, Marion.See More
Sep 17
Lockie Hunter posted an event
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West End Poetry and Prose Reading series at West End Bakery

September 13, 2014 from 7pm to 9pm
Join us at West End Bakery for our 1st FREE Fall reading of 2014. This will be a marvelous family-friendly evening of prose, poetry, and storytelling featuring your favorite local Asheville writers. The lineup includes:  Tom Chalmers  Caleb Beissert  Beth Keefauver  Kim Winter…See More
Sep 13
Rob Neufeld posted a discussion

The Story of Land and Sea by Katy Simpson Smith

Wounded hearts, changed minds in 18th century Beaufortby Rob Neufeldpublished in the Asheville Citizen-Times, Sept. 14, 2014             As a symbol of hope—or hopelessness—or accommodation (it depends on the story line), there’s nothing like the intelligent woman marooned on a patriarchal, slave-owning Southern…See More
Sep 12
City Lights Bookstore posted events
Sep 11
Sharyn McCrumb updated their profile
Sep 10
Sharyn McCrumb posted an event
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Sharyn McCrumb's Novel "Nora Bonesteel's Christmas Past" at Belk Library, Appalachian State University, Boone NC

October 6, 2014 from 6pm to 8pm
 Scripture cake, book signings, and the real Nora Bonesteel herself. On Oct. 6, ASU in Boone is hosting the book launch for "Nora Bonesteel's Christmas Past" (Abingdon, Oct., 2014) with a program of storytelling, featuring author Sharyn McCrumb and storyteller Charlotte Ross, the inspiration for the character of Nora.See More
Sep 10
Rob Neufeld posted discussions
Sep 9
Rob Neufeld posted a blog post

What will make you go to a history museum?

What attracts you to history museums?I've posted three history exhibits that are currently up in the area--one on the hillbilly stereotype; one of photographs of child labor; and one on African-American education in the area (see news)--and it made me wonder:What would make you go see an exhibit in a history museum?This information would be of GREAT HELP to curators.Here…See More
Sep 9
Spellbound posted an event
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Weekly Story Time at Spellbound Children's Bookshop

September 13, 2014 from 11am to 11:30am
Free weekly story time for ages 3 to 7 (or thereabouts) every Saturday morning 11-11:30amSee More
Sep 6

Madden’s London Bridge re-creation sings of ruin

by Rob Neufeld

See interview.

 

            “David Madden has written his masterpiece,” Ron Rash advances on the jacket of Madden’s new novel, “London Bridge in Plague and Fire.”  I find myself stepping back from this frame to look at Madden’s life achievements, a fertile universe of imaginative adventures regarding which it’s hard to compare apples and pomegranates.

            “London Bridge” is not only the most liberated of Madden’s journeys, it is also a fetid commentary on the state of lust and sin in the world that had preceded our era of intellect and spirit.

            That it takes place in an otherworldly environment, a community of warrens perched above a rushing, commercial, odorous river in a time of violence, plague, disaster, and superstition, adds to the head trip.

            Many characters—including Daryl Braintree, the 17th century poet-chronicler of London Bridge; Peter de Colechurch, 12th century architect of the first stone bridge at the crossing; and Lucien Redd, the 17th century villain forged by rape by soldiers during Cromwell’s revolution—are riveted by the stances of their own as well as the bridge’s shafts.

            Madden’s fascination with the teeming life of the bridge before its demolition in 1831 flowers into a profusion of impressions, with plot taking a while to assert itself.

            Braintree, Madden’s alter ego, comments after one journal entry, “Just before I go to bed I will enter in this diary my own thoughts, feelings, imaginings about the Bridge.  No rules….My nocturnes are events.  Are they poetry?  Time will tell.  Or my mistress, Musetta.”

 

Reading David Madden

 

            Pausing on the landing of this paragraph in this review, I feel like John Cusack in “Being John Malkovich.”  Except that entering Madden’s mind through his fiction is like entering a portal to many different minds.

            In Madden’s previous novel, “Abducted by Circumstance,” we enter the mind of a woman in upstate New York as she witnesses what she thinks has been the abduction of a another woman, and, through an act of imagination, counsels the abductee on how to forestall and dissuade her attacker.

            In his 1996 novel, “Sharpshooter,” Madden enters the mind of a haunted man looking back twenty-plus years to his service in the Confederate Army under General Longstreet.

            “Cassandra Singing,” Madden’s 1969 novel, is a deeply Southern creation, featuring a restless young man and his sister, an over-imaginative, guitar-playing, 13-year-old, washed in the romance of literature as well as the blood of Christ; and confined by rheumatic fever.

The singing girl re-emerges in “London Bridge,” as Lucien has a supernatural vision of an altered version, “not just sad-sounding now, but distracted, mad, savage, almost screaming the song, like Csssandra in Troy.”

            Madden’s roots in Southern literature go back to an upbringing in a poor part of Knoxville, and a lifelong reading of Southern greats, including William Faulkner, Thomas Wolfe, and Knoxville author James Agee, about whom he wrote the book, “Remembering James Agee.” Faulkner’s “Absalom, Absalom!” is the greatest of novels, Madden proposes in his study, “Touching the Web of Southern Novelists.”

            A few years in the Merchant Marines and in the Army in the 1950s widened Madden’s scope, as did his growing library.  His hunger to encompass non-Southern imaginations resulted in books about such various figures as James Cain, Wright Morris, and Nathaniel West.

            We tumble through Madden’s productivity to end up at the door of Nonesuch House, the antiquarian bookstore on London Bridge in the garret of which Daryl creates “an echo chamber of communal voices.”

            The mind within a mind format of “London Bridge” makes it Madden’s masterpiece in one sense for it is his attempt to represent the prodigious activity of his imagination.  Madden’s background and type of imagination makes him a distinctive figure in literature.

 

Now, to the plot

 

            The dates, committee reports, poems, and journal entries that populate the first 75 pages set up, first, the story of de Colechurch’s safeguarding of Archbishop’s Thomas á Becket’s murdered body; and then the 17th century story, involving Lucien’s diabolical role and that of Morgan Wood, a London Bridge youth who went to sea to work off his father’s debt and became closely acquainted with Lucien.

            Lucien came on board in Surinam and occupied the hammock above Morgan’s.  Morgan relates his memories of the Bridge to Lucien; and Lucien reveals, “You do know, do you not, that only the sacrifice of a female virgin child can appease whatever pagan gods still exert influence over the fate of Bridges everywhere?”

            In Calcutta, a young seaman boards, speaking of plague spreading to Amsterdam.  He’s thrown overboard.

            Heads impaled on London Bridge’s gate remain there from pre-Restoration days.

            Blythe, a 13-year old secret whorer, and her friend, Gilda, a virgin, frequently leave their fathers’ shops to frolic on the bridge, the clocks of their victimhood ticking.  Doom is in the air.

            All of the action comes to a head at once, after the fire of 1666, and you come away wondering, “Have I experienced the real thing?  Do I now understand how people at the time of Puritanism and post-Renaissance excess could have become so horrible?”

            Briantree notes that diarist John Evelyn wrote that London resembled Sodom. 

            Madden, making the character analogy, writes about Lucien’s latest intentions, “Like plague, like fire visiting the City, Lucien Redd had visited the mind and body of Morgan Wood, to sicken it, to incinerate it.”

            Like Lucifer in John Milton’s 17th century classic, “Paradise Lost,” Lucien claims the spotlight.  Madden’s excavation of the body and soul of London Bridge reveals a roiling co-dependence of good and evil.

THE BOOK

London Bridge in Plague and Fire by David Madden (U. of Tenn. Press hardcover, 358 pages, 29.95)

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