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Interview with Gail Godwin about Grief Cottage

Started by Rob Neufeld in AC-T Book Reviews Aug 3, 2017.

Ellington in Asheville--a survey

Started by Rob Neufeld in Local History Oct 6, 2017.

Dave Minneman, heroic portrait

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Connie Regan-Blake updated an event
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A Slice of Life: An Evening of Stories at Black Mountain Center for the Arts

April 21, 2018 from 7:30pm to 9pm
Saturday, April 21, 2018 at 7:30 pm, join nationally celebrated storyteller, Connie Regan-Blake, as she hosts her "Taking the Stage" workshop participants, for an enchanting evening of storytelling in picturesque Black Mountain, NC. You'll enjoy a variety of stories and storytelling styles featuring tellers Jane O Cunningham from Rome, GA; Gabriele Marewski from Black Mountain, NC; Christine Phillips Westfeldt - Fairview,…See More
Mar 21
Glenda Council Beall posted a blog post

Writers Circle around the Table

We are located in Hayesville, NC. In April we begin our new season with outstanding Poet Mike James. Mike will read at Writers' Night Out in Blairsville, GA on Friday evening April 13. On Saturday, April 14, he will teach a class at my studio.Formally SpeakingThis class will focus on different types of traditional poetic forms such as the sonnet, the villanelle, and the sestina, and will also include other verse forms such as erasures, found poems, prose poems, and last poems.Contact Glenda…See More
Mar 12
Caroline McIntyre posted an event
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Rachel Carson, Silent Spring Chautauqua History Alive at UNC Asheville, OLLI Reuters Center, Manheimer Room

April 15, 2018 from 3pm to 4:30pm
Step inside the revolutionary book, Silent Spring as its author Rachel Carson reveals the reckless destruction of our living world. Written more than 55 years ago Silent Spring inspired the Environmental Movement and has never been out of print. And now you have a chance to ask the author, Rachel Carson, how this came to be. But these aren’t just performances. They’re a chance to step into Living History – to ask questions and go one on one with a women whose books shaped our country and our…See More
Mar 7
Lynn Hamilton-Rutherford posted blog posts
Mar 7
Lynn Hamilton-Rutherford commented on Glenda Council Beall's photo
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lexie on deck_edited-1

"She looks like I look in my imagination right before I've had my coffee ... relaxed, bothered (by something, anything) and fully aware that I'm almost, but not quite, the center of the universe ... a feeling that quickly fades after that…"
Mar 4
Lynn Hamilton-Rutherford replied to Kathryn Stripling Byer's discussion Mary Adams's new chapbook COMMANDMENT
"This is so perfect ... the thought of every woman, who KNOWS what the men are thinking!  But now at least we have an idea! This makes me happy in a sad, lovely sort of way!"
Mar 4
Lynn Hamilton-Rutherford posted a photo

Mom in Her Writing Nook ...

She was working on the "About the Authors" section of "Echoes Across the Blue Ridge" when I captured this one morning. Though you can't see it, her coffee cup was within gentle reach that morning. Roxie is at her feet.
Mar 4
Carolyn Bennett Fraiser updated their profile photo
Feb 15
Harold N. Stern updated their profile
Feb 6
Glenda Council Beall posted a photo

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Lexie likes to sleep in the sunshine even on cold days.
Feb 6
Nancy Werking Poling posted a photo

Latest non-fiction book

In 1945 Indiana prohibited marriage between a white person and anyone with more than one-eighth "Negro blood." Yet Daniel (black) and Anna (white) gave up family, friends, and eventually even country to create a life together. Their 42-year marriage…
Feb 5
Nancy Werking Poling replied to Rob Neufeld's discussion Bent Creek, the 4-part story
"Rob, Thanks for putting this into one document. I've been following the narrative in the Citizen-Times. I find it an added resource for my next writing project. In 1910 my husband's grandfather (1866-1947) showed up in Missouri and said…"
Feb 5
Rebecca L Caldwell updated their profile
Feb 5
Lee Ann Brown replied to Rob Neufeld's discussion Writer Olive Dargan rises from obscurity
"Great Article!  Heart wrenching about her destroyed manuscripts and letters and notes but I will look for more of Olive Dargan!     Lee Ann Brown"
Feb 5
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Feb 4
Rap Monster posted a blog post

THE BANG BANG BROKERS HITS AMAZON PRIME WITH A BANG

Focusing on the aftermath of the 2008 Financial Crisis, The Bang Bang Brokers tells the story of a hedge fund manager (based on a composite of real life traders) who got rich off of predicting the subprime fallout. His guilt and suicidal impulses lead him to a chance meeting with a Latino Gang, headed by small time weed dealer Ramon (Erik Michael Estrada). In hopes that Ramon will kill him in exchange for the favor, Rolley (played by Donihue) robs a rival Black Gang, earning the pair a ton of…See More
Feb 4

Madden’s London Bridge re-creation sings of ruin

by Rob Neufeld

See interview.

 

            “David Madden has written his masterpiece,” Ron Rash advances on the jacket of Madden’s new novel, “London Bridge in Plague and Fire.”  I find myself stepping back from this frame to look at Madden’s life achievements, a fertile universe of imaginative adventures regarding which it’s hard to compare apples and pomegranates.

            “London Bridge” is not only the most liberated of Madden’s journeys, it is also a fetid commentary on the state of lust and sin in the world that had preceded our era of intellect and spirit.

            That it takes place in an otherworldly environment, a community of warrens perched above a rushing, commercial, odorous river in a time of violence, plague, disaster, and superstition, adds to the head trip.

            Many characters—including Daryl Braintree, the 17th century poet-chronicler of London Bridge; Peter de Colechurch, 12th century architect of the first stone bridge at the crossing; and Lucien Redd, the 17th century villain forged by rape by soldiers during Cromwell’s revolution—are riveted by the stances of their own as well as the bridge’s shafts.

            Madden’s fascination with the teeming life of the bridge before its demolition in 1831 flowers into a profusion of impressions, with plot taking a while to assert itself.

            Braintree, Madden’s alter ego, comments after one journal entry, “Just before I go to bed I will enter in this diary my own thoughts, feelings, imaginings about the Bridge.  No rules….My nocturnes are events.  Are they poetry?  Time will tell.  Or my mistress, Musetta.”

 

Reading David Madden

 

            Pausing on the landing of this paragraph in this review, I feel like John Cusack in “Being John Malkovich.”  Except that entering Madden’s mind through his fiction is like entering a portal to many different minds.

            In Madden’s previous novel, “Abducted by Circumstance,” we enter the mind of a woman in upstate New York as she witnesses what she thinks has been the abduction of a another woman, and, through an act of imagination, counsels the abductee on how to forestall and dissuade her attacker.

            In his 1996 novel, “Sharpshooter,” Madden enters the mind of a haunted man looking back twenty-plus years to his service in the Confederate Army under General Longstreet.

            “Cassandra Singing,” Madden’s 1969 novel, is a deeply Southern creation, featuring a restless young man and his sister, an over-imaginative, guitar-playing, 13-year-old, washed in the romance of literature as well as the blood of Christ; and confined by rheumatic fever.

The singing girl re-emerges in “London Bridge,” as Lucien has a supernatural vision of an altered version, “not just sad-sounding now, but distracted, mad, savage, almost screaming the song, like Csssandra in Troy.”

            Madden’s roots in Southern literature go back to an upbringing in a poor part of Knoxville, and a lifelong reading of Southern greats, including William Faulkner, Thomas Wolfe, and Knoxville author James Agee, about whom he wrote the book, “Remembering James Agee.” Faulkner’s “Absalom, Absalom!” is the greatest of novels, Madden proposes in his study, “Touching the Web of Southern Novelists.”

            A few years in the Merchant Marines and in the Army in the 1950s widened Madden’s scope, as did his growing library.  His hunger to encompass non-Southern imaginations resulted in books about such various figures as James Cain, Wright Morris, and Nathaniel West.

            We tumble through Madden’s productivity to end up at the door of Nonesuch House, the antiquarian bookstore on London Bridge in the garret of which Daryl creates “an echo chamber of communal voices.”

            The mind within a mind format of “London Bridge” makes it Madden’s masterpiece in one sense for it is his attempt to represent the prodigious activity of his imagination.  Madden’s background and type of imagination makes him a distinctive figure in literature.

 

Now, to the plot

 

            The dates, committee reports, poems, and journal entries that populate the first 75 pages set up, first, the story of de Colechurch’s safeguarding of Archbishop’s Thomas á Becket’s murdered body; and then the 17th century story, involving Lucien’s diabolical role and that of Morgan Wood, a London Bridge youth who went to sea to work off his father’s debt and became closely acquainted with Lucien.

            Lucien came on board in Surinam and occupied the hammock above Morgan’s.  Morgan relates his memories of the Bridge to Lucien; and Lucien reveals, “You do know, do you not, that only the sacrifice of a female virgin child can appease whatever pagan gods still exert influence over the fate of Bridges everywhere?”

            In Calcutta, a young seaman boards, speaking of plague spreading to Amsterdam.  He’s thrown overboard.

            Heads impaled on London Bridge’s gate remain there from pre-Restoration days.

            Blythe, a 13-year old secret whorer, and her friend, Gilda, a virgin, frequently leave their fathers’ shops to frolic on the bridge, the clocks of their victimhood ticking.  Doom is in the air.

            All of the action comes to a head at once, after the fire of 1666, and you come away wondering, “Have I experienced the real thing?  Do I now understand how people at the time of Puritanism and post-Renaissance excess could have become so horrible?”

            Briantree notes that diarist John Evelyn wrote that London resembled Sodom. 

            Madden, making the character analogy, writes about Lucien’s latest intentions, “Like plague, like fire visiting the City, Lucien Redd had visited the mind and body of Morgan Wood, to sicken it, to incinerate it.”

            Like Lucifer in John Milton’s 17th century classic, “Paradise Lost,” Lucien claims the spotlight.  Madden’s excavation of the body and soul of London Bridge reveals a roiling co-dependence of good and evil.

THE BOOK

London Bridge in Plague and Fire by David Madden (U. of Tenn. Press hardcover, 358 pages, 29.95)

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