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Robert Woodwart updated their profile
yesterday
Lockie Hunter posted an event
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Juniper Bends quarterly poetry and prose reading at Downtown Books and News

May 6, 2016 from 7pm to 9pm
Join your fellow literature-craving citizens at the next upcoming Juniper Bends reading on Friday May 6th at 7PM. We will be luxuriating in sound, soaking up nutritious poetry & prose after the dark winter. Our series aims to bring together both established and emerging writers, and we are honored to bring together Gary Hawkins, Catherine Campbell, Stephanie Johnson and Michael Pittard's collective word-magic for this lovely spring evening. As usual, our generous host site is Downtown Books…See More
yesterday
Jack Underwood shared a profile on Facebook
yesterday
Rob Neufeld commented on Rob Neufeld's blog post The Invention of Nature, an inspiring book--author Andrea Wulf at Malaprop's May 1
"Edwin, some are touched by the Holy Spirit, and find voice to our amazement.  Yet there are many who are not heard, no matter how much we'd like to hear.  How will you amaze? "
Monday
Edwin Ammons commented on Rob Neufeld's blog post The Invention of Nature, an inspiring book--author Andrea Wulf at Malaprop's May 1
"Do none consider that a greater power has designed all this and that all these recent discoveries are a tiny part of it? von Humboldt will not rise from the dust until I do and I am still upright so he must wait. Upon that eventful day it will be…"
Monday
Joe Epley posted a blog post

Military Writers Society of America

Joe Epley recently was elected to Board of Directors of the Military Writers Society of America.  The MWSA has around 700 members around the country. Details on the website: http://www.mwsadispatches.com.  ; The organization's purpose is to help military service members, veterans, their families, supporters of the military,and historians record history and the complexities of military life--and encourage writing as therapy. The…See More
Sunday
susannah eanes commented on Rob Neufeld's blog post The Invention of Nature, an inspiring book--author Andrea Wulf at Malaprop's May 1
"So chuffed about this! Sadly, I won't be there except in spirit. Andrea Wulf is a force of nature, herself. Her amazing work The Brother Gardeners should be made into a feature-length film - the characters live and breathe again between the…"
Saturday
Evelyn Asher updated their profile
Saturday
Rob Neufeld posted a blog post

The Invention of Nature, an inspiring book--author Andrea Wulf at Malaprop's May 1

Author of key book of our times comes to AshevilleAndrea Wulf makes Malaprop's Bookstore one her stops, Sun., May 1, 5 p.m., in talking about her thrilling work of non-fiction, The Invention of Nature: Alexander von…See More
Saturday
Rob Neufeld's discussion was featured

Salman Rushdie to Asheville with new novel

Atheist believes in genies, novel revealsby Rob Neufeld             Salman Rushdie’s latest novel—“Two Years Eight Months and Twenty-Eight Nights” (1,001 nights)—has permitted me to come up with a headline as wild as the one above because the book is so exuberantly and infectiously…See More
Apr 25
Julia Nunnally Duncan updated their profile
Apr 25
City Lights Bookstore posted events
Apr 23
Rob Neufeld posted a blog post

8th Annual Blue Ridge Bookfest Apr 22-23

The 8th Annual Blue Ridge Bookfest brings authors to Flat Rock There are a few oases where writers congregate to share wares and wisdom, and Apr. 22-23, the place is Blue Ridge Community College, featuring 19 readings and workshops, and many more opportunities for conversations with authors at exhibition tables.  See full schedule at…See More
Apr 20
Toby Hill posted a blog post

Asheville- The Way I Remember It- Hester

I have posted a new blog about a man I knew growing up in Asheville. It is entitled " Hester." Anna says guys will like it better than women. It's pretty long, but enjoy it.HESTERGrowing up in Asheville in N.C. in the 50’s and 60’s seemed, at the time, to be filled with a rhythm of adventure and strange encounters sprinkled with an assortment of particularly interesting and somewhat odd characters. One of those persons who fascinated me as a child was my father’s friend “Hester. “ My dad was…See More
Apr 19
Frank Thompson posted an event
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Frank Thompson at Yancey History Association

April 19, 2016 at 6pm to April 19, 2017 at 7pm
There is a permanent exhibit at the Yancy History Association in Burnsville devoted to the film "Then I'll Come Back to You" (1916) which was produced in nearby Pensacola. It's a small exhibit but well curated and filled with great photographs and other memorabilia of this century-old film.See More
Apr 19
Sharon Freeman Pace replied to Rob Neufeld's discussion Jerry Steinberg--Asheville history, contrarian views, new book
"In the 60's, early 70's, one of my uncles on my mothers side worked as a groundskeeper for Mr. Sternberg. I remember our driving up to the "castle" and my sister asking my aunt where the moat was.I also remember touching the…"
Apr 19

Madden’s London Bridge re-creation sings of ruin

by Rob Neufeld

See interview.

 

            “David Madden has written his masterpiece,” Ron Rash advances on the jacket of Madden’s new novel, “London Bridge in Plague and Fire.”  I find myself stepping back from this frame to look at Madden’s life achievements, a fertile universe of imaginative adventures regarding which it’s hard to compare apples and pomegranates.

            “London Bridge” is not only the most liberated of Madden’s journeys, it is also a fetid commentary on the state of lust and sin in the world that had preceded our era of intellect and spirit.

            That it takes place in an otherworldly environment, a community of warrens perched above a rushing, commercial, odorous river in a time of violence, plague, disaster, and superstition, adds to the head trip.

            Many characters—including Daryl Braintree, the 17th century poet-chronicler of London Bridge; Peter de Colechurch, 12th century architect of the first stone bridge at the crossing; and Lucien Redd, the 17th century villain forged by rape by soldiers during Cromwell’s revolution—are riveted by the stances of their own as well as the bridge’s shafts.

            Madden’s fascination with the teeming life of the bridge before its demolition in 1831 flowers into a profusion of impressions, with plot taking a while to assert itself.

            Braintree, Madden’s alter ego, comments after one journal entry, “Just before I go to bed I will enter in this diary my own thoughts, feelings, imaginings about the Bridge.  No rules….My nocturnes are events.  Are they poetry?  Time will tell.  Or my mistress, Musetta.”

 

Reading David Madden

 

            Pausing on the landing of this paragraph in this review, I feel like John Cusack in “Being John Malkovich.”  Except that entering Madden’s mind through his fiction is like entering a portal to many different minds.

            In Madden’s previous novel, “Abducted by Circumstance,” we enter the mind of a woman in upstate New York as she witnesses what she thinks has been the abduction of a another woman, and, through an act of imagination, counsels the abductee on how to forestall and dissuade her attacker.

            In his 1996 novel, “Sharpshooter,” Madden enters the mind of a haunted man looking back twenty-plus years to his service in the Confederate Army under General Longstreet.

            “Cassandra Singing,” Madden’s 1969 novel, is a deeply Southern creation, featuring a restless young man and his sister, an over-imaginative, guitar-playing, 13-year-old, washed in the romance of literature as well as the blood of Christ; and confined by rheumatic fever.

The singing girl re-emerges in “London Bridge,” as Lucien has a supernatural vision of an altered version, “not just sad-sounding now, but distracted, mad, savage, almost screaming the song, like Csssandra in Troy.”

            Madden’s roots in Southern literature go back to an upbringing in a poor part of Knoxville, and a lifelong reading of Southern greats, including William Faulkner, Thomas Wolfe, and Knoxville author James Agee, about whom he wrote the book, “Remembering James Agee.” Faulkner’s “Absalom, Absalom!” is the greatest of novels, Madden proposes in his study, “Touching the Web of Southern Novelists.”

            A few years in the Merchant Marines and in the Army in the 1950s widened Madden’s scope, as did his growing library.  His hunger to encompass non-Southern imaginations resulted in books about such various figures as James Cain, Wright Morris, and Nathaniel West.

            We tumble through Madden’s productivity to end up at the door of Nonesuch House, the antiquarian bookstore on London Bridge in the garret of which Daryl creates “an echo chamber of communal voices.”

            The mind within a mind format of “London Bridge” makes it Madden’s masterpiece in one sense for it is his attempt to represent the prodigious activity of his imagination.  Madden’s background and type of imagination makes him a distinctive figure in literature.

 

Now, to the plot

 

            The dates, committee reports, poems, and journal entries that populate the first 75 pages set up, first, the story of de Colechurch’s safeguarding of Archbishop’s Thomas á Becket’s murdered body; and then the 17th century story, involving Lucien’s diabolical role and that of Morgan Wood, a London Bridge youth who went to sea to work off his father’s debt and became closely acquainted with Lucien.

            Lucien came on board in Surinam and occupied the hammock above Morgan’s.  Morgan relates his memories of the Bridge to Lucien; and Lucien reveals, “You do know, do you not, that only the sacrifice of a female virgin child can appease whatever pagan gods still exert influence over the fate of Bridges everywhere?”

            In Calcutta, a young seaman boards, speaking of plague spreading to Amsterdam.  He’s thrown overboard.

            Heads impaled on London Bridge’s gate remain there from pre-Restoration days.

            Blythe, a 13-year old secret whorer, and her friend, Gilda, a virgin, frequently leave their fathers’ shops to frolic on the bridge, the clocks of their victimhood ticking.  Doom is in the air.

            All of the action comes to a head at once, after the fire of 1666, and you come away wondering, “Have I experienced the real thing?  Do I now understand how people at the time of Puritanism and post-Renaissance excess could have become so horrible?”

            Briantree notes that diarist John Evelyn wrote that London resembled Sodom. 

            Madden, making the character analogy, writes about Lucien’s latest intentions, “Like plague, like fire visiting the City, Lucien Redd had visited the mind and body of Morgan Wood, to sicken it, to incinerate it.”

            Like Lucifer in John Milton’s 17th century classic, “Paradise Lost,” Lucien claims the spotlight.  Madden’s excavation of the body and soul of London Bridge reveals a roiling co-dependence of good and evil.

THE BOOK

London Bridge in Plague and Fire by David Madden (U. of Tenn. Press hardcover, 358 pages, 29.95)

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