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William Roy Pipes posted a blog post

Peachtree – Local author William Roy Pipes announces the release of his two books – Mammy: A Term of Endearment and A Haven for Willa Mae. Mammy: A Term of Endearment, is a fictional story of the sla…

Peachtree – Local author William RoyPipes announces the release of his two books– Mammy: A Term of Endearment and A Havenfor Willa Mae.Mammy: A Term of Endearment, is a fictionalstory of the slavery of a black woman whoafter being freed became my father’s mammy.Some feel the word Mammy is a racial term,but Pipes’ father considered it a term of endearment.It’s a story of the discrimination many blacksand poor whites still face today, not only in theSouth but also in the North. It is a story of…See More
Jul 25
City Lights Bookstore posted events
Jul 25
William Roy Pipes commented on William Roy Pipes's blog post Mammy: A term of Endearment
"A Haven for Willa Mae    A Haven for Willa Mae is the first of a two series novels. It is a novel containing danger, suspense, romance and treachery along with abuse, deceit, murder, kidnapping, and insanity. It is a gripping action packed…"
Jul 20
City Lights Bookstore posted events
Jul 18
William Roy Pipes posted a blog post

Mammy: A term of Endearment

Mammy: A Term of Endearment    I have a new novel I titled, Mammy: A Term of Endearment. Mammy is a fictional story of the slavery of a black woman who after being freed became my father’s mammy. Some feel the word Mammy is a racial term, but my father considered it a term of endearment.    It’s a story of the discrimination many blacks and poor whites still face today, not only in the south but also in the north. It is a story of love, hate, romance, and humor.    Included in the novel are…See More
Jul 17
Rob Neufeld posted a discussion

Finding a great book beyond the in-crowd mainstream

A new way to find great new booksby Rob Neufeld            I keep searching for ways to be as open as possible to great books as they come out.  It’s not easy because: 1) our guides—publishers and reviewers—follow certain channels, comparable to radio playlists, to stay smart; and 2) a random approach is impractical.            Readers’ online reviews help, but there’s too much; I need a filter, based partly on authority.  I could ask people in person—and that’s pretty interesting.  Rarely do…See More
Jul 15
Rob Neufeld posted a discussion

Robert Beatty's Serafina and the art of YA fantasy

How to write a youth fantasy: introducing Serafinaby Rob Neufeld             Begin in the basement of the recently constructed Biltmore House with a girl who’s been in hiding there from infancy to her 12th year—for good reasons—and follow that lead to a media sensation that seeks to join “Frozen” in…See More
Jul 12
Fred Weyler replied to Rob Neufeld's discussion Robert Henry revealed by Rick Russell book
"LP Summers mentioned Samuel Talbot in "History of SW VA" then withdrew him from militia list in more accurate "Annals of SW VA" probably because there was no such person in the county records. Robert Henry set high standards for…"
Jul 11
Rob Neufeld posted a discussion

"Us versus Them" does not help fight against racism; worsens sectionalism

“Us versus them” is not good historyby Rob Neufeld             Writing about history and the complex lives that play out within it does not sell as well as team spirit, especially in this age of clicks and likes.            I recently confronted this truth when I wrote my article last week about the minds of our leaders in 1851. The word “slavery” was added to the headline to alert people to its relevance.  Seeing that term connected people to a cause they felt strongly about, particularly in…See More
Jul 11
City Lights Bookstore posted events
Jul 4
Christine Lajewski posted a blog post

Suitcase Charlie: A Recommended Crime Thriller

     John Guzlowski is a writer and poet whose parents were forced laborers in Poland during WW II. He was born in a refugee camp before he came with his family to live in the Polish neighborhoods of Chicago. Already a highly regarded poet, he turned his childhood memories (including some gruesome child murders) into a novel titled SUITCASE CHARLIE.    Two war-weary Chicago detectives investigate a series of horrifying child murders. Before the crimes are solved, the reader follows the…See More
Jul 1
William Roy Pipes posted a discussion

Mammy, A Term of Endearment

I read Rob Neufield's article Visit OUR PAST in today's Asheville Citizen-Times.It was a super article, but caused me to want to share my novel:  Mammy: A Term of Endearment.Mammy: A Term of Endearment. is now available as an ebook on Kindle, but the publisher, Ecanus Publishing, Great Britain tells me the paperback edition will be out soon (2 to 3 weeks).The novel is fiction but came from my father who was born in 1895. Due to his mother's sickness Grandpa hired her to be a Mammy to my father,…See More
Jun 29
City Lights Bookstore posted events
Jun 27
Rob Neufeld posted discussions
Jun 24
City Lights Bookstore posted events
Jun 9
Shannon Quinn-Tucker posted an event
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Writers on the Rock at Chimney Rock, NC

June 28, 2015 from 1pm to 4pm
The culture and heritage of Appalachia is an experience like no other, and it serves as the perfect backdrop for a variety of storytelling. View the soaring cliffs and stunning valleys of Chimney Rock and the Hickory Nut Gorge as you get to know your favorite author and meet new ones. Join Ann B. Ross, Tommy Hays, Sheri Castle, Evan Williams and more as they share their experiences and autograph copies of their books. A selection of titles by each author will be available for sale. See…See More
Jun 8

Madden’s London Bridge re-creation sings of ruin

by Rob Neufeld

See interview.

 

            “David Madden has written his masterpiece,” Ron Rash advances on the jacket of Madden’s new novel, “London Bridge in Plague and Fire.”  I find myself stepping back from this frame to look at Madden’s life achievements, a fertile universe of imaginative adventures regarding which it’s hard to compare apples and pomegranates.

            “London Bridge” is not only the most liberated of Madden’s journeys, it is also a fetid commentary on the state of lust and sin in the world that had preceded our era of intellect and spirit.

            That it takes place in an otherworldly environment, a community of warrens perched above a rushing, commercial, odorous river in a time of violence, plague, disaster, and superstition, adds to the head trip.

            Many characters—including Daryl Braintree, the 17th century poet-chronicler of London Bridge; Peter de Colechurch, 12th century architect of the first stone bridge at the crossing; and Lucien Redd, the 17th century villain forged by rape by soldiers during Cromwell’s revolution—are riveted by the stances of their own as well as the bridge’s shafts.

            Madden’s fascination with the teeming life of the bridge before its demolition in 1831 flowers into a profusion of impressions, with plot taking a while to assert itself.

            Braintree, Madden’s alter ego, comments after one journal entry, “Just before I go to bed I will enter in this diary my own thoughts, feelings, imaginings about the Bridge.  No rules….My nocturnes are events.  Are they poetry?  Time will tell.  Or my mistress, Musetta.”

 

Reading David Madden

 

            Pausing on the landing of this paragraph in this review, I feel like John Cusack in “Being John Malkovich.”  Except that entering Madden’s mind through his fiction is like entering a portal to many different minds.

            In Madden’s previous novel, “Abducted by Circumstance,” we enter the mind of a woman in upstate New York as she witnesses what she thinks has been the abduction of a another woman, and, through an act of imagination, counsels the abductee on how to forestall and dissuade her attacker.

            In his 1996 novel, “Sharpshooter,” Madden enters the mind of a haunted man looking back twenty-plus years to his service in the Confederate Army under General Longstreet.

            “Cassandra Singing,” Madden’s 1969 novel, is a deeply Southern creation, featuring a restless young man and his sister, an over-imaginative, guitar-playing, 13-year-old, washed in the romance of literature as well as the blood of Christ; and confined by rheumatic fever.

The singing girl re-emerges in “London Bridge,” as Lucien has a supernatural vision of an altered version, “not just sad-sounding now, but distracted, mad, savage, almost screaming the song, like Csssandra in Troy.”

            Madden’s roots in Southern literature go back to an upbringing in a poor part of Knoxville, and a lifelong reading of Southern greats, including William Faulkner, Thomas Wolfe, and Knoxville author James Agee, about whom he wrote the book, “Remembering James Agee.” Faulkner’s “Absalom, Absalom!” is the greatest of novels, Madden proposes in his study, “Touching the Web of Southern Novelists.”

            A few years in the Merchant Marines and in the Army in the 1950s widened Madden’s scope, as did his growing library.  His hunger to encompass non-Southern imaginations resulted in books about such various figures as James Cain, Wright Morris, and Nathaniel West.

            We tumble through Madden’s productivity to end up at the door of Nonesuch House, the antiquarian bookstore on London Bridge in the garret of which Daryl creates “an echo chamber of communal voices.”

            The mind within a mind format of “London Bridge” makes it Madden’s masterpiece in one sense for it is his attempt to represent the prodigious activity of his imagination.  Madden’s background and type of imagination makes him a distinctive figure in literature.

 

Now, to the plot

 

            The dates, committee reports, poems, and journal entries that populate the first 75 pages set up, first, the story of de Colechurch’s safeguarding of Archbishop’s Thomas á Becket’s murdered body; and then the 17th century story, involving Lucien’s diabolical role and that of Morgan Wood, a London Bridge youth who went to sea to work off his father’s debt and became closely acquainted with Lucien.

            Lucien came on board in Surinam and occupied the hammock above Morgan’s.  Morgan relates his memories of the Bridge to Lucien; and Lucien reveals, “You do know, do you not, that only the sacrifice of a female virgin child can appease whatever pagan gods still exert influence over the fate of Bridges everywhere?”

            In Calcutta, a young seaman boards, speaking of plague spreading to Amsterdam.  He’s thrown overboard.

            Heads impaled on London Bridge’s gate remain there from pre-Restoration days.

            Blythe, a 13-year old secret whorer, and her friend, Gilda, a virgin, frequently leave their fathers’ shops to frolic on the bridge, the clocks of their victimhood ticking.  Doom is in the air.

            All of the action comes to a head at once, after the fire of 1666, and you come away wondering, “Have I experienced the real thing?  Do I now understand how people at the time of Puritanism and post-Renaissance excess could have become so horrible?”

            Briantree notes that diarist John Evelyn wrote that London resembled Sodom. 

            Madden, making the character analogy, writes about Lucien’s latest intentions, “Like plague, like fire visiting the City, Lucien Redd had visited the mind and body of Morgan Wood, to sicken it, to incinerate it.”

            Like Lucifer in John Milton’s 17th century classic, “Paradise Lost,” Lucien claims the spotlight.  Madden’s excavation of the body and soul of London Bridge reveals a roiling co-dependence of good and evil.

THE BOOK

London Bridge in Plague and Fire by David Madden (U. of Tenn. Press hardcover, 358 pages, 29.95)

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