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City Lights Bookstore posted events
Saturday
Valerie Nieman posted a blog post

Mountain Words, Mountain Music

Appalachian poet, musician, and raconteur Kirk Judd has a new book and CD package out, "My People Was Music." I thought I'd share part of a Goodreads review I did of the book - I think members of The Read would enjoy this.There is no gussying-up here. This is the plain hard rock undergirding Appalachia. This is the sound of water rushing, the clawhammer banjo sound, the crack of a wedge as it splits that cross-grained stump of oak. Kirk Judd has been making poems for a long time, but like a…See More
Friday
Valerie Nieman posted an event
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Valerie Nieman at City Lights at City Lights Books

July 16, 2015 from 10:30am to 12pm
Coffee With the Poet - Valerie Nieman will read from and discuss her new poetry collection, "Hotel Worthy," poems of love, loss, and survival. See More
Friday
Gary Carter posted a blog post

New Story Published by Deep South Magazine: "Nothing But A House"

It's always an honor to have a new story selected and published, this time by Deep South Magazine -- which I recommend for its coverage of all things Southern and, in particular, its attention to Southern literary voices.Read the story here: "Nothing But A House" by Gary CarterComments are always welcome. Deep South Magazine actually has a unique comment section following each story.See More
Thursday
MARYROSE McWHIRTER updated their profile
Thursday
Rob Neufeld posted discussions
Thursday
Rob Neufeld posted discussions
Mar 24
City Lights Bookstore posted events
Mar 21
City Lights Bookstore posted events
Mar 18
Rob Neufeld posted a discussion

Monday's Lie by Jamie Mason

Asheville thriller writer Mason broods with the bestby Rob Neufeld             “Everything you need for measuring a person,” Dee Vess, the heroine and narrator of Jamie Mason’s novel, “Monday’s Lie,” reflects, “can be found in the nature of what he chooses to hide from everyone else.”            It’s a sign of how…See More
Mar 18
Lockie Hunter posted an event
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West End Poetry and Prose Reading Series March Reading at West End Bakery

March 14, 2015 from 7pm to 9pm
We are back for a new Spring session of our Poetry and Prose Reading Series! We hope you are able to join us again Saturday, March 14th, 7pm at the West End Bakery for a wonderful Free family-friendly evening of prose, poetry and storytelling from a group of fabulous local writers.This month we will be featuring: Tommy HaysCaroline Wilson Dalton Dayand Leah ShapiroHosted by Lockie Hunter and our friends at the West End Bakery Cathy Cleary and Krista Stearns.See More
Mar 11
Lockie Hunter posted photos
Mar 11
Sue Diehl posted an event
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William Forstchen discussing his Pillar to the Sky at Bell Library at Montreat College

March 24, 2015 from 3pm to 6pm
Dr. William Forstchen will be the guest author at the Montreat Community Book Club on March 24, 2015 at Bell Library, Montreat College at 3:00.  He will be discussing his novel Pillar to Sky Public is invited.See More
Mar 10
Rob Neufeld posted a discussion

Asheville Poetry Review 20th Anniversary Anthology--and event

Asheville Poetry Review produces 20-year anthologyby Rob Neufeld             The two most remarkable things about the Asheville Poetry Review have been its diversity and quality.  Yes, Asheville, you’ve got a poetry journal of special note here.            Now, 20 years after its locally born…See More
Mar 8
City Lights Bookstore posted an event
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Carolina McMullen Reading & Signing at City Lights Bookstore

March 14, 2015 from 3pm to 4:30pm
Carolina McMullen will read from her new novel Vicenta de Paul on Saturday, March 14th at 3:00 p.m. at City Lights Bookstore. As the first novel of her Not Here to Stay series, Vicenta de Paul tells of a baby who is abandoned by her young mother at an orphanage in Rota, Spain in 1914.  She is later adopted by a wealthy couple and raised in the peaceful coastal area of Rota, away from the busy city. Everything seems fine until her mother begins to suffer from depression.  Vicenta pulls through…See More
Mar 7
Patti Jensen posted an event

Murders, Moonshine & Mountaineers Book Discussion & Signing at The Market on Oak

March 21, 2015 from 11am to 12pm
The Market on Oak in Spruce Pine will host Allen Cook, author of Murders, Moonshine & Mountaineers: The Wildest County in America on Saturday, March 21, 2015 at 11A.M.Moonshine, Murder & Mountaineers recounts a time around the turn of the 19th century when moonshiners and desperadoes faced off against the law in epic battles that made national headlines. The book focuses on events from an area in western North Carolina that held the reputation as the wildest county in America (book has…See More
Mar 5

Madden’s London Bridge re-creation sings of ruin

by Rob Neufeld

See interview.

 

            “David Madden has written his masterpiece,” Ron Rash advances on the jacket of Madden’s new novel, “London Bridge in Plague and Fire.”  I find myself stepping back from this frame to look at Madden’s life achievements, a fertile universe of imaginative adventures regarding which it’s hard to compare apples and pomegranates.

            “London Bridge” is not only the most liberated of Madden’s journeys, it is also a fetid commentary on the state of lust and sin in the world that had preceded our era of intellect and spirit.

            That it takes place in an otherworldly environment, a community of warrens perched above a rushing, commercial, odorous river in a time of violence, plague, disaster, and superstition, adds to the head trip.

            Many characters—including Daryl Braintree, the 17th century poet-chronicler of London Bridge; Peter de Colechurch, 12th century architect of the first stone bridge at the crossing; and Lucien Redd, the 17th century villain forged by rape by soldiers during Cromwell’s revolution—are riveted by the stances of their own as well as the bridge’s shafts.

            Madden’s fascination with the teeming life of the bridge before its demolition in 1831 flowers into a profusion of impressions, with plot taking a while to assert itself.

            Braintree, Madden’s alter ego, comments after one journal entry, “Just before I go to bed I will enter in this diary my own thoughts, feelings, imaginings about the Bridge.  No rules….My nocturnes are events.  Are they poetry?  Time will tell.  Or my mistress, Musetta.”

 

Reading David Madden

 

            Pausing on the landing of this paragraph in this review, I feel like John Cusack in “Being John Malkovich.”  Except that entering Madden’s mind through his fiction is like entering a portal to many different minds.

            In Madden’s previous novel, “Abducted by Circumstance,” we enter the mind of a woman in upstate New York as she witnesses what she thinks has been the abduction of a another woman, and, through an act of imagination, counsels the abductee on how to forestall and dissuade her attacker.

            In his 1996 novel, “Sharpshooter,” Madden enters the mind of a haunted man looking back twenty-plus years to his service in the Confederate Army under General Longstreet.

            “Cassandra Singing,” Madden’s 1969 novel, is a deeply Southern creation, featuring a restless young man and his sister, an over-imaginative, guitar-playing, 13-year-old, washed in the romance of literature as well as the blood of Christ; and confined by rheumatic fever.

The singing girl re-emerges in “London Bridge,” as Lucien has a supernatural vision of an altered version, “not just sad-sounding now, but distracted, mad, savage, almost screaming the song, like Csssandra in Troy.”

            Madden’s roots in Southern literature go back to an upbringing in a poor part of Knoxville, and a lifelong reading of Southern greats, including William Faulkner, Thomas Wolfe, and Knoxville author James Agee, about whom he wrote the book, “Remembering James Agee.” Faulkner’s “Absalom, Absalom!” is the greatest of novels, Madden proposes in his study, “Touching the Web of Southern Novelists.”

            A few years in the Merchant Marines and in the Army in the 1950s widened Madden’s scope, as did his growing library.  His hunger to encompass non-Southern imaginations resulted in books about such various figures as James Cain, Wright Morris, and Nathaniel West.

            We tumble through Madden’s productivity to end up at the door of Nonesuch House, the antiquarian bookstore on London Bridge in the garret of which Daryl creates “an echo chamber of communal voices.”

            The mind within a mind format of “London Bridge” makes it Madden’s masterpiece in one sense for it is his attempt to represent the prodigious activity of his imagination.  Madden’s background and type of imagination makes him a distinctive figure in literature.

 

Now, to the plot

 

            The dates, committee reports, poems, and journal entries that populate the first 75 pages set up, first, the story of de Colechurch’s safeguarding of Archbishop’s Thomas á Becket’s murdered body; and then the 17th century story, involving Lucien’s diabolical role and that of Morgan Wood, a London Bridge youth who went to sea to work off his father’s debt and became closely acquainted with Lucien.

            Lucien came on board in Surinam and occupied the hammock above Morgan’s.  Morgan relates his memories of the Bridge to Lucien; and Lucien reveals, “You do know, do you not, that only the sacrifice of a female virgin child can appease whatever pagan gods still exert influence over the fate of Bridges everywhere?”

            In Calcutta, a young seaman boards, speaking of plague spreading to Amsterdam.  He’s thrown overboard.

            Heads impaled on London Bridge’s gate remain there from pre-Restoration days.

            Blythe, a 13-year old secret whorer, and her friend, Gilda, a virgin, frequently leave their fathers’ shops to frolic on the bridge, the clocks of their victimhood ticking.  Doom is in the air.

            All of the action comes to a head at once, after the fire of 1666, and you come away wondering, “Have I experienced the real thing?  Do I now understand how people at the time of Puritanism and post-Renaissance excess could have become so horrible?”

            Briantree notes that diarist John Evelyn wrote that London resembled Sodom. 

            Madden, making the character analogy, writes about Lucien’s latest intentions, “Like plague, like fire visiting the City, Lucien Redd had visited the mind and body of Morgan Wood, to sicken it, to incinerate it.”

            Like Lucifer in John Milton’s 17th century classic, “Paradise Lost,” Lucien claims the spotlight.  Madden’s excavation of the body and soul of London Bridge reveals a roiling co-dependence of good and evil.

THE BOOK

London Bridge in Plague and Fire by David Madden (U. of Tenn. Press hardcover, 358 pages, 29.95)

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