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Ali Mangkang updated their profile
Wednesday
Ali Mangkang posted an event

Thomas Wolfe Memorial Literary Award at Asheville Renaissance Hotel

February 7, 2015 from 5pm to 7pm
Honoring Author Robert Morgan for his selected work"The Road From Gap Creek". The presentation of the award includes a reading followed by a reception.For more informationSee More
Wednesday
Chevin Woodruff shared their event on Facebook
Tuesday
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An Evening with Barbara Woodall at Splendor Mountain at Splendor Mountain

January 27, 2015 from 6pm to 8pm
Barbara Taylor Woodall was born and raised in Rabun County Georgia. This county touches both North Carolina and South Carolina, so you can already guess it was a special place to grow a child. Barbara wrote about her life as a child and the wonderful people God joined her to as she grew and learned. It's Not My Mountain Anymore tells some of these stories. Barbara will share from her book and from her life, June 6, 2015 at Splendor Mountain.See More
Tuesday
Avery Ray McKinney Jr. updated their profile
Jan 23
City Lights Bookstore posted an event
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David Joy Presents His Debut Novel at City Lights Bookstore

March 6, 2015 from 6:30pm to 8pm
Webster author, David Joy will present his new novel on Friday, March 6th at 6:30 p.m. at City Lights Bookstore.  Where All Light Tends to Go, a staff pick of both Chris and Eon, is set in Jackson County and tells the story of Jacob McNeely, a young man who is in a fight against his fate. “Expertly balancing beauty and brutality, David has written a novel that stays with the reader long after the final page has been read.  Where All Light Tends to Go, though very much an Appalachian tale, is…See More
Jan 22
City Lights Bookstore posted events
Jan 21
Caralyn Davis posted a blog post

Color Blind, My First Eco-Fiction, Published & Waiting to Be Read

My short story "Color Blind" is now up at Eclectica Magazine. It's got animal extinctions, Sekhmet, Santa Claus, golden Panamanian frogs, real science, fake science, and lots of cats -- in a very economical, easy-reading 1,700 words.See More
Jan 15
Sarah Harden posted an event

Rose Senehi, Speaker for CMLC's January Speaker Series at Henderson County Main Branch Library in the Kaplan Auditorium.

January 14, 2015 from 6pm to 7:30pm
Join Carolina Mountain Land Conservancy (CMLC) Wednesday, January 14th for a presentation from Rose Senehi, esteemed Chimney Rock author of novels Dancing on Rocks, Render Unto the Valley, and many more. She will read passages from her books while elaborating on her local inspirations. At the end of her readings, Senehi will conduct a Q&A session and book signing.Many of Senehi’s novels have woven together several of CMLC’s regional land conservation accomplishments. In the Shadows of…See More
Jan 12
Rodney Page commented on Rob Neufeld's group Promoting Writers
"Happy to join the group...Relatively new to North Carolina. Have published a thriller, Powers Not Delegated, and my second book, The Xerces Factor launches in April 2015. see more at my website: www.rodneypagebooks.com"
Jan 12
Rodney Page posted photos
Jan 12
Charles Oliver shared Rob Neufeld's discussion on Facebook
Jan 10
City Lights Bookstore posted events
Jan 10
Rob Neufeld posted discussions
Jan 10
Gregg Jones updated their profile
Jan 3
Rob Neufeld posted a discussion

1962, Tunnel Road--an era remembered

We remember Tunnel Road and 1960by Rob Neufeld             The “Buck Burger”—“made with two pure beef patties,” tomato, lettuce, cheese, and a dill chip, “served with Buck’s own special dressing on a toasted bun.”             That was something that you could get at Buck’s Drive-In on Tunnel Road, from 1946 to 1972, when…See More
Jan 2

Madden’s London Bridge re-creation sings of ruin

by Rob Neufeld

See interview.

 

            “David Madden has written his masterpiece,” Ron Rash advances on the jacket of Madden’s new novel, “London Bridge in Plague and Fire.”  I find myself stepping back from this frame to look at Madden’s life achievements, a fertile universe of imaginative adventures regarding which it’s hard to compare apples and pomegranates.

            “London Bridge” is not only the most liberated of Madden’s journeys, it is also a fetid commentary on the state of lust and sin in the world that had preceded our era of intellect and spirit.

            That it takes place in an otherworldly environment, a community of warrens perched above a rushing, commercial, odorous river in a time of violence, plague, disaster, and superstition, adds to the head trip.

            Many characters—including Daryl Braintree, the 17th century poet-chronicler of London Bridge; Peter de Colechurch, 12th century architect of the first stone bridge at the crossing; and Lucien Redd, the 17th century villain forged by rape by soldiers during Cromwell’s revolution—are riveted by the stances of their own as well as the bridge’s shafts.

            Madden’s fascination with the teeming life of the bridge before its demolition in 1831 flowers into a profusion of impressions, with plot taking a while to assert itself.

            Braintree, Madden’s alter ego, comments after one journal entry, “Just before I go to bed I will enter in this diary my own thoughts, feelings, imaginings about the Bridge.  No rules….My nocturnes are events.  Are they poetry?  Time will tell.  Or my mistress, Musetta.”

 

Reading David Madden

 

            Pausing on the landing of this paragraph in this review, I feel like John Cusack in “Being John Malkovich.”  Except that entering Madden’s mind through his fiction is like entering a portal to many different minds.

            In Madden’s previous novel, “Abducted by Circumstance,” we enter the mind of a woman in upstate New York as she witnesses what she thinks has been the abduction of a another woman, and, through an act of imagination, counsels the abductee on how to forestall and dissuade her attacker.

            In his 1996 novel, “Sharpshooter,” Madden enters the mind of a haunted man looking back twenty-plus years to his service in the Confederate Army under General Longstreet.

            “Cassandra Singing,” Madden’s 1969 novel, is a deeply Southern creation, featuring a restless young man and his sister, an over-imaginative, guitar-playing, 13-year-old, washed in the romance of literature as well as the blood of Christ; and confined by rheumatic fever.

The singing girl re-emerges in “London Bridge,” as Lucien has a supernatural vision of an altered version, “not just sad-sounding now, but distracted, mad, savage, almost screaming the song, like Csssandra in Troy.”

            Madden’s roots in Southern literature go back to an upbringing in a poor part of Knoxville, and a lifelong reading of Southern greats, including William Faulkner, Thomas Wolfe, and Knoxville author James Agee, about whom he wrote the book, “Remembering James Agee.” Faulkner’s “Absalom, Absalom!” is the greatest of novels, Madden proposes in his study, “Touching the Web of Southern Novelists.”

            A few years in the Merchant Marines and in the Army in the 1950s widened Madden’s scope, as did his growing library.  His hunger to encompass non-Southern imaginations resulted in books about such various figures as James Cain, Wright Morris, and Nathaniel West.

            We tumble through Madden’s productivity to end up at the door of Nonesuch House, the antiquarian bookstore on London Bridge in the garret of which Daryl creates “an echo chamber of communal voices.”

            The mind within a mind format of “London Bridge” makes it Madden’s masterpiece in one sense for it is his attempt to represent the prodigious activity of his imagination.  Madden’s background and type of imagination makes him a distinctive figure in literature.

 

Now, to the plot

 

            The dates, committee reports, poems, and journal entries that populate the first 75 pages set up, first, the story of de Colechurch’s safeguarding of Archbishop’s Thomas á Becket’s murdered body; and then the 17th century story, involving Lucien’s diabolical role and that of Morgan Wood, a London Bridge youth who went to sea to work off his father’s debt and became closely acquainted with Lucien.

            Lucien came on board in Surinam and occupied the hammock above Morgan’s.  Morgan relates his memories of the Bridge to Lucien; and Lucien reveals, “You do know, do you not, that only the sacrifice of a female virgin child can appease whatever pagan gods still exert influence over the fate of Bridges everywhere?”

            In Calcutta, a young seaman boards, speaking of plague spreading to Amsterdam.  He’s thrown overboard.

            Heads impaled on London Bridge’s gate remain there from pre-Restoration days.

            Blythe, a 13-year old secret whorer, and her friend, Gilda, a virgin, frequently leave their fathers’ shops to frolic on the bridge, the clocks of their victimhood ticking.  Doom is in the air.

            All of the action comes to a head at once, after the fire of 1666, and you come away wondering, “Have I experienced the real thing?  Do I now understand how people at the time of Puritanism and post-Renaissance excess could have become so horrible?”

            Briantree notes that diarist John Evelyn wrote that London resembled Sodom. 

            Madden, making the character analogy, writes about Lucien’s latest intentions, “Like plague, like fire visiting the City, Lucien Redd had visited the mind and body of Morgan Wood, to sicken it, to incinerate it.”

            Like Lucifer in John Milton’s 17th century classic, “Paradise Lost,” Lucien claims the spotlight.  Madden’s excavation of the body and soul of London Bridge reveals a roiling co-dependence of good and evil.

THE BOOK

London Bridge in Plague and Fire by David Madden (U. of Tenn. Press hardcover, 358 pages, 29.95)

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