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Interview with Gail Godwin about Grief Cottage

Started by Rob Neufeld in AC-T Book Reviews Aug 3, 2017.

Ellington in Asheville--a survey

Started by Rob Neufeld in Local History Oct 6, 2017.

Dave Minneman, heroic portrait

Started by Rob Neufeld in Local History Aug 25, 2017.

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Joan Henehan replied to Joan Henehan's discussion on Reading Living Poem
"Fantastic, that will be very helpful."
Saturday
Rob Neufeld posted a discussion

First Drumbeat

First Drumbeat(Part of Living Poem) The time has come.Call it a drum,Or a crumb,What’s left of life. I used to tell a jokeWhen my life was wide,And I was a stud,And not a dud—I knowI’m not a dud.  I’m a dude,A dad.  But everyone mustRebut the dud chargeAt summing up time. Oh yeah, the joke,A trademark one for meIn that it’s not funny. I used to say I’ll never retireFrom writingBecause if I’m ever…See More
Saturday
Rob Neufeld replied to Joan Henehan's discussion on Reading Living Poem
"Thanks for the prompt, Joan!  I have attached the whole work in progress as a doc at the bottom of the table of contents page: http://thereadonwnc.ning.com/special/living-poem"
Saturday
Joan Henehan replied to Joan Henehan's discussion on Reading Living Poem
"Is there a way from this website to print everything or might you send me such a document to bayjh@icloud.com?"
Saturday
Julia Nunnally Duncan posted an event
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Julia Nunnally Duncan at Marion Branch McDowell County Public Library

October 24, 2018 from 4pm to 5pm
Julia Nunnally Duncan will be launching her new poetry collection A Neighborhood Changes (Finishing Line Press, 2018) at a book presentation and signing to be held at the McDowell County Public Library in Marion on October 24.See More
Friday
Rob Neufeld replied to Joan Henehan's discussion on Reading Living Poem
"This could be interesting--thanks!  I'm at 828-505-1973 (my home business office).  And RNeufeld@charter.net."
Thursday
Joan Henehan replied to Joan Henehan's discussion on Reading Living Poem
"I'll ask the kids, Barb and Ethan, if they have any contacts who might have an interest in this as a unique topic for any performers they know. It might also be something that my friend Ruby Lerner could brainstorm about to her theatre…"
Wednesday
Rob Neufeld replied to Joan Henehan's discussion on Reading Living Poem
"Thanks much, Joan!  I'm trying to get some attention for these poems.  Triple Whammy is def in rap style.  And the beat goes on.  Hugs from me and Bev."
Wednesday
Joan Henehan posted a discussion

on Reading Living Poem

You might be the first ALS-subject-matter rapper. Add some beats and spread it. the time is now...See More
Sep 15
Rob Neufeld posted a discussion

More from the World of ALS

More from the World of ALS (Part of Living Poem)    Negotiating steps is like someone who seeksTo emulate a goat on mountain peaks. Crossing a threshold, limping inIs like the valley-walking of an Olympian. A cane and its grip make a fellow stopTo consider the physics of leans and drops. To know how a forefinger grabs and digsImagine your digits are chestnut twigs When a new drug trial notably…See More
Sep 6
Nancy Werking Poling posted a discussion

RANDALL KENAN SELECTS NANCY WERKING POLING WINNER OF THE 2018 ALEX ALBRIGHT CREATIVE NONFICTION PRIZE

RANDALL KENAN SELECTS NANCY WERKING POLING WINNER OF THE 2018 ALEX ALBRIGHT CREATIVE NONFICTION PRIZE(31 August 2018)Nancy Werking Poling of Black Mountain is the winner of the 2018 Alex Albright Creative Nonfiction Prize competition for "Leander’s Lies." Poling will receive $1000 from the North Carolina Literary Review, thanks to a generous NCLR reader’s donation that allowed this year’s honorarium to increase (from the previous award of $250). Her winning essay will be published in the North…See More
Sep 4
Rob Neufeld shared their discussion on Facebook
Sep 4
Rob Neufeld posted a discussion

Upcoming Rides

Upcoming Rides(Part of Living Poem) I must take a break from writing aboutThe third Lord Granville’s loss of landIn colonial North Carolina to noteI’m losing functionality in my hands. I’m confining my writing to a four-line,Alternate rhyme form, like a horse-fenceFraming a pantomimeOf equine force.  Hence, It’s time to imagine the power of mind,For instance, when a nod or thoughtInstructs a machine to…See More
Aug 26
Ann Miller Woodford updated their profile
Aug 17
Rob Neufeld posted a discussion

The Cherokee and the Colonists

The Epic of the Cherokee and the Colonists            Hernando De Soto stopped in Asheville in 1541            When the Spanish conquistador came through here on his way from the Gulf Coast to Lake Michigan, he encountered big towns, well-used roads, and abandoned homes.   A smallpox epidemic—one of a series of plagues…See More
Aug 17
Connie Regan-Blake posted events
Aug 3

A walk through nature with the Ellisons

by Rob Neufeld

AUTHOR EVENTS

George Ellison talks about his new book, “Literary Excursions in the Southern Highlands: Essays on Natural History,” at Macon County Public Library, 149 Siler Farm Road

Franklin, 7 p.m., Dec. 7 (828-524-3600); and at Malaprop’s Bookstore/Café, 55 Haywood St., Asheville, 3 p.m., Mar. 12, 2017 (828-254-6734).

 

            When you read a book by George Ellison, you get, in his nature writing about our region, six voices blending into a unique style.

            First, there’s his informal voice, as when, in his new book, “Literary Excursions in the Southern Highlands: Essays on Natural History” (History Press), he talks about hornblende and admits to cribbing a Geology 101 textbook and consulting experts “who are in no way responsible for my conclusions.”

            He’s always there, in between his gifts of wisdom, like a folksy teacher.

            Then there’s the mystical Ellison.  His task in this mode is to advocate for divinity in an everyday way.  “At night, I don’t count sheep,” he tells us in the first chapter, “Geography of Place: Inner and Outer Landscapes.”   “I name the mountain ranges and rivers from east to west.” 

            In his chapter, “Inward Eyes,” he asks, “How do we go about making sure we continue seeing the world about us with fresh eyes?”

 

Observation packets

 

            Ellison titles his new book “Literary Excursions” not because he’s providing author tours, but because he treats other authors’ observations about nature as if they were, along with wildlife, part of a spread.

            William Bartram, in his 1791 book, “Travels in North Carolina and South Carolina,” Ellison reveals, loved the magnolia blossom, which, Bartram precisely described, “fits in the center of a radius of very large leaves, which...form an expansive umbrella superbly crowned or crested with the fragrant flower, representing a white plume.”

            Ellison then turns to James Costa, director of the Highlands Botanical Station, who informs us that the flower dates back to pre-bee times, when beetles had been the most sought pollinators.

            Finally, Ellison ends with a quip, quoting biologist J.B.S. Haldane, who, when asked what nature told him about God, replied that “the Creator apparently had an inordinate fondness for beetles.”

            When Ellison serves as the chief explainer, seeking conciseness and clarity, he often throws in a punchy line, such as: “If you happen to be a spider, the female dirt dauber is your worst nightmare.”   

            But it’s not all wit and charm.  At certain times, Ellison must be the scientist.

            For example, writing about the northern harrier in his chapter, “The Gray Ghost,” Ellison advises, “The diagnostic feature to look for is the white rump.  Less apparent are the facial disks.”

            He goes on a while longer about male and female coloring and size, and about nesting and roosting habits.  And then, extending the description to courtship and foraging behaviors, he gives poetry some space.

            First he borrows from “The Birds of America,” which portrays the male harrier “sweeping in great semicircles, gradually lessening in diameter,” at which point “he stops suddenly in the top of a swoop, closes his wings, drops, turns head over tail, drops again, turns over and swings upward from the last somersault, just clear of the ground on another ecstatic performance.”

            “What sort of female of any kind could resist that sort of display?” Ellison muses.  Then he does his own visually enhanced job by picturing the bird in foraging mode, “spreading the feathers in their wingtips, creating ‘slots’ that...allow low-speed maneuvers...hovering several feet above the ground, face always pointed downward.”

            Poetry, for Ellison, is knowing the world.  And that includes being able to distinguish between variations of the same species, a discipline that guidebooks often don’t do very well.

 

Poetry

 

            Ellison’s sixth voice is poetry.  His 2012 book of poems, “Permanent Camp,” issues such lines as: “Certain images rivet attention/ and lodge in memory banks:/ a timber rattler coiled beside a trail/ a kestrel hovering on blurred wings/ a hellbender in gin-cleared mountain water...”

            In “Literary Excursions,” he reins that lyrical voice in because, you get the feeling, he has a job to do, like a farmer who has to actually tend to his crops before taking a break and breaking out.

            Ellison’s job-like job is, first, to be precise.  Then, he can pause and be amiable. 

Don’t take for granted his favorite songbird, the redbird, he tells us.  “From time to time, we have to remind ourselves to pay attention to the commonplace.”

            The “Redbird” chapter is one of my favorites in that it builds a personality and a legend within the framework of natural history.

            “Elizabeth and I,” Ellison says about walks with his wife, “have observed that they (the northern cardinals) are almost always the first bird to sing in the morning during the breeding season and that during the winter months they are almost they are almost the last bird to visit our feeders before dark.”

            Ellison surmises, “They like to be in charge of the other songbirds in their area, so they wake them up in the morning and see them to bed at night...the male perhaps carries things a tad too far when he engages in lengthy battles with his own reflection.”

            There is a seventh voice, in a manner of speaking, in Ellison’s book, and that is Elizabeth’s brilliant watercolor artwork.  The photo-quality pages of their volume are rife with illustrations, all apt.

            For instance, when George set about showcasing witch hobble, he wrote Dan Pittillo, retired professor of biology and founding editor of “Chinquapin,” to have him look at “Elizabeth’s rendering of what I think of as a sort of Stained Glass Window effect.”  The artwork is in the book, as are Pitillo’s and his colleagues’ musings about the color phenomenon. 

            Ellison is a nature journalist, and he has created a community of naturalist-songbirds, in a sense.

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