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Interview with Gail Godwin about Grief Cottage

Started by Rob Neufeld in AC-T Book Reviews Aug 3, 2017.

Ellington in Asheville--a survey

Started by Rob Neufeld in Local History Oct 6, 2017.

Dave Minneman, heroic portrait

Started by Rob Neufeld in Local History Aug 25, 2017.



Latest Activity

Connie Regan-Blake updated an event

A Slice of Life: An Evening of Stories at Black Mountain Center for the Arts

April 21, 2018 from 7:30pm to 9pm
Saturday, April 21, 2018 at 7:30 pm, join nationally celebrated storyteller, Connie Regan-Blake, as she hosts her "Taking the Stage" workshop participants, for an enchanting evening of storytelling in picturesque Black Mountain, NC. You'll enjoy a variety of stories and storytelling styles featuring tellers Jane O Cunningham from Rome, GA; Gabriele Marewski from Black Mountain, NC; Christine Phillips Westfeldt - Fairview,…See More
Glenda Council Beall posted a blog post

Writers Circle around the Table

We are located in Hayesville, NC. In April we begin our new season with outstanding Poet Mike James. Mike will read at Writers' Night Out in Blairsville, GA on Friday evening April 13. On Saturday, April 14, he will teach a class at my studio.Formally SpeakingThis class will focus on different types of traditional poetic forms such as the sonnet, the villanelle, and the sestina, and will also include other verse forms such as erasures, found poems, prose poems, and last poems.Contact Glenda…See More
Mar 12
Caroline McIntyre posted an event

Rachel Carson, Silent Spring Chautauqua History Alive at UNC Asheville, OLLI Reuters Center, Manheimer Room

April 15, 2018 from 3pm to 4:30pm
Step inside the revolutionary book, Silent Spring as its author Rachel Carson reveals the reckless destruction of our living world. Written more than 55 years ago Silent Spring inspired the Environmental Movement and has never been out of print. And now you have a chance to ask the author, Rachel Carson, how this came to be. But these aren’t just performances. They’re a chance to step into Living History – to ask questions and go one on one with a women whose books shaped our country and our…See More
Mar 7
Lynn Hamilton-Rutherford posted blog posts
Mar 7
Lynn Hamilton-Rutherford commented on Glenda Council Beall's photo

lexie on deck_edited-1

"She looks like I look in my imagination right before I've had my coffee ... relaxed, bothered (by something, anything) and fully aware that I'm almost, but not quite, the center of the universe ... a feeling that quickly fades after that…"
Mar 4
Lynn Hamilton-Rutherford replied to Kathryn Stripling Byer's discussion Mary Adams's new chapbook COMMANDMENT
"This is so perfect ... the thought of every woman, who KNOWS what the men are thinking!  But now at least we have an idea! This makes me happy in a sad, lovely sort of way!"
Mar 4
Lynn Hamilton-Rutherford posted a photo

Mom in Her Writing Nook ...

She was working on the "About the Authors" section of "Echoes Across the Blue Ridge" when I captured this one morning. Though you can't see it, her coffee cup was within gentle reach that morning. Roxie is at her feet.
Mar 4
Carolyn Bennett Fraiser updated their profile photo
Feb 15
Harold N. Stern updated their profile
Feb 6
Glenda Council Beall posted a photo

lexie on deck_edited-1

Lexie likes to sleep in the sunshine even on cold days.
Feb 6
Nancy Werking Poling posted a photo

Latest non-fiction book

In 1945 Indiana prohibited marriage between a white person and anyone with more than one-eighth "Negro blood." Yet Daniel (black) and Anna (white) gave up family, friends, and eventually even country to create a life together. Their 42-year marriage…
Feb 5
Nancy Werking Poling replied to Rob Neufeld's discussion Bent Creek, the 4-part story
"Rob, Thanks for putting this into one document. I've been following the narrative in the Citizen-Times. I find it an added resource for my next writing project. In 1910 my husband's grandfather (1866-1947) showed up in Missouri and said…"
Feb 5
Rebecca L Caldwell updated their profile
Feb 5
Lee Ann Brown replied to Rob Neufeld's discussion Writer Olive Dargan rises from obscurity
"Great Article!  Heart wrenching about her destroyed manuscripts and letters and notes but I will look for more of Olive Dargan!     Lee Ann Brown"
Feb 5
Rob Neufeld posted discussions
Feb 4
Rap Monster posted a blog post


Focusing on the aftermath of the 2008 Financial Crisis, The Bang Bang Brokers tells the story of a hedge fund manager (based on a composite of real life traders) who got rich off of predicting the subprime fallout. His guilt and suicidal impulses lead him to a chance meeting with a Latino Gang, headed by small time weed dealer Ramon (Erik Michael Estrada). In hopes that Ramon will kill him in exchange for the favor, Rolley (played by Donihue) robs a rival Black Gang, earning the pair a ton of…See More
Feb 4

Family life as perceived by 50 WNC authors

by Rob Neufeld


            If you have biases against small press books or anthologies of local writers’ work, I recommend you lay them aside and take a look at “It’s All Relative” (Stone Ivy Press), 52 stories and poems by 50 WNC women authors writing about family.

            You also might be skeptical about the theme; it’s so broad.  Yet, there’s a shadowy, down-to-earth, and at times magical quality to the tellings that makes the collection striking and significant.

            The editors, Celia Miles and Nancy Dillingham, who have collaborated on three other such collections, exhibit an eye (eyes?) for good writing.  Consequently, we become familiar with authors who, in some cases, are finding new, powerful voices to employ.


Dillingham’s progress


            Nancy Dillingham, who has a story and a poem in the collection, is not a new voice.  There’s a Dillingham section in my library that now contains eight books, starting with “New Ground,” an album of stories and poems published by Ralph Roberts’ WorldComm Books in 1998.

            Her latest work is “1950: Poems,” a chapbook published by Finishing Line Press as part of its “New Women’s Voices Series.”

            That’s the way it is with writers.  By the time someone discovers you and calls you “new,” you’ve already got a veteran’s pile of manuscripts behind you.

            At any rate, Dillingham, independent of universities and New York publishing circles, has developed a mastery of her craft as well as a distinctive style.  The wondrous, grim, and familial in her mountain experience come to light in compact lines that are both facets of and links in her narratives.

            What we get is poetic, in a dream-minded way, and accessible, as with these humble garden observations from the poem, “Summer Etude”:

            “Crook-necked squash/ curl like tiny kittens. // Cucumbers hide/ in viny darkness.”


The dark


            Let’s talk about witches.  If you’re thinking about fairy tale or Satanic characterizations, you’re missing the granny for the grimace.

            There’s a long history of strong mountain women being feared as Baba Yagas.

            Kaye Barley tells a story, “Aunt Peep and Uncle Leo” that starts off as a girl’s fond recollection of summertime visits with her aunt; and turns into something else after she overhears arguments and then gets news of Aunt Peep’s death.

            At the funeral, Aunt Peep has a message for her niece that’s intended to not let the truth about Leo die.

            In Patricia Lynn Collins’ story, “Second Sight,” a woman with an uncanny ability to read the future in cards anoints her granddaughter, the narrator, as her spiritual heiress—a mantle the young woman tries out once and then puts aside.

            “Nana was the matriarch of our extended family,” the narrator says by way of introduction, “and everyone did as she said.  She was tough, opinionated, and never missed a chance to state her opinion, which was often critical and sometimes cruel.”

            One could view fortune-telling as a practical way to control others, though in this and other stories, there is a dramatic inclusion of supernatural effects.

            Dillingham’s tale, “Whips and Chains,” is a classic ghost story.

            First, we get a glimpse of dour Uncle John sitting on a porch above a creek; next, we hear the narrator’s daddy saying, after John’s wife, Aunt Dock, had died, that he’d never go back in that house.

            Then comes the telling: how mourners had heard chains coming up stairs and had been trapped in a room with Aunt Dock’s body when the door slammed shut and stuck—“maybe it had swelled from the night before.”

            The story’s not over.  Uncle John’s abuse of Aunt Dock had taken a particularly horrifying form, the narrator learns; and, in the end, she is witness to the agency of John’s death.




            The dark stories and poems dominate the first quarter of the book.  They remind me of Mildred Haun’s Appalachian classic, “The Hawk’s Done Gone.”

            Maria Fire’s story, “Everything Good,” tells of a woman, Maria, who tells her mom about being abused by her father, but first confronts her mother about her self-destructive behavior.

            “Mother,” she says, “sober people don’t splash blood around the house or barely miss hemorrhaging to death because they’re too drunk to call an ambulance.”

            “You know,” the mother responds with the head tilt of a predator, “I worry about you sometimes, too, honey, how crazy you get.”

            Holly Simms, in “Don’t Tell,” tells about a mother who says she can’t take it anymore, and is taken to a state hospital.  When she comes home, her daughter hides her liquor bottles, but reveals the hiding place, with a feeling of lost childhood, when her father says, “Holly, tell her where they are.”

            In her poem, “Burdett Barn,” Martha Adams recounts a family trip to Kansas relatives, and recalls swinging from a rope swing, the intimacy of egg-collecting, and flopping down in hay by the horse stalls. 

            Then a boy cousin, “talking softly as if I’m grown, like him/ says he has something for me.  He/ reaches down, takes my hand/ guides it to a bristled place between his legs.”

            By design, it seems, the rest of the book takes a different turn.  There’s Sandra Dillingham’s two-page, one-sentence poem about old ladies gossiping; Nancy Sales Cash’s rendition of a mother and daughter sparring over what to make for Thanksgiving dinner; Blanch Ledford’s genial account of a father competing with his potato-growing brother by planting by the signs.

            The opening and closing pieces in the anthology are poems about protective and nurturing mothers, so there really is a form.  Movement toward the light is discernible, but not simply progressive.


A kind of light


            Martha O’Quinn’s story, “A Common Thread,” tells about two poor families, one black, one white, who survive a rock-throwing incident by stitching up a gash and returning to a carefree existence.

            Julia Nunnally Duncan, in “Charlie’s Knife,” writes about continuing to cherish a handsome, self-exiled, war vet uncle even after learning about his adulterous and violent behavior.

            In Gwendie Camp’s story, “An Instant Family,” a girl confronts a man who has taken up residence in the house of her grandfather, which her jailed father now owns.

            The man says that he was told he could stay there by his daddy, Reginald Whitehouse, whom everyone calls Sonny.

            “Oh, law,” the girl says.  “Sonny don’t have any kids.”

            “He has me,” the man says,   “He just didn’t know it till recently.”

            The entries in “It’s All Relative” range from one to five pages in length, which works well with tales of the bizarre or with poetic revelations.

            Yet, many of the realistic short fiction works manage to wrap up gratifyingly, too.


Conflicted blessing


            Celia Miles’ story, “The Forks of Envy,” begins with a nice narrative trick.  The narrator philosophizes about how beauty and brains relate to freedom and success, and notes how she was ordained with middling attributes.

            “But it’s not me this story is about,” she says.  “This is Bryonette’s story.”

            Bryonette is the canary among the Haslip family wrens.  One day, she learns that a clerk had misspelled her name on her birth certificate.  Her mother had named her Byronette—Byr not Bry—and, in a curtain-raising moment, recites a Lord Byron poem.

            A few days later, the narrator sees her sister smoothing her fingernails and blurts, “Does my Lord need anything from the kitchen?”  Bryonette’s face reveals hurt, and then coldness.

            “That implacable coldness could then and always chill my very soul.  I retreated, defeated without a word from her.”

            Perfect.  That ending contains both the love and conflict that bind family members.




Celia Miles and Nancy Dillingham present “It’s All Relative”; and Dillingham presents “1950,” at Mountain Made, Grove Arcade, 1 Page Ave #123, Asheville, 11 a.m. to 3 p.m., Nov. 14 (350-0307).


Miles and Dillingham read from their books at Grateful Steps, 159 S Lexington Ave, Asheville, 6 p.m., Nov. 17 (277-0998); and sign books at Murphy’s Curiosity Shop Bookstore, Nov. 28 (835-7433).

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