Affiliated Networks


Events

Forum

Interview with Gail Godwin about Grief Cottage

Started by Rob Neufeld in AC-T Book Reviews Aug 3, 2017.

Ellington in Asheville--a survey

Started by Rob Neufeld in Local History Oct 6, 2017.

Dave Minneman, heroic portrait

Started by Rob Neufeld in Local History Aug 25, 2017.

Badge

Loading…

Latest Activity

Nancy Werking Poling posted an event

Nancy Werking Poling at Black Mountain Library

June 15, 2019 from 3pm to 4pm
Can women rescue the planet from ecological disaster?Nancy Werking Poling will launch her new novel, WHILE EARTH STILL SPEAKS, set in WNC. She'll tell the stories behind the story: How did Mary (more crone than virgin) get into the narrative? And Mary Surratt, a co-conspirator of John Wilkes Booth?See More
Jun 10
Caroline McIntyre posted events
Apr 29
Rob Neufeld updated their profile
Apr 13
Rob Neufeld posted a discussion

Flat Rock history via a road

Travelling back in time on a Flat Rock roadby Rob Neufeld             If you walk the one mile length of North Highland Lake Road in Flat Rock, you step nearly 200 years into the past.            At the east end, the 21st century reigns.  Fronting six-lane Spartanburg Highway, a super-Ingles sits above a bog; and a CVS store faces an Octopus Garden smoke shop, a chiropractor, a cell phone provider, and a six-lane avenue to I-26 a mile away .            Neither Ingles nor CVS carries the big…See More
Apr 8
George Ellison left a comment for Renea Winchester
"luv ya Renea ... Kephart bio finally done after 40 years ... free at last ... free at last... great god almighty ... free a last!"
Apr 5
Connie Regan-Blake posted an event
Thumbnail

Connie Regan-Blake Storytelling at Hendersonville Public Library at Henderson County Public Library - Main Branch

June 13, 2019 from 6pm to 7pm
Join Connie Regan-Blake for a family oriented evening of stories at the Hendersonville Library.See More
Apr 1
Connie Regan-Blake updated an event
Thumbnail

Connie Regan-Blake’s 14th Annual Summer Storytelling Retreat & Adventure at StoryWindow Productions

July 14, 2019 at 10am to July 20, 2019 at 4pm
Come to the beautiful Blue Ridge Mountains of Asheville for 7 days of story-listening & story-telling along with coaching, community & supportive exploration. This 14th annual workshop welcomes all levels of expertise, from beginner to experienced teller. Participants discover ways of being in the world that nurture your creative flow while developing skills to: Find, create, learn, and polish storiesEffectively integrate voice with image,…See More
Apr 1
Connie Regan-Blake updated an event
Thumbnail

Connie Regan-Blake presents A Slice of Life: An Evening of Stories at Black Mountain Center for the Arts

April 6, 2019 from 7:30pm to 9pm
Please join nationally celebrated storyteller, Connie Regan-Blake, as she hosts her workshop participants in an enchanting evening of storytelling in “A Slice of Life: An Evening of Stories.” Here are the tellers for our April 6th “Slice of Life” performance.  Christine Phillips Westfeldt, Kyra Freeman, Steve Tate, Alberta Hipps and more! The event is hosted by the …See More
Apr 1
Connie Regan-Blake updated an event
Thumbnail

Connie Regan-Blake's Taking Your Story to the Stage Workshop at StoryWindow Productions

April 5, 2019 to April 7, 2019
The focus of this “Taking Your Story to the Stage” 3-day workshop is on storytelling performance. Each participant is asked to come with a story that is almost “stage-ready.” Set in Connie’s home tucked in the beautiful mountains surrounding Asheville, NC, this workshop provides a supportive,…See More
Apr 1
Rap Monster posted a blog post

Stealth Hazy - 'Gun Clap'

Stealth Hazy - Gun ClapI got 80 rounds with a beam on it riding dirty I'm smoking chronic top off hear that system pound 808 thats subsonicI double down quadruple upstraight droppin with no cutwilt chamberlain on the reboundand you a fan just starstruckI…See More
Mar 26
Connie Regan-Blake posted an event

Connie Regan-Blake’s 14th Annual Summer Storytelling Retreat & Adventure at StoryWindow Productions

July 14, 2019 at 10am to July 20, 2019 at 4pm
Come to the beautiful Blue Ridge Mountains of Asheville for 7 days of story-listening & story-telling along with coaching, community & supportive exploration. This 14th annual workshop welcomes all levels of expertise, from beginner to experienced teller. Participants discover ways of being in the world that nurture your creative flow while developing skills to: Find, create, learn, and polish storiesEffectively integrate voice with image,…See More
Mar 2
Sue Diehl shared their event on Facebook
Feb 8
Sue Diehl posted an event
Thumbnail

Montreat College Friends of the Library Celebrate National Library Week at Graham Chapel, Gaither Hall, Montreat College, Montreat, NC

April 9, 2019 from 3pm to 5pm
Patti Callahan, author of the recent novel Becoming Mrs. Lewis, and Don W. King author of Out of My Bone: the Letters of Joy Davidman, A Naked Tree: Love Sonnets to C. S. Lewis, and Yet One More Spring: a Critical Study of Joy Davidman, will co-present on their works about Joy and her husband C.S. Lewis.  The event is free and open to the public on April 9, 2019 in Graham Chapel, Gaither Hall, Montreat College.Reception and Book signing to followSee More
Feb 8
William Roy Pipes posted a discussion

TWO NEW APPALACHIAN NOVELS

I have, just released two Appalachian Novels.OUT OF THE SHADOWS, begins deep in the Appalachian Mountains of in WNC. It is partly a true story about a young man who ran away from home at the age of fifteen. He meets another runaway, and they fall in love.A journey where he faced adversaries, but also success as he walked, hitchhiked, and made his way across the country.GONE LIKE A CANDLE IN THE WIND, is a story of three young people growing up in a farming community in the Appalachian…See More
Jan 28
Rob Neufeld posted a discussion

The Main Show

The Main Show: a story-poem stage presentation(part of  Living Poem)See video of Act 1, Scene 1: The SettingPrologue Narrator:   Don’t listen, children, and do not hear.(A monster is coming and there’s no escapeWithin this story, and no good way to tell it, Except to gaze at the horror as at a flower,A disaster streaming off extremes it breedsEverywhere and in our…See More
Jan 26
Don Talley posted a discussion

Hollywood Pictures Inc in Fairview

In the 1920's it seemed the whole country was caught up in excitement about films and Hollywood.    Asheville and Western North Carolina were well aware of the hoopla of Hollywood.   In fact, Hollywood (or at least filmmaking) was already beginning to come to Western NC.I recently stumble across an article from the Jun 6 1926 issue of The Asheville Citizen Times which mentions that Hollywood Pictures Inc, was planning to film just south of Asheville, near Fairview.  But....was this really…See More
Jan 23

Family life as perceived by 50 WNC authors

by Rob Neufeld

 

            If you have biases against small press books or anthologies of local writers’ work, I recommend you lay them aside and take a look at “It’s All Relative” (Stone Ivy Press), 52 stories and poems by 50 WNC women authors writing about family.

            You also might be skeptical about the theme; it’s so broad.  Yet, there’s a shadowy, down-to-earth, and at times magical quality to the tellings that makes the collection striking and significant.

            The editors, Celia Miles and Nancy Dillingham, who have collaborated on three other such collections, exhibit an eye (eyes?) for good writing.  Consequently, we become familiar with authors who, in some cases, are finding new, powerful voices to employ.

 

Dillingham’s progress

 

            Nancy Dillingham, who has a story and a poem in the collection, is not a new voice.  There’s a Dillingham section in my library that now contains eight books, starting with “New Ground,” an album of stories and poems published by Ralph Roberts’ WorldComm Books in 1998.

            Her latest work is “1950: Poems,” a chapbook published by Finishing Line Press as part of its “New Women’s Voices Series.”

            That’s the way it is with writers.  By the time someone discovers you and calls you “new,” you’ve already got a veteran’s pile of manuscripts behind you.

            At any rate, Dillingham, independent of universities and New York publishing circles, has developed a mastery of her craft as well as a distinctive style.  The wondrous, grim, and familial in her mountain experience come to light in compact lines that are both facets of and links in her narratives.

            What we get is poetic, in a dream-minded way, and accessible, as with these humble garden observations from the poem, “Summer Etude”:

            “Crook-necked squash/ curl like tiny kittens. // Cucumbers hide/ in viny darkness.”

 

The dark

 

            Let’s talk about witches.  If you’re thinking about fairy tale or Satanic characterizations, you’re missing the granny for the grimace.

            There’s a long history of strong mountain women being feared as Baba Yagas.

            Kaye Barley tells a story, “Aunt Peep and Uncle Leo” that starts off as a girl’s fond recollection of summertime visits with her aunt; and turns into something else after she overhears arguments and then gets news of Aunt Peep’s death.

            At the funeral, Aunt Peep has a message for her niece that’s intended to not let the truth about Leo die.

            In Patricia Lynn Collins’ story, “Second Sight,” a woman with an uncanny ability to read the future in cards anoints her granddaughter, the narrator, as her spiritual heiress—a mantle the young woman tries out once and then puts aside.

            “Nana was the matriarch of our extended family,” the narrator says by way of introduction, “and everyone did as she said.  She was tough, opinionated, and never missed a chance to state her opinion, which was often critical and sometimes cruel.”

            One could view fortune-telling as a practical way to control others, though in this and other stories, there is a dramatic inclusion of supernatural effects.

            Dillingham’s tale, “Whips and Chains,” is a classic ghost story.

            First, we get a glimpse of dour Uncle John sitting on a porch above a creek; next, we hear the narrator’s daddy saying, after John’s wife, Aunt Dock, had died, that he’d never go back in that house.

            Then comes the telling: how mourners had heard chains coming up stairs and had been trapped in a room with Aunt Dock’s body when the door slammed shut and stuck—“maybe it had swelled from the night before.”

            The story’s not over.  Uncle John’s abuse of Aunt Dock had taken a particularly horrifying form, the narrator learns; and, in the end, she is witness to the agency of John’s death.

 

Transition

 

            The dark stories and poems dominate the first quarter of the book.  They remind me of Mildred Haun’s Appalachian classic, “The Hawk’s Done Gone.”

            Maria Fire’s story, “Everything Good,” tells of a woman, Maria, who tells her mom about being abused by her father, but first confronts her mother about her self-destructive behavior.

            “Mother,” she says, “sober people don’t splash blood around the house or barely miss hemorrhaging to death because they’re too drunk to call an ambulance.”

            “You know,” the mother responds with the head tilt of a predator, “I worry about you sometimes, too, honey, how crazy you get.”

            Holly Simms, in “Don’t Tell,” tells about a mother who says she can’t take it anymore, and is taken to a state hospital.  When she comes home, her daughter hides her liquor bottles, but reveals the hiding place, with a feeling of lost childhood, when her father says, “Holly, tell her where they are.”

            In her poem, “Burdett Barn,” Martha Adams recounts a family trip to Kansas relatives, and recalls swinging from a rope swing, the intimacy of egg-collecting, and flopping down in hay by the horse stalls. 

            Then a boy cousin, “talking softly as if I’m grown, like him/ says he has something for me.  He/ reaches down, takes my hand/ guides it to a bristled place between his legs.”

            By design, it seems, the rest of the book takes a different turn.  There’s Sandra Dillingham’s two-page, one-sentence poem about old ladies gossiping; Nancy Sales Cash’s rendition of a mother and daughter sparring over what to make for Thanksgiving dinner; Blanch Ledford’s genial account of a father competing with his potato-growing brother by planting by the signs.

            The opening and closing pieces in the anthology are poems about protective and nurturing mothers, so there really is a form.  Movement toward the light is discernible, but not simply progressive.

 

A kind of light

 

            Martha O’Quinn’s story, “A Common Thread,” tells about two poor families, one black, one white, who survive a rock-throwing incident by stitching up a gash and returning to a carefree existence.

            Julia Nunnally Duncan, in “Charlie’s Knife,” writes about continuing to cherish a handsome, self-exiled, war vet uncle even after learning about his adulterous and violent behavior.

            In Gwendie Camp’s story, “An Instant Family,” a girl confronts a man who has taken up residence in the house of her grandfather, which her jailed father now owns.

            The man says that he was told he could stay there by his daddy, Reginald Whitehouse, whom everyone calls Sonny.

            “Oh, law,” the girl says.  “Sonny don’t have any kids.”

            “He has me,” the man says,   “He just didn’t know it till recently.”

            The entries in “It’s All Relative” range from one to five pages in length, which works well with tales of the bizarre or with poetic revelations.

            Yet, many of the realistic short fiction works manage to wrap up gratifyingly, too.

 

Conflicted blessing

 

            Celia Miles’ story, “The Forks of Envy,” begins with a nice narrative trick.  The narrator philosophizes about how beauty and brains relate to freedom and success, and notes how she was ordained with middling attributes.

            “But it’s not me this story is about,” she says.  “This is Bryonette’s story.”

            Bryonette is the canary among the Haslip family wrens.  One day, she learns that a clerk had misspelled her name on her birth certificate.  Her mother had named her Byronette—Byr not Bry—and, in a curtain-raising moment, recites a Lord Byron poem.

            A few days later, the narrator sees her sister smoothing her fingernails and blurts, “Does my Lord need anything from the kitchen?”  Bryonette’s face reveals hurt, and then coldness.

            “That implacable coldness could then and always chill my very soul.  I retreated, defeated without a word from her.”

            Perfect.  That ending contains both the love and conflict that bind family members.

 

AUTHOR EVENTS

 

Celia Miles and Nancy Dillingham present “It’s All Relative”; and Dillingham presents “1950,” at Mountain Made, Grove Arcade, 1 Page Ave #123, Asheville, 11 a.m. to 3 p.m., Nov. 14 (350-0307).

 

Miles and Dillingham read from their books at Grateful Steps, 159 S Lexington Ave, Asheville, 6 p.m., Nov. 17 (277-0998); and sign books at Murphy’s Curiosity Shop Bookstore, Nov. 28 (835-7433).

Views: 147

Reply to This

© 2019   Created by Rob Neufeld.   Powered by

Badges  |  Report an Issue  |  Terms of Service

UA-124288772-1