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The German experience settling WNC 1 Reply

Started by Rob Neufeld in Local History. Last reply by Scott Dockery Feb 16.

The history of Oakley

Started by Rob Neufeld in Local History May 13, 2016.

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Rob Neufeld posted a discussion

Gail Godwin full interview for Grief Cottage event

Gail Godwin talks about Grief Cottage            Asheville author Gail Godwin, now a Woodstock, NY resident, comes back home here Wed., June 14 to present her new novel, “Grief Cottage” at Malaprop’s Bookstore, 7 p.m.             “Grief Cottage” is the story of an orphaned, sensitive, troubled boy, named…See More
Jun 13
Jack J. Prather posted a blog post

First Woman NC Poet Laureate's Biography

A Biography of Late NC Poet Laureate Kathryn Stripling Byerin Hendersonville Author's Six Notable Women of North CarolinaA biography of the late Kathryn Stripling "Kay" Byer of Cullowhee, the first woman and longest-serving (2005-2009) Poet Laureate in the state, is featured in Six Notable Women of North Carolina by Jack J. Prather of Hendersonville, founder of the Young Writers Scholarship at Warren Wilson College. The 43-page biography includes poems selected by the poet who passed away on…See More
Jun 9
Julia Nunnally Duncan posted an event

Julia Nunnally Duncan at Marion Community Building

June 17, 2017 from 10am to 3pm
Julia Nunnally Duncan will be a featured author at the McDowell County 2017 Local Author Festival at the Marion Community Building in downtown Marion on Saturday, June 17 from 10-3. The event is sponsored by the McDowell County Public Library and is free and open to the public.See More
Jun 6
Short-short Stories & Riddles posted a blog post

Mom's has-been groove in ghost-boy novel

Marcus, in Gail Godwin’s new novel, Grief Cottage, recalls his friendship with Wheezer, whom he’d once beaten up at school because Wheezer had exposed Marcus’ shameful secret about his mom.  Now Marcus, age 10, is an orphan.  His dad has always been unknown to him; and his mom has just died in a car accident. Relocated to his aunt’s beach house, Marcus, despite the safety of the place, finds himself in trouble. He’s communicating with a ghost.  He’s having dreams about a non-existent older…See More
Jun 3
City Lights Bookstore posted events
Jun 1
City Lights Bookstore posted an event
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Art of Awakening Shamanic Consciousness at City Lights Bookstore

July 28, 2017 from 6:30pm to 8pm
Linda Star Wolf will visit City Lights Bookstore on Friday, July 28th at 6:30 p.m. She will present her new book, Soul Whispering: The Art of Awakening Shamanic Consciousness.  Master Shamanic Breathwork Practitioner, Nita Gage co-wrote the book with Linda Star Wolf. The authors explore how the art of Soul Whispering can help each of us understand why we experience our lives the way we do and shift from healing our wounds to embracing the process of transformation. This is a powerful new…See More
May 27
Connie Regan-Blake posted events
May 23
Mirra updated an event
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Dada Maheshvarananda Launches Cooperative Games book at Malaprops Bookstore

May 27, 2017 from 7pm to 8:30pm
With a Foreword by noted author and activist, Bill Ayers, Cooperative Games for a Cooperative World by Dada Maheshvarananda, shows up how to work together to create unity, trust, and cooperation in making the small and big changes needed to create the world we want to see.Listen to this recent radio interview with Dada:https://drive.google.com/openDiane Donovan of Midwest Books says of…See More
May 20
Mirra posted an event

Dada Maheshvarananda Launches Cooperative Games book at Malaprops Bookstore

May 27, 2017 from 7pm to 8:30pm
With a Foreword by noted author and activist, Bill Ayers, Cooperative Games for a Cooperative World by Dada Maheshvarananda, shows up how to work together to create unity, trust, and cooperation in making the small and big changes needed to create the world we want to see.Listen to this recent radio interview with Dada:https://drive.google.com/openDiane Donovan of Midwest Books says of…See More
May 16
City Lights Bookstore posted an event
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Rosalind Bunn Storytime at City Lights Bookstore

June 24, 2017 from 11am to 12pm
Rosalind Bunn will return to City Lights Bookstore on Saturday, June 24th at 11 a.m. for a special storytime. Rosalind teaches at East Side Elementary in Marietta, Georgia. She has three grown children and a new grandson. Rosalind has co-authored three children's books with a dear friend, Kathleen Howard. Her newest book, Thunder & a Lightning Bug Named Lou, is illustrated by Angela C. Hawkins and was released in December 2016. Her other titles are Whose Shadow Do I See?, The Monsters…See More
May 13
Short-short Stories & Riddles posted a blog post

I Have a Coin

I Have a Coin I have a coin I deem a treasure.One side bears the sign of extinction,And the other, an instance of nature.But it’s not a coin; it’s a seal,And the meaning of this distinctionIs the unbearable sadness I feelWith experience, or with closure. It seems like a double exposure,But the knowledge of impermanenceBleeds into the ideal likenessOf mortality in its eminence—To yield a vibrant pictureOf a creature’s essential brightnessAs it burns for life without censure. --Rob NeufeldSee More
May 12
City Lights Bookstore posted events
May 11
Gary Thomas Johnson is attending Kalen Vaughan Johnson's event
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Kalen Vaughan Johnson debuts ROBBING THE PILLARS at Malaprop's Bookstore/Cafe

May 20, 2017 from 7pm to 8:30pm
This signing event for my debut novel ROBBING THE PILLARS will also serve as a benefit for longtime family friend and WNC advocate for people with disabilitiesSee More
May 10
Gary Thomas Johnson shared Kalen Vaughan Johnson's event on Facebook
May 10
Kalen Vaughan Johnson posted an event
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Kalen Vaughan Johnson debuts ROBBING THE PILLARS at Malaprop's Bookstore/Cafe

May 20, 2017 from 7pm to 8:30pm
This signing event for my debut novel ROBBING THE PILLARS will also serve as a benefit for longtime family friend and WNC advocate for people with disabilitiesSee More
May 10
Mark de Castrique posted a blog post

Hidden Scars - Sam Blackman and Black Mountain College

I don't know if this is true for my fellow writers, but proofing can be the most difficult part of the process.  I received the ARC today for October's Sam Blackman Mystery and will begin the last review for typos or formatting errors that have eluded my editor, my copy editor, and myself.  Amazing that there is always something that the brain "fixes" and we don't see.Hope springs eternal that the October release will be typo-free.  The mystery is set against the historic backdrop of Black…See More
May 6

Family life as perceived by 50 WNC authors

by Rob Neufeld

 

            If you have biases against small press books or anthologies of local writers’ work, I recommend you lay them aside and take a look at “It’s All Relative” (Stone Ivy Press), 52 stories and poems by 50 WNC women authors writing about family.

            You also might be skeptical about the theme; it’s so broad.  Yet, there’s a shadowy, down-to-earth, and at times magical quality to the tellings that makes the collection striking and significant.

            The editors, Celia Miles and Nancy Dillingham, who have collaborated on three other such collections, exhibit an eye (eyes?) for good writing.  Consequently, we become familiar with authors who, in some cases, are finding new, powerful voices to employ.

 

Dillingham’s progress

 

            Nancy Dillingham, who has a story and a poem in the collection, is not a new voice.  There’s a Dillingham section in my library that now contains eight books, starting with “New Ground,” an album of stories and poems published by Ralph Roberts’ WorldComm Books in 1998.

            Her latest work is “1950: Poems,” a chapbook published by Finishing Line Press as part of its “New Women’s Voices Series.”

            That’s the way it is with writers.  By the time someone discovers you and calls you “new,” you’ve already got a veteran’s pile of manuscripts behind you.

            At any rate, Dillingham, independent of universities and New York publishing circles, has developed a mastery of her craft as well as a distinctive style.  The wondrous, grim, and familial in her mountain experience come to light in compact lines that are both facets of and links in her narratives.

            What we get is poetic, in a dream-minded way, and accessible, as with these humble garden observations from the poem, “Summer Etude”:

            “Crook-necked squash/ curl like tiny kittens. // Cucumbers hide/ in viny darkness.”

 

The dark

 

            Let’s talk about witches.  If you’re thinking about fairy tale or Satanic characterizations, you’re missing the granny for the grimace.

            There’s a long history of strong mountain women being feared as Baba Yagas.

            Kaye Barley tells a story, “Aunt Peep and Uncle Leo” that starts off as a girl’s fond recollection of summertime visits with her aunt; and turns into something else after she overhears arguments and then gets news of Aunt Peep’s death.

            At the funeral, Aunt Peep has a message for her niece that’s intended to not let the truth about Leo die.

            In Patricia Lynn Collins’ story, “Second Sight,” a woman with an uncanny ability to read the future in cards anoints her granddaughter, the narrator, as her spiritual heiress—a mantle the young woman tries out once and then puts aside.

            “Nana was the matriarch of our extended family,” the narrator says by way of introduction, “and everyone did as she said.  She was tough, opinionated, and never missed a chance to state her opinion, which was often critical and sometimes cruel.”

            One could view fortune-telling as a practical way to control others, though in this and other stories, there is a dramatic inclusion of supernatural effects.

            Dillingham’s tale, “Whips and Chains,” is a classic ghost story.

            First, we get a glimpse of dour Uncle John sitting on a porch above a creek; next, we hear the narrator’s daddy saying, after John’s wife, Aunt Dock, had died, that he’d never go back in that house.

            Then comes the telling: how mourners had heard chains coming up stairs and had been trapped in a room with Aunt Dock’s body when the door slammed shut and stuck—“maybe it had swelled from the night before.”

            The story’s not over.  Uncle John’s abuse of Aunt Dock had taken a particularly horrifying form, the narrator learns; and, in the end, she is witness to the agency of John’s death.

 

Transition

 

            The dark stories and poems dominate the first quarter of the book.  They remind me of Mildred Haun’s Appalachian classic, “The Hawk’s Done Gone.”

            Maria Fire’s story, “Everything Good,” tells of a woman, Maria, who tells her mom about being abused by her father, but first confronts her mother about her self-destructive behavior.

            “Mother,” she says, “sober people don’t splash blood around the house or barely miss hemorrhaging to death because they’re too drunk to call an ambulance.”

            “You know,” the mother responds with the head tilt of a predator, “I worry about you sometimes, too, honey, how crazy you get.”

            Holly Simms, in “Don’t Tell,” tells about a mother who says she can’t take it anymore, and is taken to a state hospital.  When she comes home, her daughter hides her liquor bottles, but reveals the hiding place, with a feeling of lost childhood, when her father says, “Holly, tell her where they are.”

            In her poem, “Burdett Barn,” Martha Adams recounts a family trip to Kansas relatives, and recalls swinging from a rope swing, the intimacy of egg-collecting, and flopping down in hay by the horse stalls. 

            Then a boy cousin, “talking softly as if I’m grown, like him/ says he has something for me.  He/ reaches down, takes my hand/ guides it to a bristled place between his legs.”

            By design, it seems, the rest of the book takes a different turn.  There’s Sandra Dillingham’s two-page, one-sentence poem about old ladies gossiping; Nancy Sales Cash’s rendition of a mother and daughter sparring over what to make for Thanksgiving dinner; Blanch Ledford’s genial account of a father competing with his potato-growing brother by planting by the signs.

            The opening and closing pieces in the anthology are poems about protective and nurturing mothers, so there really is a form.  Movement toward the light is discernible, but not simply progressive.

 

A kind of light

 

            Martha O’Quinn’s story, “A Common Thread,” tells about two poor families, one black, one white, who survive a rock-throwing incident by stitching up a gash and returning to a carefree existence.

            Julia Nunnally Duncan, in “Charlie’s Knife,” writes about continuing to cherish a handsome, self-exiled, war vet uncle even after learning about his adulterous and violent behavior.

            In Gwendie Camp’s story, “An Instant Family,” a girl confronts a man who has taken up residence in the house of her grandfather, which her jailed father now owns.

            The man says that he was told he could stay there by his daddy, Reginald Whitehouse, whom everyone calls Sonny.

            “Oh, law,” the girl says.  “Sonny don’t have any kids.”

            “He has me,” the man says,   “He just didn’t know it till recently.”

            The entries in “It’s All Relative” range from one to five pages in length, which works well with tales of the bizarre or with poetic revelations.

            Yet, many of the realistic short fiction works manage to wrap up gratifyingly, too.

 

Conflicted blessing

 

            Celia Miles’ story, “The Forks of Envy,” begins with a nice narrative trick.  The narrator philosophizes about how beauty and brains relate to freedom and success, and notes how she was ordained with middling attributes.

            “But it’s not me this story is about,” she says.  “This is Bryonette’s story.”

            Bryonette is the canary among the Haslip family wrens.  One day, she learns that a clerk had misspelled her name on her birth certificate.  Her mother had named her Byronette—Byr not Bry—and, in a curtain-raising moment, recites a Lord Byron poem.

            A few days later, the narrator sees her sister smoothing her fingernails and blurts, “Does my Lord need anything from the kitchen?”  Bryonette’s face reveals hurt, and then coldness.

            “That implacable coldness could then and always chill my very soul.  I retreated, defeated without a word from her.”

            Perfect.  That ending contains both the love and conflict that bind family members.

 

AUTHOR EVENTS

 

Celia Miles and Nancy Dillingham present “It’s All Relative”; and Dillingham presents “1950,” at Mountain Made, Grove Arcade, 1 Page Ave #123, Asheville, 11 a.m. to 3 p.m., Nov. 14 (350-0307).

 

Miles and Dillingham read from their books at Grateful Steps, 159 S Lexington Ave, Asheville, 6 p.m., Nov. 17 (277-0998); and sign books at Murphy’s Curiosity Shop Bookstore, Nov. 28 (835-7433).

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