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The German experience settling WNC 1 Reply

Started by Rob Neufeld in Local History. Last reply by Scott Dockery Feb 16.

The history of Oakley

Started by Rob Neufeld in Local History May 13, 2016.

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City Lights Bookstore posted events
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Montreat College Friends of the Library Annual Luncheon at Montreat College, Gaither Fellowship Hall

June 10, 2017 from 12pm to 2:30pm
Author Vicki Lane, who is working on her seventh novel, will be the guest speaker at the Montreat College Friends of the Library Annual Luncheon at noon on Saturday, June 10, 2017 in Gaither Fellowship Hall.  Reservations: 669-8012 Ext. 3502Open to the Public.See More
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Rose Senehi posted an event

Rose Senehi will read from her new novel: CAROLINA BELLE at MALAPROPS BOOKS & CAFE

May 3, 2017 from 7pm to 8:30pm
Belle McKenzie is obsessed with finding the best apple anyone ever bit into and determined to rekindle the love this obsession has nearly destroyed.        Woven throughout Carolina Belle is the fascinating history of Henderson County, North Carolina’s, apple orchards that endlessly unfold on the county’s horizons and still bear the same names as the early settlers to the area. Senehi, known for her historically accurate novels, sprinkles the book with stories of the development of the Southern…See More
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Rob Neufeld posted a blog post

Becky Stone Presents Maya Angelou

Chautauqua Alive! Becky Stone Presents Maya AngelouWednesday, May 24 at 6:30pmPack Memorial Library67 Haywood Street250-4700The Buncombe Chautauqua Committee and Pack Memorial Library will present a pre-Chautauqua special event in Lord Auditorium at Pack Memorial Library at 6:30 Pm on May 24.  Renowned storyteller Becky Stone will present “Becoming Maya Angelou.”   Ms. Stone will be appearing as Maya Angelou in the opening program of the annual Chautauqua series that begins June 19.  On May 24,…See More
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Rob Neufeld posted a blog post

Prize-winning YA author Sedgwick at Literacy fundraiser

Fundraiser for Literacy Council & Book Launch Marcus Sedgwick Tuesday April 25th 5:30-7:30 p.m., Twisted Laurel, downtown Asheville, 130 College Street COST: $45 per person (ticket includes hardcover book, food, and non-alcoholic beverage) All proceeds go to Literacy Council from press release Marcus Sedgwick, author of Saint Death Spellbound Children's Bookshop, Asheville's locally owned independent bookstore for kids and teens, presents a special event with one of the most critically…See More
Apr 17
Rob Neufeld posted a discussion

Dellinger Mill--sacred place east of Bakersville

A Mitchell County gristmill sifts through 150 yearsby Rob Neufeld PHOTO CAPTION: Book cover, “Dellinger Grist Mill on Cane Creek” by Jack Dellinger.             In 1861, when Bakersville got a post office, locals changed the town name from Bakersville to Davis, after Jefferson Davis, President of the…See More
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Reading by Poet Al Young at Table Rock Room, Plemmons Student Union, App State University

April 6, 2017 from 7:30pm to 8:45pm
A reading by past California Poet Laureate Al Young in Appalachian State's Hughlene Bostian Frank Visiting Writers Series. The reading will be preceded by a craft talk titled "No Poem, No Home" from 2-3:15 the same day.Both are in ASU's Plemmons Student Union. Free admission; books will be available for sale and signing. See More
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Citizen science author in Asheville April 6

Eco author in Asheville April 6 Citizen science can foster earth-saving policies Journalist Mary Ellen Hannibal, author of Citizen Scientist: Searching for Heroes and Hope in an Age of Extinction, speaks at Malaprop’s Bookstore/Café, 7 p.m., Thursday, April 6 in conversation with Mallory McDuff, Warren Wilson…See More
Mar 23
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Appalachian Authors Book Signing and Reading at Historic Carson House

April 8, 2017 from 10am to 3pm
Julia Nunnally Duncan will be a featured author and reader at the Appalachian Authors  Book Signing and Reading to be held at the Historic Carson House on Saturday, April 8 from 10-3. She will debut her new poetry collection A Part of Me. The event is free and open to the public. Refreshments will be served.See More
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2012 Award Winner for Literature -- Gary Neil Carden

A literature and drama teacher turned storyteller, Gary Neil Carden is an award winning playwright whose tales are informed by mountain life in North Carolin...
Mar 22
Gary Carden updated their profile
Mar 22

Asheville Poetry Review informs the world

by Rob Neufeld

 

            “In times like these,” Newton Smith writes in the new issue of Asheville Poetry Review (APR), “when men and women are dying miserably everywhere, and when politicians and nations have lost all dignity and compassion, it is time to turn to poems.”

            The 22nd issue of the Asheville-based, internationally read journal comes through again with a representation of what’s vital in the field. 

            Does poetry fill a critical need, as many of the contributors declare?  That’s not an easy argument.  Poems do not teach you how to change a tire, though they may teach you how to change tiredness.

 

Beginning with the fetus

 

            Becky Gould Gibson’s poem, “Heading Home,” 2012 winner of the William Matthews Poetry Prize (given by the APR) takes you on a journey from conception to birth with a world of prayer.

            “The jig is up…You’re past blastocyst,” she tells a fetus.  Gibson’s at-ease, intelligent voice talks street, science, and spirituality, as in her address to the baby when it’s 12 weeks in the womb: “And where’s original sin?/  Will it show up on your next sonogram?” 

            Seven months along, Gibson intones: “Stunning how badly we’ve managed Earth.  Yet/ you’ll find it stunningly beautiful,/ wrinkled in places like you.”  Ultimately, she announces: “Here you come in your craft plaited of reeds/ dragging a seine of bright constellations…Lung/ leaves the ocean of its origin, and/ you take your first breath on land.”

 

Very like a bat

 

            The second-place winner of the prize is also a magical expression of worldly caring

            “The young need the old,” Catherine Carter writes in her poem, “The Young.”  “You wouldn’t think it, to see/ them toss their hair silky as the ears/ of vampire bats, eyes not focused on anything/ you can see.”

            But “they need your/ time, your ear for their keening,” she continues, “your admiration/ and pity for their brashness/ and tenderness…Your approval, for the like of which many/ an adult still goes thirsty.”  So, we may forgive the hunger of the bat-like child, “its dainty fangs, its fingers for wings.”

            (See full poem below.)

 

Modest profession

 

            The late poet William Matthews, in whose honor his son, Asheville poet Sebastian Matthews, established the prize, is the subject of Robert Morgan’s elegy, “In Memory of William Matthews.”

            “Bill,/ wherever you are now, I’m sure/ you’re laughing at the way we poets/ take ourselves so seriously./  And I concede the fault, except/ I want to say I took you seriously/ and was not wrong,” Morgan writes.

            As he presents his loving memories like bouquets, Morgan hears Matthews snicker and say, “Send/ no flowers, bub, but maybe some good claret might not be unwelcome.”

            Like William Matthews, many contemporary poets have abandoned conventional Western lyricism for something that sounds more Eastern: lots of music, but not rhyming or strictly metered; with a freedom to shift voices, almost conversationally, and gifted with suggestive imagery.

 

Getting beyond human

 

            Sam Hamill translates a poem written by the eighth century Chinese poet, Li Po.

            “You ask why I live/ alone in the mountain forest,” the poem begins; and concludes, “I live in the other world,/ one that lies beyond the human.”

            One of the reasons that poets can speak to us in such a special way is that they have immersed themselves in lives of reading poetry; and can demonstrate the advantages of a poetic appreciation of life.

            “In her collection ‘Covet,’ Lynell Edwards manages to illuminate the small wonders of regular life,” Janice Moore Fuller reveals in her book review (one of 20 by various reviewers in the APR).

Edwards elevates ordinary things to the level of a mythical objects, Fuller writes.  “She also throws Wordsworth’s ‘certain coloring of imagination’ over ordinary actions.”

            Every rose has its thorn and, as Edwards’ book title suggests, a hunger for beauty brings with it a painful awareness of loss.  Is it folly to covet?  Or to love?

            One answer to those questions is that the poem makes a permanent flower of the dying flower because it comes alive every time you engage with it.  For those who love and grieve—and that has to be the most sensitive among us—poetry saves lives.

 

Saved from disaffection

 

            Poetry saved Sam Hamill, the Li Po translator, and a living stand-out in the boundary-crossing poetry world.

            The current issue of APR devotes 52 pages to Hamill, continuing its tradition of shining light on under-celebrated greats; and on representing world poetry as well as local roots (seven of the eight editors, including founder Keith Flynn, are Western North Carolinians; and the eighth is from Oak Ridge).

            In the late 1950s, Hamill had been a lost teen on the road in San Francisco when the late great Kenneth Rexroth took him under his wing.

            “I spent most of my days sleeping in Golden Gate Park and wandered at night between the Tenderloin and North Beach, searching cars for things to pawn or sell or trade,” Hamill told Lisa Morphew in an interview.

            “Then one crisp afternoon, I spent my last couple of bucks to buy ‘Thirty Spanish Poems of Love & Exile,’” Rexroth’s book of translations.  “I was standing outside City Lights (bookstore in San Francisco) when Rexroth came around the corner…I told him I wanted to be a great poet like him.”

            Rexroth let him stay at his home.  Hamill dried out.  He read through Rexroth’s library.  “It’s not an exaggeration to say,” Hamill says, “he not only shaped, but also saved my life.”

            Hamill has gone on to publish 14 volumes of poetry; and many other volumes of translations and essays.  He has taught in prisons and worked with battered woman and children.

            In 1972, he co-founded Copper Canyon Press, a heralded publisher of new works of poetry.

            Then, in 2003, Esteban Moore reports in his essay about Hamill, Hamill began to speak out against the war in Iraq.  He founded Poets against War.  Major newspapers and TV networks attacked him and “as a consequence, the board and sponsors of the publishing house he had founded asked him to resign his position there for its sake.”

            We wonder if and when poetry will assume the popular place it has had in other cultures and times.  The APR gives us a window into that effort, including with a good look at a hard-knocks-schooled iconoclast such as Hamill..

            “I’m simply not much moved by the stars of what I’ll call ‘workshop poetry,’” he told Morphew.  “The avant garde frankly bores me.”

THE BOOK

Asheville Poetry Review, vol. 19, no. 1, 2012, issue 22, $13.  Visit www.ashevillepoetryreview.com.

THE YOUNG

by Catherine Carter

Second place winner of the William Matthews Poetry Prize, published in Asheville Poetry Review, vol. 19, no. 1

The Young

for the new teachers

The young need the old.

You wouldn't think, to see

them toss their hair silky as the ears

of vampire bats, eyes not focused on anything

you can see.  You wouldn't think it

from the sound of the giggling

almost too high to hear, offering you less

notice than the cries of hunting

bats.  But the young

need you.  They need your

time, your ear for their keening

and chiming, even when it means nothing

you know.  Your admiration

and pity for their brashness

and tenderness, your abnegation

of what you hoped to do this hour,

which for either of you comes once

only.  Your approval, for the like of which many

an adult still goes thirsty, fifty

years on.  Your life drained out to feed

their unfocused need.  They drink

it like bats too, eternally beautiful for having

bathed in your blood like Bathory

countesses.  They do it helplessly,

as you do to your own beloved old,

who forgive you, helplessly

as you'll forgive these, as the weakening

cow forgives the hungry bat,

its dainty fangs, its fingers for wings.

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