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Doris Anne Beaulieu posted a blog post

Harnees Racing ( Poem )

Harness Racing ( Poem )Horses pull a two wheeled cart If it breaks you will departPlace a bet before it starts Good wager wins if played smartRiders ready at the gate Fans no longer have to waitAthlete sport with high speed Is a skill you surely needAt times a horse can fall down Sad to see that come aroundLast turn has crowd in a roar We wait to hear close end scoreIf your looking to explore My playlist has so much more…See More
yesterday
Julia Nunnally Duncan posted an event

Julia Nunnally Duncan at The MACA building

October 11, 2014 from 9:30am to 1pm
Julia Nunnally Duncan will be a featured author at the McDowell Arts Council Association (MACA) booth at the Mountain Glory Festival in downtown Marion on Saturday, October 11. Julia will sign her books from 9:30-1 p.m. The MACA booth is located outside the MACA building at 50 South Main Street, Marion.See More
Wednesday
Lockie Hunter posted an event
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West End Poetry and Prose Reading series at West End Bakery

September 13, 2014 from 7pm to 9pm
Join us at West End Bakery for our 1st FREE Fall reading of 2014. This will be a marvelous family-friendly evening of prose, poetry, and storytelling featuring your favorite local Asheville writers. The lineup includes:  Tom Chalmers  Caleb Beissert  Beth Keefauver  Kim Winter…See More
Sep 13
Rob Neufeld posted a discussion

The Story of Land and Sea by Katy Simpson Smith

Wounded hearts, changed minds in 18th century Beaufortby Rob Neufeldpublished in the Asheville Citizen-Times, Sept. 14, 2014             As a symbol of hope—or hopelessness—or accommodation (it depends on the story line), there’s nothing like the intelligent woman marooned on a patriarchal, slave-owning Southern…See More
Sep 12
City Lights Bookstore posted events
Sep 11
Sharyn McCrumb updated their profile
Sep 10
Sharyn McCrumb posted an event
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Sharyn McCrumb's Novel "Nora Bonesteel's Christmas Past" at Belk Library, Appalachian State University, Boone NC

October 6, 2014 from 6pm to 8pm
 Scripture cake, book signings, and the real Nora Bonesteel herself. On Oct. 6, ASU in Boone is hosting the book launch for "Nora Bonesteel's Christmas Past" (Abingdon, Oct., 2014) with a program of storytelling, featuring author Sharyn McCrumb and storyteller Charlotte Ross, the inspiration for the character of Nora.See More
Sep 10
Rob Neufeld posted discussions
Sep 9
Rob Neufeld posted a blog post

What will make you go to a history museum?

What attracts you to history museums?I've posted three history exhibits that are currently up in the area--one on the hillbilly stereotype; one of photographs of child labor; and one on African-American education in the area (see news)--and it made me wonder:What would make you go see an exhibit in a history museum?This information would be of GREAT HELP to curators.Here…See More
Sep 9
Spellbound posted an event
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Weekly Story Time at Spellbound Children's Bookshop

September 13, 2014 from 11am to 11:30am
Free weekly story time for ages 3 to 7 (or thereabouts) every Saturday morning 11-11:30amSee More
Sep 6
Spellbound updated their profile
Sep 6
Rob Neufeld posted discussions
Sep 2
City Lights Bookstore posted events
Sep 2
Rob Neufeld posted discussions
Aug 31
City Lights Bookstore posted an event
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Jenny Bennett Returns with a New Novel at City Lights Bookstore

September 5, 2014 from 6:30pm to 8pm
Sylva author, Jenny Bennett, returns to City Lights Bookstore on Friday, September 5th at 6:30 p.m. with her second book, The Twelve Streams of LeConte. The main character of the book lives in Sylva and there are scenes set in downtown, the library and even City Lights Bookstore. Anne Woodrow is on honeymoon in Scotland when fate gives her a slap in the face: right then and there, her new husband falls in love with another woman. Injured and grieving, she returns home alone and conceives of a…See More
Aug 27
Renea Winchester posted an event
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Farming, Friends and Fried Bologna Sandwiches at Available at all bookstores

September 1, 2014 all day
Mercer University is pleased to announce the release of Farming, Friends and Fried Bologna Sandwiches, by North Carolina's own Renea Winchester. This is the second in the Farmer Billy series and Winchester's third book. See More
Aug 26

Asheville Poetry Review informs the world

by Rob Neufeld

 

            “In times like these,” Newton Smith writes in the new issue of Asheville Poetry Review (APR), “when men and women are dying miserably everywhere, and when politicians and nations have lost all dignity and compassion, it is time to turn to poems.”

            The 22nd issue of the Asheville-based, internationally read journal comes through again with a representation of what’s vital in the field. 

            Does poetry fill a critical need, as many of the contributors declare?  That’s not an easy argument.  Poems do not teach you how to change a tire, though they may teach you how to change tiredness.

 

Beginning with the fetus

 

            Becky Gould Gibson’s poem, “Heading Home,” 2012 winner of the William Matthews Poetry Prize (given by the APR) takes you on a journey from conception to birth with a world of prayer.

            “The jig is up…You’re past blastocyst,” she tells a fetus.  Gibson’s at-ease, intelligent voice talks street, science, and spirituality, as in her address to the baby when it’s 12 weeks in the womb: “And where’s original sin?/  Will it show up on your next sonogram?” 

            Seven months along, Gibson intones: “Stunning how badly we’ve managed Earth.  Yet/ you’ll find it stunningly beautiful,/ wrinkled in places like you.”  Ultimately, she announces: “Here you come in your craft plaited of reeds/ dragging a seine of bright constellations…Lung/ leaves the ocean of its origin, and/ you take your first breath on land.”

 

Very like a bat

 

            The second-place winner of the prize is also a magical expression of worldly caring

            “The young need the old,” Catherine Carter writes in her poem, “The Young.”  “You wouldn’t think it, to see/ them toss their hair silky as the ears/ of vampire bats, eyes not focused on anything/ you can see.”

            But “they need your/ time, your ear for their keening,” she continues, “your admiration/ and pity for their brashness/ and tenderness…Your approval, for the like of which many/ an adult still goes thirsty.”  So, we may forgive the hunger of the bat-like child, “its dainty fangs, its fingers for wings.”

            (See full poem below.)

 

Modest profession

 

            The late poet William Matthews, in whose honor his son, Asheville poet Sebastian Matthews, established the prize, is the subject of Robert Morgan’s elegy, “In Memory of William Matthews.”

            “Bill,/ wherever you are now, I’m sure/ you’re laughing at the way we poets/ take ourselves so seriously./  And I concede the fault, except/ I want to say I took you seriously/ and was not wrong,” Morgan writes.

            As he presents his loving memories like bouquets, Morgan hears Matthews snicker and say, “Send/ no flowers, bub, but maybe some good claret might not be unwelcome.”

            Like William Matthews, many contemporary poets have abandoned conventional Western lyricism for something that sounds more Eastern: lots of music, but not rhyming or strictly metered; with a freedom to shift voices, almost conversationally, and gifted with suggestive imagery.

 

Getting beyond human

 

            Sam Hamill translates a poem written by the eighth century Chinese poet, Li Po.

            “You ask why I live/ alone in the mountain forest,” the poem begins; and concludes, “I live in the other world,/ one that lies beyond the human.”

            One of the reasons that poets can speak to us in such a special way is that they have immersed themselves in lives of reading poetry; and can demonstrate the advantages of a poetic appreciation of life.

            “In her collection ‘Covet,’ Lynell Edwards manages to illuminate the small wonders of regular life,” Janice Moore Fuller reveals in her book review (one of 20 by various reviewers in the APR).

Edwards elevates ordinary things to the level of a mythical objects, Fuller writes.  “She also throws Wordsworth’s ‘certain coloring of imagination’ over ordinary actions.”

            Every rose has its thorn and, as Edwards’ book title suggests, a hunger for beauty brings with it a painful awareness of loss.  Is it folly to covet?  Or to love?

            One answer to those questions is that the poem makes a permanent flower of the dying flower because it comes alive every time you engage with it.  For those who love and grieve—and that has to be the most sensitive among us—poetry saves lives.

 

Saved from disaffection

 

            Poetry saved Sam Hamill, the Li Po translator, and a living stand-out in the boundary-crossing poetry world.

            The current issue of APR devotes 52 pages to Hamill, continuing its tradition of shining light on under-celebrated greats; and on representing world poetry as well as local roots (seven of the eight editors, including founder Keith Flynn, are Western North Carolinians; and the eighth is from Oak Ridge).

            In the late 1950s, Hamill had been a lost teen on the road in San Francisco when the late great Kenneth Rexroth took him under his wing.

            “I spent most of my days sleeping in Golden Gate Park and wandered at night between the Tenderloin and North Beach, searching cars for things to pawn or sell or trade,” Hamill told Lisa Morphew in an interview.

            “Then one crisp afternoon, I spent my last couple of bucks to buy ‘Thirty Spanish Poems of Love & Exile,’” Rexroth’s book of translations.  “I was standing outside City Lights (bookstore in San Francisco) when Rexroth came around the corner…I told him I wanted to be a great poet like him.”

            Rexroth let him stay at his home.  Hamill dried out.  He read through Rexroth’s library.  “It’s not an exaggeration to say,” Hamill says, “he not only shaped, but also saved my life.”

            Hamill has gone on to publish 14 volumes of poetry; and many other volumes of translations and essays.  He has taught in prisons and worked with battered woman and children.

            In 1972, he co-founded Copper Canyon Press, a heralded publisher of new works of poetry.

            Then, in 2003, Esteban Moore reports in his essay about Hamill, Hamill began to speak out against the war in Iraq.  He founded Poets against War.  Major newspapers and TV networks attacked him and “as a consequence, the board and sponsors of the publishing house he had founded asked him to resign his position there for its sake.”

            We wonder if and when poetry will assume the popular place it has had in other cultures and times.  The APR gives us a window into that effort, including with a good look at a hard-knocks-schooled iconoclast such as Hamill..

            “I’m simply not much moved by the stars of what I’ll call ‘workshop poetry,’” he told Morphew.  “The avant garde frankly bores me.”

THE BOOK

Asheville Poetry Review, vol. 19, no. 1, 2012, issue 22, $13.  Visit www.ashevillepoetryreview.com.

THE YOUNG

by Catherine Carter

Second place winner of the William Matthews Poetry Prize, published in Asheville Poetry Review, vol. 19, no. 1

The Young

for the new teachers

The young need the old.

You wouldn't think, to see

them toss their hair silky as the ears

of vampire bats, eyes not focused on anything

you can see.  You wouldn't think it

from the sound of the giggling

almost too high to hear, offering you less

notice than the cries of hunting

bats.  But the young

need you.  They need your

time, your ear for their keening

and chiming, even when it means nothing

you know.  Your admiration

and pity for their brashness

and tenderness, your abnegation

of what you hoped to do this hour,

which for either of you comes once

only.  Your approval, for the like of which many

an adult still goes thirsty, fifty

years on.  Your life drained out to feed

their unfocused need.  They drink

it like bats too, eternally beautiful for having

bathed in your blood like Bathory

countesses.  They do it helplessly,

as you do to your own beloved old,

who forgive you, helplessly

as you'll forgive these, as the weakening

cow forgives the hungry bat,

its dainty fangs, its fingers for wings.

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