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Joe Epley posted a blog post

Military Writers Society of America

Joe Epley recently was elected to Board of Directors of the Military Writers Society of America.  The MWSA has around 700 members around the country. Details on the website: http://www.mwsadispatches.com.  ; The organization's purpose is to help military service members, veterans, their families, supporters of the military,and historians record history and the complexities of military life--and encourage writing as therapy. The…See More
5 hours ago
susannah eanes commented on Rob Neufeld's blog post The Invention of Nature, an inspiring book--author Andrea Wulf at Malaprop's May 1
"So chuffed about this! Sadly, I won't be there except in spirit. Andrea Wulf is a force of nature, herself. Her amazing work The Brother Gardeners should be made into a feature-length film - the characters live and breathe again between the…"
yesterday
Evelyn Asher updated their profile
yesterday
Rob Neufeld posted a blog post

The Invention of Nature, an inspiring book--author Andrea Wulf at Malaprop's May 1

Author of key book of our times comes to AshevilleAndrea Wulf makes Malaprop's Bookstore one her stops, Sun., May 1, 5 p.m., in talking about her thrilling work of non-fiction, The Invention of Nature: Alexander von…See More
yesterday
Rob Neufeld's discussion was featured

Salman Rushdie to Asheville with new novel

Atheist believes in genies, novel revealsby Rob Neufeld             Salman Rushdie’s latest novel—“Two Years Eight Months and Twenty-Eight Nights” (1,001 nights)—has permitted me to come up with a headline as wild as the one above because the book is so exuberantly and infectiously…See More
Apr 25
Julia Nunnally Duncan updated their profile
Apr 25
City Lights Bookstore posted events
Apr 23
Rob Neufeld posted a blog post

8th Annual Blue Ridge Bookfest Apr 22-23

The 8th Annual Blue Ridge Bookfest brings authors to Flat Rock There are a few oases where writers congregate to share wares and wisdom, and Apr. 22-23, the place is Blue Ridge Community College, featuring 19 readings and workshops, and many more opportunities for conversations with authors at exhibition tables.  See full schedule at…See More
Apr 20
Toby Hill posted a blog post

Asheville- The Way I Remember It- Hester

I have posted a new blog about a man I knew growing up in Asheville. It is entitled " Hester." Anna says guys will like it better than women. It's pretty long, but enjoy it.HESTERGrowing up in Asheville in N.C. in the 50’s and 60’s seemed, at the time, to be filled with a rhythm of adventure and strange encounters sprinkled with an assortment of particularly interesting and somewhat odd characters. One of those persons who fascinated me as a child was my father’s friend “Hester. “ My dad was…See More
Apr 19
Frank Thompson posted an event
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Frank Thompson at Yancey History Association

April 19, 2016 at 6pm to April 19, 2017 at 7pm
There is a permanent exhibit at the Yancy History Association in Burnsville devoted to the film "Then I'll Come Back to You" (1916) which was produced in nearby Pensacola. It's a small exhibit but well curated and filled with great photographs and other memorabilia of this century-old film.See More
Apr 19
Sharon Freeman Pace replied to Rob Neufeld's discussion Jerry Steinberg--Asheville history, contrarian views, new book
"In the 60's, early 70's, one of my uncles on my mothers side worked as a groundskeeper for Mr. Sternberg. I remember our driving up to the "castle" and my sister asking my aunt where the moat was.I also remember touching the…"
Apr 19
nancy dillingham replied to Rob Neufeld's discussion Interview with Ron Rash on occasion of 2016 Selected & New Poems
"A wonderful discussion on craft, Rob!"
Apr 17
City Lights Bookstore posted events
Apr 16
Rob Neufeld posted a discussion

Interview with Ron Rash on occasion of 2016 Selected & New Poems

Something unseen stirs the words in Ron Rash poemsby Rob Neufeld             Ron Rash, award-winning novelist and short story writer, is also an acclaimed and accomplished poet.  His new book, “Poems: New and Selected” (HarperCollins) draws from six volumes and adds eight new poems.  He comes to Malaprop’s…See More
Apr 15
City Lights Bookstore posted an event
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Fred Chappell to Present His New Fantasy Novel at City Lights Bookstore

May 13, 2016 from 6:30pm to 8pm
Poet and novelist, Fred Chappell will return to City Lights Bookstore on Friday, May 13th at 6:30 p.m. to read from and sign his new fantasy novel. In A Shadow All of Light, a young man sets off on a journey to become the apprentice of a master shadow thief. His mysterious master challenges him with difficult mental and physical tests, setting in motion adventures with con men, monsters, ingenious detection, cats, and pirates.Fred Chappell is a former professor of English at the University of…See More
Apr 12
Rob Neufeld posted a discussion

A Shadow of All Light by Fred Chappell

Literary master evokes classic fantasy taleby Rob Neufeld             Let’s say you’re going to a book fair, and a guy with a long grey beard and glittering eye stops you at the entrance.  He points to worn and rebound books he’s laid out on a table: Gulliver’s Travels; The Story of Sir Launcelot; The Three…See More
Apr 10

Asheville Poetry Review informs the world

by Rob Neufeld

 

            “In times like these,” Newton Smith writes in the new issue of Asheville Poetry Review (APR), “when men and women are dying miserably everywhere, and when politicians and nations have lost all dignity and compassion, it is time to turn to poems.”

            The 22nd issue of the Asheville-based, internationally read journal comes through again with a representation of what’s vital in the field. 

            Does poetry fill a critical need, as many of the contributors declare?  That’s not an easy argument.  Poems do not teach you how to change a tire, though they may teach you how to change tiredness.

 

Beginning with the fetus

 

            Becky Gould Gibson’s poem, “Heading Home,” 2012 winner of the William Matthews Poetry Prize (given by the APR) takes you on a journey from conception to birth with a world of prayer.

            “The jig is up…You’re past blastocyst,” she tells a fetus.  Gibson’s at-ease, intelligent voice talks street, science, and spirituality, as in her address to the baby when it’s 12 weeks in the womb: “And where’s original sin?/  Will it show up on your next sonogram?” 

            Seven months along, Gibson intones: “Stunning how badly we’ve managed Earth.  Yet/ you’ll find it stunningly beautiful,/ wrinkled in places like you.”  Ultimately, she announces: “Here you come in your craft plaited of reeds/ dragging a seine of bright constellations…Lung/ leaves the ocean of its origin, and/ you take your first breath on land.”

 

Very like a bat

 

            The second-place winner of the prize is also a magical expression of worldly caring

            “The young need the old,” Catherine Carter writes in her poem, “The Young.”  “You wouldn’t think it, to see/ them toss their hair silky as the ears/ of vampire bats, eyes not focused on anything/ you can see.”

            But “they need your/ time, your ear for their keening,” she continues, “your admiration/ and pity for their brashness/ and tenderness…Your approval, for the like of which many/ an adult still goes thirsty.”  So, we may forgive the hunger of the bat-like child, “its dainty fangs, its fingers for wings.”

            (See full poem below.)

 

Modest profession

 

            The late poet William Matthews, in whose honor his son, Asheville poet Sebastian Matthews, established the prize, is the subject of Robert Morgan’s elegy, “In Memory of William Matthews.”

            “Bill,/ wherever you are now, I’m sure/ you’re laughing at the way we poets/ take ourselves so seriously./  And I concede the fault, except/ I want to say I took you seriously/ and was not wrong,” Morgan writes.

            As he presents his loving memories like bouquets, Morgan hears Matthews snicker and say, “Send/ no flowers, bub, but maybe some good claret might not be unwelcome.”

            Like William Matthews, many contemporary poets have abandoned conventional Western lyricism for something that sounds more Eastern: lots of music, but not rhyming or strictly metered; with a freedom to shift voices, almost conversationally, and gifted with suggestive imagery.

 

Getting beyond human

 

            Sam Hamill translates a poem written by the eighth century Chinese poet, Li Po.

            “You ask why I live/ alone in the mountain forest,” the poem begins; and concludes, “I live in the other world,/ one that lies beyond the human.”

            One of the reasons that poets can speak to us in such a special way is that they have immersed themselves in lives of reading poetry; and can demonstrate the advantages of a poetic appreciation of life.

            “In her collection ‘Covet,’ Lynell Edwards manages to illuminate the small wonders of regular life,” Janice Moore Fuller reveals in her book review (one of 20 by various reviewers in the APR).

Edwards elevates ordinary things to the level of a mythical objects, Fuller writes.  “She also throws Wordsworth’s ‘certain coloring of imagination’ over ordinary actions.”

            Every rose has its thorn and, as Edwards’ book title suggests, a hunger for beauty brings with it a painful awareness of loss.  Is it folly to covet?  Or to love?

            One answer to those questions is that the poem makes a permanent flower of the dying flower because it comes alive every time you engage with it.  For those who love and grieve—and that has to be the most sensitive among us—poetry saves lives.

 

Saved from disaffection

 

            Poetry saved Sam Hamill, the Li Po translator, and a living stand-out in the boundary-crossing poetry world.

            The current issue of APR devotes 52 pages to Hamill, continuing its tradition of shining light on under-celebrated greats; and on representing world poetry as well as local roots (seven of the eight editors, including founder Keith Flynn, are Western North Carolinians; and the eighth is from Oak Ridge).

            In the late 1950s, Hamill had been a lost teen on the road in San Francisco when the late great Kenneth Rexroth took him under his wing.

            “I spent most of my days sleeping in Golden Gate Park and wandered at night between the Tenderloin and North Beach, searching cars for things to pawn or sell or trade,” Hamill told Lisa Morphew in an interview.

            “Then one crisp afternoon, I spent my last couple of bucks to buy ‘Thirty Spanish Poems of Love & Exile,’” Rexroth’s book of translations.  “I was standing outside City Lights (bookstore in San Francisco) when Rexroth came around the corner…I told him I wanted to be a great poet like him.”

            Rexroth let him stay at his home.  Hamill dried out.  He read through Rexroth’s library.  “It’s not an exaggeration to say,” Hamill says, “he not only shaped, but also saved my life.”

            Hamill has gone on to publish 14 volumes of poetry; and many other volumes of translations and essays.  He has taught in prisons and worked with battered woman and children.

            In 1972, he co-founded Copper Canyon Press, a heralded publisher of new works of poetry.

            Then, in 2003, Esteban Moore reports in his essay about Hamill, Hamill began to speak out against the war in Iraq.  He founded Poets against War.  Major newspapers and TV networks attacked him and “as a consequence, the board and sponsors of the publishing house he had founded asked him to resign his position there for its sake.”

            We wonder if and when poetry will assume the popular place it has had in other cultures and times.  The APR gives us a window into that effort, including with a good look at a hard-knocks-schooled iconoclast such as Hamill..

            “I’m simply not much moved by the stars of what I’ll call ‘workshop poetry,’” he told Morphew.  “The avant garde frankly bores me.”

THE BOOK

Asheville Poetry Review, vol. 19, no. 1, 2012, issue 22, $13.  Visit www.ashevillepoetryreview.com.

THE YOUNG

by Catherine Carter

Second place winner of the William Matthews Poetry Prize, published in Asheville Poetry Review, vol. 19, no. 1

The Young

for the new teachers

The young need the old.

You wouldn't think, to see

them toss their hair silky as the ears

of vampire bats, eyes not focused on anything

you can see.  You wouldn't think it

from the sound of the giggling

almost too high to hear, offering you less

notice than the cries of hunting

bats.  But the young

need you.  They need your

time, your ear for their keening

and chiming, even when it means nothing

you know.  Your admiration

and pity for their brashness

and tenderness, your abnegation

of what you hoped to do this hour,

which for either of you comes once

only.  Your approval, for the like of which many

an adult still goes thirsty, fifty

years on.  Your life drained out to feed

their unfocused need.  They drink

it like bats too, eternally beautiful for having

bathed in your blood like Bathory

countesses.  They do it helplessly,

as you do to your own beloved old,

who forgive you, helplessly

as you'll forgive these, as the weakening

cow forgives the hungry bat,

its dainty fangs, its fingers for wings.

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