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William Roy Pipes posted a blog post

Peachtree – Local author William Roy Pipes announces the release of his two books – Mammy: A Term of Endearment and A Haven for Willa Mae. Mammy: A Term of Endearment, is a fictional story of the sla…

Peachtree – Local author William RoyPipes announces the release of his two books– Mammy: A Term of Endearment and A Havenfor Willa Mae.Mammy: A Term of Endearment, is a fictionalstory of the slavery of a black woman whoafter being freed became my father’s mammy.Some feel the word Mammy is a racial term,but Pipes’ father considered it a term of endearment.It’s a story of the discrimination many blacksand poor whites still face today, not only in theSouth but also in the North. It is a story of…See More
Jul 25
City Lights Bookstore posted events
Jul 25
William Roy Pipes commented on William Roy Pipes's blog post Mammy: A term of Endearment
"A Haven for Willa Mae    A Haven for Willa Mae is the first of a two series novels. It is a novel containing danger, suspense, romance and treachery along with abuse, deceit, murder, kidnapping, and insanity. It is a gripping action packed…"
Jul 20
City Lights Bookstore posted events
Jul 18
William Roy Pipes posted a blog post

Mammy: A term of Endearment

Mammy: A Term of Endearment    I have a new novel I titled, Mammy: A Term of Endearment. Mammy is a fictional story of the slavery of a black woman who after being freed became my father’s mammy. Some feel the word Mammy is a racial term, but my father considered it a term of endearment.    It’s a story of the discrimination many blacks and poor whites still face today, not only in the south but also in the north. It is a story of love, hate, romance, and humor.    Included in the novel are…See More
Jul 17
Rob Neufeld posted a discussion

Finding a great book beyond the in-crowd mainstream

A new way to find great new booksby Rob Neufeld            I keep searching for ways to be as open as possible to great books as they come out.  It’s not easy because: 1) our guides—publishers and reviewers—follow certain channels, comparable to radio playlists, to stay smart; and 2) a random approach is impractical.            Readers’ online reviews help, but there’s too much; I need a filter, based partly on authority.  I could ask people in person—and that’s pretty interesting.  Rarely do…See More
Jul 15
Rob Neufeld posted a discussion

Robert Beatty's Serafina and the art of YA fantasy

How to write a youth fantasy: introducing Serafinaby Rob Neufeld             Begin in the basement of the recently constructed Biltmore House with a girl who’s been in hiding there from infancy to her 12th year—for good reasons—and follow that lead to a media sensation that seeks to join “Frozen” in…See More
Jul 12
Fred Weyler replied to Rob Neufeld's discussion Robert Henry revealed by Rick Russell book
"LP Summers mentioned Samuel Talbot in "History of SW VA" then withdrew him from militia list in more accurate "Annals of SW VA" probably because there was no such person in the county records. Robert Henry set high standards for…"
Jul 11
Rob Neufeld posted a discussion

"Us versus Them" does not help fight against racism; worsens sectionalism

“Us versus them” is not good historyby Rob Neufeld             Writing about history and the complex lives that play out within it does not sell as well as team spirit, especially in this age of clicks and likes.            I recently confronted this truth when I wrote my article last week about the minds of our leaders in 1851. The word “slavery” was added to the headline to alert people to its relevance.  Seeing that term connected people to a cause they felt strongly about, particularly in…See More
Jul 11
City Lights Bookstore posted events
Jul 4
Christine Lajewski posted a blog post

Suitcase Charlie: A Recommended Crime Thriller

     John Guzlowski is a writer and poet whose parents were forced laborers in Poland during WW II. He was born in a refugee camp before he came with his family to live in the Polish neighborhoods of Chicago. Already a highly regarded poet, he turned his childhood memories (including some gruesome child murders) into a novel titled SUITCASE CHARLIE.    Two war-weary Chicago detectives investigate a series of horrifying child murders. Before the crimes are solved, the reader follows the…See More
Jul 1
William Roy Pipes posted a discussion

Mammy, A Term of Endearment

I read Rob Neufield's article Visit OUR PAST in today's Asheville Citizen-Times.It was a super article, but caused me to want to share my novel:  Mammy: A Term of Endearment.Mammy: A Term of Endearment. is now available as an ebook on Kindle, but the publisher, Ecanus Publishing, Great Britain tells me the paperback edition will be out soon (2 to 3 weeks).The novel is fiction but came from my father who was born in 1895. Due to his mother's sickness Grandpa hired her to be a Mammy to my father,…See More
Jun 29
City Lights Bookstore posted events
Jun 27
Rob Neufeld posted discussions
Jun 24
City Lights Bookstore posted events
Jun 9
Shannon Quinn-Tucker posted an event
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Writers on the Rock at Chimney Rock, NC

June 28, 2015 from 1pm to 4pm
The culture and heritage of Appalachia is an experience like no other, and it serves as the perfect backdrop for a variety of storytelling. View the soaring cliffs and stunning valleys of Chimney Rock and the Hickory Nut Gorge as you get to know your favorite author and meet new ones. Join Ann B. Ross, Tommy Hays, Sheri Castle, Evan Williams and more as they share their experiences and autograph copies of their books. A selection of titles by each author will be available for sale. See…See More
Jun 8

Asheville Poetry Review informs the world

by Rob Neufeld

 

            “In times like these,” Newton Smith writes in the new issue of Asheville Poetry Review (APR), “when men and women are dying miserably everywhere, and when politicians and nations have lost all dignity and compassion, it is time to turn to poems.”

            The 22nd issue of the Asheville-based, internationally read journal comes through again with a representation of what’s vital in the field. 

            Does poetry fill a critical need, as many of the contributors declare?  That’s not an easy argument.  Poems do not teach you how to change a tire, though they may teach you how to change tiredness.

 

Beginning with the fetus

 

            Becky Gould Gibson’s poem, “Heading Home,” 2012 winner of the William Matthews Poetry Prize (given by the APR) takes you on a journey from conception to birth with a world of prayer.

            “The jig is up…You’re past blastocyst,” she tells a fetus.  Gibson’s at-ease, intelligent voice talks street, science, and spirituality, as in her address to the baby when it’s 12 weeks in the womb: “And where’s original sin?/  Will it show up on your next sonogram?” 

            Seven months along, Gibson intones: “Stunning how badly we’ve managed Earth.  Yet/ you’ll find it stunningly beautiful,/ wrinkled in places like you.”  Ultimately, she announces: “Here you come in your craft plaited of reeds/ dragging a seine of bright constellations…Lung/ leaves the ocean of its origin, and/ you take your first breath on land.”

 

Very like a bat

 

            The second-place winner of the prize is also a magical expression of worldly caring

            “The young need the old,” Catherine Carter writes in her poem, “The Young.”  “You wouldn’t think it, to see/ them toss their hair silky as the ears/ of vampire bats, eyes not focused on anything/ you can see.”

            But “they need your/ time, your ear for their keening,” she continues, “your admiration/ and pity for their brashness/ and tenderness…Your approval, for the like of which many/ an adult still goes thirsty.”  So, we may forgive the hunger of the bat-like child, “its dainty fangs, its fingers for wings.”

            (See full poem below.)

 

Modest profession

 

            The late poet William Matthews, in whose honor his son, Asheville poet Sebastian Matthews, established the prize, is the subject of Robert Morgan’s elegy, “In Memory of William Matthews.”

            “Bill,/ wherever you are now, I’m sure/ you’re laughing at the way we poets/ take ourselves so seriously./  And I concede the fault, except/ I want to say I took you seriously/ and was not wrong,” Morgan writes.

            As he presents his loving memories like bouquets, Morgan hears Matthews snicker and say, “Send/ no flowers, bub, but maybe some good claret might not be unwelcome.”

            Like William Matthews, many contemporary poets have abandoned conventional Western lyricism for something that sounds more Eastern: lots of music, but not rhyming or strictly metered; with a freedom to shift voices, almost conversationally, and gifted with suggestive imagery.

 

Getting beyond human

 

            Sam Hamill translates a poem written by the eighth century Chinese poet, Li Po.

            “You ask why I live/ alone in the mountain forest,” the poem begins; and concludes, “I live in the other world,/ one that lies beyond the human.”

            One of the reasons that poets can speak to us in such a special way is that they have immersed themselves in lives of reading poetry; and can demonstrate the advantages of a poetic appreciation of life.

            “In her collection ‘Covet,’ Lynell Edwards manages to illuminate the small wonders of regular life,” Janice Moore Fuller reveals in her book review (one of 20 by various reviewers in the APR).

Edwards elevates ordinary things to the level of a mythical objects, Fuller writes.  “She also throws Wordsworth’s ‘certain coloring of imagination’ over ordinary actions.”

            Every rose has its thorn and, as Edwards’ book title suggests, a hunger for beauty brings with it a painful awareness of loss.  Is it folly to covet?  Or to love?

            One answer to those questions is that the poem makes a permanent flower of the dying flower because it comes alive every time you engage with it.  For those who love and grieve—and that has to be the most sensitive among us—poetry saves lives.

 

Saved from disaffection

 

            Poetry saved Sam Hamill, the Li Po translator, and a living stand-out in the boundary-crossing poetry world.

            The current issue of APR devotes 52 pages to Hamill, continuing its tradition of shining light on under-celebrated greats; and on representing world poetry as well as local roots (seven of the eight editors, including founder Keith Flynn, are Western North Carolinians; and the eighth is from Oak Ridge).

            In the late 1950s, Hamill had been a lost teen on the road in San Francisco when the late great Kenneth Rexroth took him under his wing.

            “I spent most of my days sleeping in Golden Gate Park and wandered at night between the Tenderloin and North Beach, searching cars for things to pawn or sell or trade,” Hamill told Lisa Morphew in an interview.

            “Then one crisp afternoon, I spent my last couple of bucks to buy ‘Thirty Spanish Poems of Love & Exile,’” Rexroth’s book of translations.  “I was standing outside City Lights (bookstore in San Francisco) when Rexroth came around the corner…I told him I wanted to be a great poet like him.”

            Rexroth let him stay at his home.  Hamill dried out.  He read through Rexroth’s library.  “It’s not an exaggeration to say,” Hamill says, “he not only shaped, but also saved my life.”

            Hamill has gone on to publish 14 volumes of poetry; and many other volumes of translations and essays.  He has taught in prisons and worked with battered woman and children.

            In 1972, he co-founded Copper Canyon Press, a heralded publisher of new works of poetry.

            Then, in 2003, Esteban Moore reports in his essay about Hamill, Hamill began to speak out against the war in Iraq.  He founded Poets against War.  Major newspapers and TV networks attacked him and “as a consequence, the board and sponsors of the publishing house he had founded asked him to resign his position there for its sake.”

            We wonder if and when poetry will assume the popular place it has had in other cultures and times.  The APR gives us a window into that effort, including with a good look at a hard-knocks-schooled iconoclast such as Hamill..

            “I’m simply not much moved by the stars of what I’ll call ‘workshop poetry,’” he told Morphew.  “The avant garde frankly bores me.”

THE BOOK

Asheville Poetry Review, vol. 19, no. 1, 2012, issue 22, $13.  Visit www.ashevillepoetryreview.com.

THE YOUNG

by Catherine Carter

Second place winner of the William Matthews Poetry Prize, published in Asheville Poetry Review, vol. 19, no. 1

The Young

for the new teachers

The young need the old.

You wouldn't think, to see

them toss their hair silky as the ears

of vampire bats, eyes not focused on anything

you can see.  You wouldn't think it

from the sound of the giggling

almost too high to hear, offering you less

notice than the cries of hunting

bats.  But the young

need you.  They need your

time, your ear for their keening

and chiming, even when it means nothing

you know.  Your admiration

and pity for their brashness

and tenderness, your abnegation

of what you hoped to do this hour,

which for either of you comes once

only.  Your approval, for the like of which many

an adult still goes thirsty, fifty

years on.  Your life drained out to feed

their unfocused need.  They drink

it like bats too, eternally beautiful for having

bathed in your blood like Bathory

countesses.  They do it helplessly,

as you do to your own beloved old,

who forgive you, helplessly

as you'll forgive these, as the weakening

cow forgives the hungry bat,

its dainty fangs, its fingers for wings.

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