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Caralyn Davis posted an event

Prose to Picture: A Film Adaptation Workshop for Writers at Sandburg Hall, Unitarian Universalist Church

September 26, 2015 from 10am to 3pm
On Saturday Sept. 26 from 10 a.m. to 3 p.m., Asheville's own Flatiron Writers will host "Prose to Picture," a four-hour workshop led by screenwriter Maryedith Burrell that will lay the foundation for turning prose--from novels to short stories to comics--into a working script.Maryedith has just finished a SOLD-OUT run of her one-woman show, #OUCH!, in The 2015 New York Fringe Festival, and she has written for every major studio in the United States and England. Don't miss out on this…See More
14 hours ago
Kathryn Hall posted a blog post

New excerpt from Plant Whatever Brings You Joy in WNC Woman!

The September issue of Western North Carolina Woman is out, and they have kindly included a chapter from Plant Whatever Brings  You Joy! This is the story of my introduction to chipmunks the two years I lived in Asheville--and what they taught me! If you like this what you read, you might consider dropping by Malaprop's and get your copy of my book, and read all 52 stories! Thank you! Kathryn…See More
21 hours ago
Kathryn Hall updated their profile
21 hours ago
Rob Neufeld posted a discussion

Carolina Mtns Lit Fest & Ann Patchett interview

Patchett, Kingsolver, and a thrill of writers buzz Burnsvilleby Rob Neufeld             If you take any pleasure or have any interest in literature, you’ll want to be in Burnsville this Friday and Saturday for the Carolina Mountains Literary Festival.            The variety of programs—talks, readings, workshops, performances—are great, as is the variety of subjects; and the 34 presenters are well-chosen.            The Saturday night program, with novelists Barbara Kingsolver and Ann Patchett,…See More
Monday
Rob Neufeld posted a discussion

Above the Waterfall by Ron Rash, and talk with author

Rash’s suspense novel gives time to poetryby Rob Neufeld             Ron Rash’s new novel, “Above the Waterfall,” weds a contemporary thriller with a portrayal of people tapping an ancient way of being.             A fish kill precipitates the story involving fishing rights, a crystal meth epidemic, and two reeling…See More
Sunday
City Lights Bookstore posted events
Saturday
Rob Neufeld posted a discussion

Fortune Smiles by Adam Johnson

Adam Johnson reveals how surreal emotions areby Rob Neufeld             Adam Johnson, author of the Pulitzer Prize-winning novel, “The Orphan Master’s Son,” comes to Malaprop’s Bookstore in Asheville, 7 p.m., Fri., Sept. 4 to present his new book of short stories, “Fortune Smiles.”            The stories are remarkable…See More
Aug 23
City Lights Bookstore posted an event
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Leanne Brown will Present Her Cookbook at City Lights Bookstore

September 4, 2015 from 6:30pm to 8pm
Leanne Brown will visit City Lights Bookstore to present her cookbook on Friday, September 4th at 6:30 p.m. Her book, Good and Cheap: Eat Well on $4 a Day is designed for those on the strictest of budgets, particularly those on the U.S. food stamp budget. This book is great, though, for anyone wanting to eat really well cheaply. Good and Cheap features tips on shopping and kitchen equipment, and more than a hundred easy, flexible recipes for breakfast, lunch and dinner. To reserve a copy,…See More
Aug 22
Spellbound updated an event
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September Teen Book Club at Spellbound Children's Bookshop

September 18, 2015 from 6pm to 7pm
Our new monthly book club for teens meets the third Friday of each month, 6:00-7:00PM. A different book will be discussed at each meeting, and will cover a variety of genres. No purchase is required to attend, but if you do plan to buy the book, we’d appreciate your support of Spellbound as the hosting store! All book club selections are 20% off until the day of the meeting.September's title: SHE IS NOT INVISIBLE by Marcus Sedgwick.See More
Aug 22
Spellbound posted events
Aug 21
Rob Neufeld posted a blog post

Betty Smith at Hendersonville culture event September 17

Center Kicks Off New Series With A BangNew “Keeping the Fires Burning Series” Launches With Betty Smith and Songcatcher (from press release) (HENDERSONVILLE, NC, August 18, 2015) – The Center for Cultural Preservation, is pleased to announce the launch of its second season of its popular public program series KEEPING THE FIRES BURNING- Heroes of Mountain Culture.  The series features musicians, authors and heritage preservation leaders who are working to keep mountain culture alive.  The…See More
Aug 21
Rob Neufeld posted a discussion

Pam Durban, author of Soon, gripping, psychological, Southern stories

Pam Durban: Facing reality with a wide-open eyeby Rob Neufeld             John Updike honored Pam Durban’s story, “Soon,” by selecting it for his anthology, “The Best American Short Stories of the Century.”  Now, it’s one of 11 included in Durban’s new volume, also titled “Soon.”            “Soon,” the short story, is a marvel…See More
Aug 21
Rob Neufeld posted blog posts
Aug 19
City Lights Bookstore posted an event
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Mary Joyce Returns with a New Book at City Lights Bookstore

September 12, 2015 from 3pm to 4:30pm
Sylva author, Mary Joyce will return to City Lights Bookstore on Saturday, September 12th at 3 p.m. to present her latest book.Underground Military Bases Hidden in North Carolina Mountains compiles information gathered by Joyce over several years about secret military facilities in North Carolina. The information about the secret bases is mostly from those with military, law enforcement and high-security backgrounds plus citizens who have stumbled upon evidence. Joyce is also the author…See More
Aug 18
Bill Ramsey posted an event

North Carolina Writer's Network Fall Conference at Asheville Doubletree Hilton

August 20, 2015 to August 22, 2015
When did you last attended a top quality and affordable writer's conference? The North Carolina Writer's Network is returning to western North Carolina. Membership in the Network is encouraged but not required to attend this event. For more info:http://www.ncwriters.org/2014-01-07-18-05-50/conferencesSee More
Aug 15
katherine soniat posted photos
Aug 12

Asheville Poetry Review informs the world

by Rob Neufeld

 

            “In times like these,” Newton Smith writes in the new issue of Asheville Poetry Review (APR), “when men and women are dying miserably everywhere, and when politicians and nations have lost all dignity and compassion, it is time to turn to poems.”

            The 22nd issue of the Asheville-based, internationally read journal comes through again with a representation of what’s vital in the field. 

            Does poetry fill a critical need, as many of the contributors declare?  That’s not an easy argument.  Poems do not teach you how to change a tire, though they may teach you how to change tiredness.

 

Beginning with the fetus

 

            Becky Gould Gibson’s poem, “Heading Home,” 2012 winner of the William Matthews Poetry Prize (given by the APR) takes you on a journey from conception to birth with a world of prayer.

            “The jig is up…You’re past blastocyst,” she tells a fetus.  Gibson’s at-ease, intelligent voice talks street, science, and spirituality, as in her address to the baby when it’s 12 weeks in the womb: “And where’s original sin?/  Will it show up on your next sonogram?” 

            Seven months along, Gibson intones: “Stunning how badly we’ve managed Earth.  Yet/ you’ll find it stunningly beautiful,/ wrinkled in places like you.”  Ultimately, she announces: “Here you come in your craft plaited of reeds/ dragging a seine of bright constellations…Lung/ leaves the ocean of its origin, and/ you take your first breath on land.”

 

Very like a bat

 

            The second-place winner of the prize is also a magical expression of worldly caring

            “The young need the old,” Catherine Carter writes in her poem, “The Young.”  “You wouldn’t think it, to see/ them toss their hair silky as the ears/ of vampire bats, eyes not focused on anything/ you can see.”

            But “they need your/ time, your ear for their keening,” she continues, “your admiration/ and pity for their brashness/ and tenderness…Your approval, for the like of which many/ an adult still goes thirsty.”  So, we may forgive the hunger of the bat-like child, “its dainty fangs, its fingers for wings.”

            (See full poem below.)

 

Modest profession

 

            The late poet William Matthews, in whose honor his son, Asheville poet Sebastian Matthews, established the prize, is the subject of Robert Morgan’s elegy, “In Memory of William Matthews.”

            “Bill,/ wherever you are now, I’m sure/ you’re laughing at the way we poets/ take ourselves so seriously./  And I concede the fault, except/ I want to say I took you seriously/ and was not wrong,” Morgan writes.

            As he presents his loving memories like bouquets, Morgan hears Matthews snicker and say, “Send/ no flowers, bub, but maybe some good claret might not be unwelcome.”

            Like William Matthews, many contemporary poets have abandoned conventional Western lyricism for something that sounds more Eastern: lots of music, but not rhyming or strictly metered; with a freedom to shift voices, almost conversationally, and gifted with suggestive imagery.

 

Getting beyond human

 

            Sam Hamill translates a poem written by the eighth century Chinese poet, Li Po.

            “You ask why I live/ alone in the mountain forest,” the poem begins; and concludes, “I live in the other world,/ one that lies beyond the human.”

            One of the reasons that poets can speak to us in such a special way is that they have immersed themselves in lives of reading poetry; and can demonstrate the advantages of a poetic appreciation of life.

            “In her collection ‘Covet,’ Lynell Edwards manages to illuminate the small wonders of regular life,” Janice Moore Fuller reveals in her book review (one of 20 by various reviewers in the APR).

Edwards elevates ordinary things to the level of a mythical objects, Fuller writes.  “She also throws Wordsworth’s ‘certain coloring of imagination’ over ordinary actions.”

            Every rose has its thorn and, as Edwards’ book title suggests, a hunger for beauty brings with it a painful awareness of loss.  Is it folly to covet?  Or to love?

            One answer to those questions is that the poem makes a permanent flower of the dying flower because it comes alive every time you engage with it.  For those who love and grieve—and that has to be the most sensitive among us—poetry saves lives.

 

Saved from disaffection

 

            Poetry saved Sam Hamill, the Li Po translator, and a living stand-out in the boundary-crossing poetry world.

            The current issue of APR devotes 52 pages to Hamill, continuing its tradition of shining light on under-celebrated greats; and on representing world poetry as well as local roots (seven of the eight editors, including founder Keith Flynn, are Western North Carolinians; and the eighth is from Oak Ridge).

            In the late 1950s, Hamill had been a lost teen on the road in San Francisco when the late great Kenneth Rexroth took him under his wing.

            “I spent most of my days sleeping in Golden Gate Park and wandered at night between the Tenderloin and North Beach, searching cars for things to pawn or sell or trade,” Hamill told Lisa Morphew in an interview.

            “Then one crisp afternoon, I spent my last couple of bucks to buy ‘Thirty Spanish Poems of Love & Exile,’” Rexroth’s book of translations.  “I was standing outside City Lights (bookstore in San Francisco) when Rexroth came around the corner…I told him I wanted to be a great poet like him.”

            Rexroth let him stay at his home.  Hamill dried out.  He read through Rexroth’s library.  “It’s not an exaggeration to say,” Hamill says, “he not only shaped, but also saved my life.”

            Hamill has gone on to publish 14 volumes of poetry; and many other volumes of translations and essays.  He has taught in prisons and worked with battered woman and children.

            In 1972, he co-founded Copper Canyon Press, a heralded publisher of new works of poetry.

            Then, in 2003, Esteban Moore reports in his essay about Hamill, Hamill began to speak out against the war in Iraq.  He founded Poets against War.  Major newspapers and TV networks attacked him and “as a consequence, the board and sponsors of the publishing house he had founded asked him to resign his position there for its sake.”

            We wonder if and when poetry will assume the popular place it has had in other cultures and times.  The APR gives us a window into that effort, including with a good look at a hard-knocks-schooled iconoclast such as Hamill..

            “I’m simply not much moved by the stars of what I’ll call ‘workshop poetry,’” he told Morphew.  “The avant garde frankly bores me.”

THE BOOK

Asheville Poetry Review, vol. 19, no. 1, 2012, issue 22, $13.  Visit www.ashevillepoetryreview.com.

THE YOUNG

by Catherine Carter

Second place winner of the William Matthews Poetry Prize, published in Asheville Poetry Review, vol. 19, no. 1

The Young

for the new teachers

The young need the old.

You wouldn't think, to see

them toss their hair silky as the ears

of vampire bats, eyes not focused on anything

you can see.  You wouldn't think it

from the sound of the giggling

almost too high to hear, offering you less

notice than the cries of hunting

bats.  But the young

need you.  They need your

time, your ear for their keening

and chiming, even when it means nothing

you know.  Your admiration

and pity for their brashness

and tenderness, your abnegation

of what you hoped to do this hour,

which for either of you comes once

only.  Your approval, for the like of which many

an adult still goes thirsty, fifty

years on.  Your life drained out to feed

their unfocused need.  They drink

it like bats too, eternally beautiful for having

bathed in your blood like Bathory

countesses.  They do it helplessly,

as you do to your own beloved old,

who forgive you, helplessly

as you'll forgive these, as the weakening

cow forgives the hungry bat,

its dainty fangs, its fingers for wings.

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