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Michael Davenport replied to Rob Neufeld's discussion Q&A about Asheville water system and the current state initiative
"Nicely done, and informative. I look forward to part 2."
Friday
City Lights Bookstore posted events
Thursday
City Lights Bookstore posted events
Jul 12
Rob Neufeld posted a discussion

Behind the Beautiful Forevers by Katherine Boo

Life among the poorest is eye-openerby Rob Neufeld             Enlightened and sobered by Katherine Boo’s account of political amorality and human behavior in “Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity,” I was also amazed by her narrative achievement.            The book is…See More
Jul 7
City Lights Bookstore posted events
Jul 5
Dave Turner posted a blog post

Does anyone need a good proofreader?

My company, Dave Turner Creative, has just Dave Turner Creative has formed a new partnership with expert proofreader Rebecca Lang. Here are her credentials, experience and specialties:http://daveturnercreative.com/proofreadingAll the best,Dave Turner, author of Billy Ray's…See More
Jul 2
Rob Neufeld posted a discussion

Book discussions in WNC, July 2014

WNC BOOK DISCUSSION CALENDAR, JULY 2014Tuesday, July 1WILD BOOK CLUB: The WILD Book Club discusses “The Interestings” by Meg Wolitzer at the Battery Park Book Exchange, 1 Page Ave., Asheville, 7 p.m. Call 254-6734.BOOK DISCUSSION: “A Tale for the Time Being” by Ruth Ozeki is the subject of a book discussion at the Weaverville…See More
Jun 28
City Lights Bookstore posted events
Jun 28
City Lights Bookstore posted events
Jun 21
Kathryn Hall posted a blog post

Summer issue of GreenPrints is out!

The summer issue of GreenPrints is out! You probably know it's published right there in Fairview by Pat Stone, former longtime gardening editor of Mother Earth News! He's graciously included an excerpt of one of my favorite stories from my book Plant Whatever Brings You Joy: Blessed Wisdom from the Garden, which I do hope you will enjoy! He's also going to be making the book available on his site, soon! Thank you, Pat Stone! …See More
Jun 20
Sharon Gruber posted an event

Screening of "Stark Love" filmed in NC in 1929 at A-B Tech Ferguson Auditorium

June 21, 2014 from 2pm to 4pm
The movie, filmed in 1929 in Graham County NC, accompanies the Asheville History Center's "Hillbilly Land" exhibition.See More
Jun 19
Jerald Pope left a comment for Rob Neufeld
"Hey Rob, Can you make it to the reading tonight? If not, where can I send you a copy of the book? Best to email me at <jerry@harebrandideas.com>"
Jun 19
Jerald Pope posted an event

Jerry Pope reads New novel at Monte Visa Hotel

June 19, 2014 from 6pm to 7pm
Local artist and Swannanoa Valley historian Jerald Pope is releasing his first novel, “The Elvis Tooth.” Pope describes the book as “a comic, historical, action-packed beach book, about Black Mountain that combines real history and stories with a time travel flair,” The titular tooth, the key McGuffin in the story, was an actual tooth pulled from Elvis Presley’s mouth in Black Mountain by Dr. Love in 1975. Pope is best known locally for the “Way Back When” series of plays that ran at the Black…See More
Jun 19
Caralyn Davis posted a blog post

My Short Story "Belong" Published at Word Riot

May entertain, but it is a little edgy, NSFW (not safe for work) as the kids say, so consider yourself warned: http://www.wordriot.org/archives/7026See More
Jun 18
Rob Neufeld posted a discussion

Historic photo--Bent Field trestle wreck, 1928

HISTORIC PHOTO Bent Field trestle wreck “We have many train wreck pictures,” says Marcy Thompson, Local History Librarian at Transylvania County Library.  Railroad and logging work were dangerous occupations; and Joe Wilde, a logging crew foreman and photographer had been on site for a number of them.  The wreck…See More
Jun 17
Rob Neufeld posted a discussion

Spruce Pine and North Toe, part 3

Spruce Pine and North Toe: The History and the Vision Part 3 of 4: Entering the 20th centuryby Rob Neufeld(See Part 1.  See Part 2.)             Susanna “Aunt Susie” Wiseman Phillips was 72 years old when the 20th century arrived in the…See More
Jun 16

Asheville Poetry Review informs the world

by Rob Neufeld

 

            “In times like these,” Newton Smith writes in the new issue of Asheville Poetry Review (APR), “when men and women are dying miserably everywhere, and when politicians and nations have lost all dignity and compassion, it is time to turn to poems.”

            The 22nd issue of the Asheville-based, internationally read journal comes through again with a representation of what’s vital in the field. 

            Does poetry fill a critical need, as many of the contributors declare?  That’s not an easy argument.  Poems do not teach you how to change a tire, though they may teach you how to change tiredness.

 

Beginning with the fetus

 

            Becky Gould Gibson’s poem, “Heading Home,” 2012 winner of the William Matthews Poetry Prize (given by the APR) takes you on a journey from conception to birth with a world of prayer.

            “The jig is up…You’re past blastocyst,” she tells a fetus.  Gibson’s at-ease, intelligent voice talks street, science, and spirituality, as in her address to the baby when it’s 12 weeks in the womb: “And where’s original sin?/  Will it show up on your next sonogram?” 

            Seven months along, Gibson intones: “Stunning how badly we’ve managed Earth.  Yet/ you’ll find it stunningly beautiful,/ wrinkled in places like you.”  Ultimately, she announces: “Here you come in your craft plaited of reeds/ dragging a seine of bright constellations…Lung/ leaves the ocean of its origin, and/ you take your first breath on land.”

 

Very like a bat

 

            The second-place winner of the prize is also a magical expression of worldly caring

            “The young need the old,” Catherine Carter writes in her poem, “The Young.”  “You wouldn’t think it, to see/ them toss their hair silky as the ears/ of vampire bats, eyes not focused on anything/ you can see.”

            But “they need your/ time, your ear for their keening,” she continues, “your admiration/ and pity for their brashness/ and tenderness…Your approval, for the like of which many/ an adult still goes thirsty.”  So, we may forgive the hunger of the bat-like child, “its dainty fangs, its fingers for wings.”

            (See full poem below.)

 

Modest profession

 

            The late poet William Matthews, in whose honor his son, Asheville poet Sebastian Matthews, established the prize, is the subject of Robert Morgan’s elegy, “In Memory of William Matthews.”

            “Bill,/ wherever you are now, I’m sure/ you’re laughing at the way we poets/ take ourselves so seriously./  And I concede the fault, except/ I want to say I took you seriously/ and was not wrong,” Morgan writes.

            As he presents his loving memories like bouquets, Morgan hears Matthews snicker and say, “Send/ no flowers, bub, but maybe some good claret might not be unwelcome.”

            Like William Matthews, many contemporary poets have abandoned conventional Western lyricism for something that sounds more Eastern: lots of music, but not rhyming or strictly metered; with a freedom to shift voices, almost conversationally, and gifted with suggestive imagery.

 

Getting beyond human

 

            Sam Hamill translates a poem written by the eighth century Chinese poet, Li Po.

            “You ask why I live/ alone in the mountain forest,” the poem begins; and concludes, “I live in the other world,/ one that lies beyond the human.”

            One of the reasons that poets can speak to us in such a special way is that they have immersed themselves in lives of reading poetry; and can demonstrate the advantages of a poetic appreciation of life.

            “In her collection ‘Covet,’ Lynell Edwards manages to illuminate the small wonders of regular life,” Janice Moore Fuller reveals in her book review (one of 20 by various reviewers in the APR).

Edwards elevates ordinary things to the level of a mythical objects, Fuller writes.  “She also throws Wordsworth’s ‘certain coloring of imagination’ over ordinary actions.”

            Every rose has its thorn and, as Edwards’ book title suggests, a hunger for beauty brings with it a painful awareness of loss.  Is it folly to covet?  Or to love?

            One answer to those questions is that the poem makes a permanent flower of the dying flower because it comes alive every time you engage with it.  For those who love and grieve—and that has to be the most sensitive among us—poetry saves lives.

 

Saved from disaffection

 

            Poetry saved Sam Hamill, the Li Po translator, and a living stand-out in the boundary-crossing poetry world.

            The current issue of APR devotes 52 pages to Hamill, continuing its tradition of shining light on under-celebrated greats; and on representing world poetry as well as local roots (seven of the eight editors, including founder Keith Flynn, are Western North Carolinians; and the eighth is from Oak Ridge).

            In the late 1950s, Hamill had been a lost teen on the road in San Francisco when the late great Kenneth Rexroth took him under his wing.

            “I spent most of my days sleeping in Golden Gate Park and wandered at night between the Tenderloin and North Beach, searching cars for things to pawn or sell or trade,” Hamill told Lisa Morphew in an interview.

            “Then one crisp afternoon, I spent my last couple of bucks to buy ‘Thirty Spanish Poems of Love & Exile,’” Rexroth’s book of translations.  “I was standing outside City Lights (bookstore in San Francisco) when Rexroth came around the corner…I told him I wanted to be a great poet like him.”

            Rexroth let him stay at his home.  Hamill dried out.  He read through Rexroth’s library.  “It’s not an exaggeration to say,” Hamill says, “he not only shaped, but also saved my life.”

            Hamill has gone on to publish 14 volumes of poetry; and many other volumes of translations and essays.  He has taught in prisons and worked with battered woman and children.

            In 1972, he co-founded Copper Canyon Press, a heralded publisher of new works of poetry.

            Then, in 2003, Esteban Moore reports in his essay about Hamill, Hamill began to speak out against the war in Iraq.  He founded Poets against War.  Major newspapers and TV networks attacked him and “as a consequence, the board and sponsors of the publishing house he had founded asked him to resign his position there for its sake.”

            We wonder if and when poetry will assume the popular place it has had in other cultures and times.  The APR gives us a window into that effort, including with a good look at a hard-knocks-schooled iconoclast such as Hamill..

            “I’m simply not much moved by the stars of what I’ll call ‘workshop poetry,’” he told Morphew.  “The avant garde frankly bores me.”

THE BOOK

Asheville Poetry Review, vol. 19, no. 1, 2012, issue 22, $13.  Visit www.ashevillepoetryreview.com.

THE YOUNG

by Catherine Carter

Second place winner of the William Matthews Poetry Prize, published in Asheville Poetry Review, vol. 19, no. 1

The Young

for the new teachers

The young need the old.

You wouldn't think, to see

them toss their hair silky as the ears

of vampire bats, eyes not focused on anything

you can see.  You wouldn't think it

from the sound of the giggling

almost too high to hear, offering you less

notice than the cries of hunting

bats.  But the young

need you.  They need your

time, your ear for their keening

and chiming, even when it means nothing

you know.  Your admiration

and pity for their brashness

and tenderness, your abnegation

of what you hoped to do this hour,

which for either of you comes once

only.  Your approval, for the like of which many

an adult still goes thirsty, fifty

years on.  Your life drained out to feed

their unfocused need.  They drink

it like bats too, eternally beautiful for having

bathed in your blood like Bathory

countesses.  They do it helplessly,

as you do to your own beloved old,

who forgive you, helplessly

as you'll forgive these, as the weakening

cow forgives the hungry bat,

its dainty fangs, its fingers for wings.

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